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Kenneth Griffith, actor and director, has never been far from controversy. His memoirs chronicle a childhood in Wales, war service and an acting career that began with Tyrone Guthrie at the Old Vic and has survived a close friendship with Peter O'Toole.
A journey through the recent history of Ireland, viewing events from the perspective of avowed repubicans. The authors have interviewed nine Irish veterans who have lived through the Gaelic renaissance, the Easter Rising, the guerilla war against the British, and the subsequent civil war.
The first comprehensive survey of the memorialisation process in Britain in the aftermath of the South African War, uncovering the themes and myths that underpinned the interpretations of the war as well as shifting patterns in how the war was represented and conceived.
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The Irish Republican Army (IRA) has for decades pursued the goal of unifying its homeland into a single sovereign nation, ending British rule in Northern Ireland. Over the years, the IRA has been dramatized in motion pictures directed by John Ford (The Informer), Carol Reed (Odd Man Out), David Lean (Ryan's Daughter), Neil Jordan (Michael Collins), and many others. Such international film stars as Liam Neeson, James Cagney, Richard Gere, James Mason and Anthony Hopkins have portrayed IRA members alternately as heroic patriots, psychotic terrorists and tormented rebels. This work analyzes celluloid depictions of the IRA from the 1916 Easter Rising to the peace process of the 1990s. Topics include America's role in creating both the IRA and its cinematic image, the organization's brief association with the Nazis, and critical reception of IRA films in Ireland, Britain and the United States.
First broadcast in 1968, Please Sir! is generally considered to hold a firm place in the distinguished ranks of the greatest British sitcoms. David Barry - known to millions as mummy's boy Frankie Abbott - was a fan favourite, appearing in all three series as well as both the 1971 feature film and spin-off TV show The Fenn Street Gang. In this entertaining and expertly-written memoir, David tells the whole story, from his own audition all the way through to what the gang are doing today. Along the way he shares hilarious anecdotes and fond memories that for the first time give a behind-the-scenes look at what it was like to film the much-loved show that has remained a smash hit for more than fifty years. This journey through the golden age of British sitcom and beyond will bring back all kinds of memories for those lucky enough to have seen Please Sir! first-time around... and is an enjoyable waltz through TV history for those that didn't. If you've ever wondered what it was like to play a key part in one of the best-loved British sitcoms of all time, this is the perfect book for you!
There has been a tremendous amount of renewed interest in the output of Britain's Hammer Films. But there remain a great number of worthwhile British horror films, made at the same time by other companies, that have received little attention. The author provides a comprehensive listing of British horror films--including science fiction, fantasy, and suspense films containing horror-genre elements--that were released between 1956 and 1976, the "Golden Age" of British horror. Entries are listed alphabetically by original British title, from Vincent Price in The Abominable Dr. Phibes (1971) to Zeta One (1969). Entries also include American title, release information, a critique of the film, and the film's video availability. The book is filled with photographs and contains interviews with four key figures: Max J. Rosenberg, cofounder of Amicus Productions, one of the period's major studios; Louis M. Heyward, former writer, film executive and producer; Aida Young, film and television producer; and Gordon Hessler, director of such films as The Oblong Box and Murders in the Rue Morgue.
This informed, highly readable account of 65 great British cinema character actors recalls such highlights of film history as Alec Guiness's obdurate commanding officer in The Bridge on the River Kwai, the chilling screen presence of Peter Cushing, and the hilarious bungling of Ian Carmichael in I'm All Right Jack.
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