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Nazi Plunder
World War II was the most devastating conflict in human history, but the tragedy did not end on the battlefields. During the war, Germany -- and, later, the Allies -- plundered Europe's historic treasures. Between 1939 and 1945, German armed forces roamed from Dunkirk to Stalingrad, looting gold, silver, currency, paintings and other works of art, coins, religious artifacts, and millions of books and other documents. The value of these items, many of which were irreplaceable, is estimated in the billions of dollars. The artwork alone, looted under Hitler's direction, exceeded the combined collections of the Metropolitan Museum, the British Museum, and the Louvre. As the war wound to its conclusion in 1945, occupying forces continued the looting. The story of these celebrated works of art and other vanished treasures -- and the mystery of where they went -- is a remarkable tale of greed, fraud, deceit, and treachery. Kenneth Alford's Nazi Plunder is the latest word on this fascinating subject.
Hermann Goring and the Nazi Art Collection
During World War II, the Nazis plundered from occupied countries millions of items of incalculable value estimated in the hundreds of millions of dollars. Spearheaded by Hermann Goring the looting program quickly created the largest private art collection in the world, exceeding the collections amassed by the Metropolitan in New York, the British Museum in London, the Louvre in Paris and the Tretiakov Gallery in Moscow. By the end of the war, the Nazis had stolen roughly one-fifth of the entire art treasures of the world. This book explores the formation of the Nazi art collection and the methods used by Goring and his party to strip occupied Europe of a large part of its artistic heritage.
Sacking Aladdin's Cave
Near the close of World War II, two hell-bent-for-leather American units moved relentlessly toward the village of Berchtesgaden, nestled in the Bavarian Alps. The much-decorated 101st Airborne Division had fought its way from Normandy, Bastogne and through much of Germany, and the illustrious 1269th Engineer Combat Battalion had followed suit, starting south at Marseilles. Both forces would converge on Hitler's hideaway, and awaiting them was a dazzling treasure trove nefariously collected by none other than Reichsmarschall Hermann Göring. The greedy, art-loving Nazi leader had accumulated a vast and dazzling array of paintings, precious jewels, and many other objets d'art - four trainloads' worth. Following the age-old adage of "To the victor belong the spoils," the rendezvousing American soldiers helped themselves to the crème de la crème of the Nazi loot.
Civil War Saints
Collection of essays and articles about the US Civil War, with a focus on, but not limited to, people who were either members or later became members of The Church of Jesus Christ of Latter-day Saints. Topics include historical facts about actual events, people, landmarks, and stories; most of which are connected to the US Civil War.
Big Kiss
It's not the way most actors get their first break, but for an unconventional guy like Henry Alford, it made sense to beg dozens of Times Square deli owners to hang his unknown head shot on their walls of fame. Big Kiss chronicles the irritation and exhilaration of trying to make it in the entertainment world as Alford enrolls in the Royal Academy of Dramatic Art in England (where he fails to convince the Queen to attend his final performance); auditions for the role of Wilbur the Pig in Charlotte's Web; botches an Amish hoedown dance number in tryouts for a biblical epic; and fails to make the cut in a nude Measure for Measure in the East Village. But there is triumph -- a fortuitous move to Los Angeles (his boyfriend was offered a job there), a gig cohosting VH-1's Rock of Ages, and the role of Screaming Victim #211 in Godzilla. A rollicking romp through a stranger-than-fiction world, Big Kiss perfectly captures the experience of being a struggling performer and delivers first-rate, totally original entertainment on every page.
Latter-Day Saints in Washington, DC
The Church of Jesus Christ of Latter-day Saints has an important history in Washington, DC. With the exception of cities where the Church has been headquartered, it can be argued that no American city has had more influence on the history of the Church than the nation's capital. This volume takes a fresh look at the history, people, and places in Washington, DC, that have affected the Church. Beginning with Joseph Smith's earliest interactions with the federal government in the 1830s, the Church's progress has been shaped by leaders and members interacting in Washington. In 2019, faculty from the Department of Church History and Doctrine at Brigham Young University traveled to Washington to study that history. This volume is filled with their essays on many of the topics they explored. Latter-day Saints in Washington, DC helps readers appreciate the sometimes complicated yet cooperative relationship between the Church and the federal government. It chronicles many of the Saints and statesmen who have worked to bring the Church out of obscurity and onto a national and international stage.
Art and the Nazis, 1933-1945
This first comprehensive analysis of the Third Reich's efforts to confiscate, loot, censor and influence art begins with a brief history of the looting of artworks in Western history. The artistic backgrounds of Adolf Hitler and Hermann Goring are examined, along with the various Nazi art looting organizations, and Nazi endeavors to both censor and manipulate the arts for propaganda purposes. Long-held beliefs about the Nazi destruction of "degenerate art" are examined, drawing on recently developed university databases, new translations of original documents and recently discovered information. Theft and destruction of artworks by the Allies and looting by Soviet trophy brigades are also documented.
Hunt and Kill
One of WWII's pivotal events was the capture of U-505 on June 4, 1944. The top secret seizure of this massive Type IX submarine provided the Allies with priceless information on German technology and innovation. After the war U-505 was transported to Chicago, where today 1,000,000 visitors a year pass through her at the Museum of Science and Industry. Hunt and Kill offers the first definitive study of U-505. The chapters cover her construction, crew and commanders, combat history, general Type IX operations, naval intelligence, the eight fatal German mistakes that doomed the boat, and her capture, transportation, and restoration for posterity. The contributors to this fascinating volume--a Who's Who of U-boat historians--include: Erich Topp (U-Boat Ace, commander of U-552); Eric Rust (Naval Officers Under Hitler); Timothy Mulligan (Neither Sharks Nor Wolves); Jak Mallman Showell (Hitler's U-boat Bases); Jordan Vause (Wolf); Lawrence Patterson (First U-boat Flotilla); Mark Wise (Enigma and the Battle of the Atlantic); Keith Gill (Curator, Museum of Science and Industry), and Theodore Savas (Silent Hunters; Nazi Millionaries).
Dreams As Revelation
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Nazi Millionaires
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