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Marion Shilling began her career as a silent film ingenue for MGM and went on to play heroines in Westerns of the 1930s. Stage actress Esther Muir made the transition from Broadway to Hollywood just as talkies became popular. Hugh Allan was a leading man in the last years of the silents only to leave the film business in 1930 because of the uncertainty surrounding his transition to sound films and his disgust with studio politics. These three performers and thirteen others (Barbara Barondess, Thomas Beck, Mary Brian, Pauline Curley, Billie Dove, Edith Fellows, Rose Hobart, William Janney, Marcia Mae Jones, Barbara Kent, Anita Page, Lupita Tovar, and Barbara Weeks) reminisce here about Hollywood and the movie business as it made the transition.
While many fans remember The Lone Ranger, Ace Drummond and others, fewer focus on the facts that serials had their roots in silent film and that many foreign studios also produced serials, though few made it to the United States. The 471 serials and 100 series (continuing productions without the cliffhanger endings) from the United States and 136 serials and 37 series from other countries are included in this comprehensive reference work. Each entry includes title, country of origin, year, studio, number of episodes, running time or number of reels, episode titles, cast, production credits, and a plot synopsis.
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In To Whom Shall We Go? Thomas J. Nash seeks to present anew the real Jesus, the Word who became flesh (John 1:14) to save all of humanity and to employ his Mystical Bride, the Catholic Church, as his instrument of salvation and life-transforming love. Nash makes biblical and historical arguments for the perennial relevance of Jesus and his Church. As Nash summarizes well, if the Catholic Church were merely a human institution, she would’ve entered the dustbin of history centuries ago, both because of internal scandals and external persecutions. Instead, two thousand years after the Resurrection, the Church continues to advance her God-given Great Commission (Matt 28:18-20).
Focusing on the works of a select group of Lutheran astronomers in the Wittenberg sphere of influence, Earthly Adams and Pious Philosophers recognizes in their response to the sixteenth-century astronomical revolution a theological anthropological pattern. In challenging traditional cosmology and its Scholastic advocates, Georg Joachim Rheticus, Tycho Brahe, and Caspar Peucer invoked intellectual piety and a pessimist epistemology that were tailored to Luther’s understanding of man after the Fall. The fruitful ignorance that they accepted and advocated may be seen as part of a larger view of the self and the world as well as of the figure of the astronomer, the academic scholar and the university, which was of an essentially theological nature.