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How does a man escape from himself...? A classic masterpiece of American noir fiction. George Stroud is a hard-drinking, tough-talking, unscrupulous journalist working for tyrannical Earl Janoth's media empire. And he's involved with the wrong woman - his boss's mistress, Pauline Delos. One day, as Stroud escorts Pauline home, he spies his boss returning from a trip. The next day, Pauline is found dead in her apartment. Janoth knows someone saw him enter Pauline's apartment on the night of the murder; he knows it must have been the man Pauline was seeing on the side; but he doesn't know his identity. To get his hands on the man and pin the crime on him, Janoth assigns his best investigative reporter and most trusted employee to track him down: George Stroud...
Examines the response of American leftist writers from the 1930s to the rise of mass culture, and to the continued propagation of the values of consumerism during the Depression. It traces in the work of Kenneth Fearing and Nathaniel West certain theoretical positions associated with the Frankfurt school (especially Walter Benjamin) and with contemporary theorists of postmodernism.
With this book, Alan Wald launches a bold and passionate account of the U.S. Literary Left from the 1920s through the 1960s. Exiles from a Future Time, the first volume of a trilogy, focuses on the forging of a Communist-led literary tradition in the 1930s. Exploring writers' intimate lives and heartfelt political commitments, Wald draws on original research in scores of archives and personal collections of papers; correspondence and interviews with hundreds of writers and their friends and families; and a treasure trove of unpublished memoirs, fiction, and poetry. In fashioning a "humanscape" of the Literary Left, Wald not only reassesses acclaimed authors but also returns to memory dozens ...
Obsessive Images was first published in 1960. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions. As Mark Schorer comments, this is "the last, unfinished work of a distinguished, well loved critic, poet, and professor." After the death of Joseph Warren Beach, his colleague and friend William Van O'Connor, professor of English at the University of Minnesota, prepared the unfinished manuscript of this work for publication and wrote the foreword. The work is primarily a study of certain words, phrases, and images that turn up with unusual frequency in modern...
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During the 1930s, radical young writers, artists, and critics associated with the Communist Party animated a cultural dialogue that was one of the most stimulating in American history. With the dawning of the Cold War, however, much of their work fell out
When his twin brother falls ill in the family's chateau in the independent republic of Geneva, Victor Frankenstein embarks on a quest to create the Elixir of Life described in an ancient text in the family's secret Biblioteka Obscura.
American Night, the final volume of an unprecedented trilogy, brings Alan Wald's multigenerational history of Communist writers to a poignant climax. Using new research to explore the intimate lives of novelists, poets, and critics during the Cold War, Wald reveals a radical community longing for the rebirth of the social vision of the 1930s and struggling with a loss of moral certainty as the Communist worldview was being called into question. The resulting literature, Wald shows, is a haunting record of fracture and struggle linked by common structures of feeling, ones more suggestive of the "negative dialectics" of Theodor Adorno than the traditional social realism of the Left. Establishi...