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Literature and Technology
Major authors investigated include Chaucer, Blake, Romains, Pynchon, and Prigogine.
Narcissus and the Invention of Personal History
Originally published in 1985. This investigation of Ovid’s fable takes a different tack to previous studies of the love lyric or the themes but looks at the creation of narrative strategies to explain Narcissus’ experience. The story has always been understood as literally impossible but invites readers to ask what is meant by the puzzling tale of deception and death. The limits placed on the fable by the commentaries of the medieval period allow us to appreciate the narrative expansion of the fable in twelfth and thirteenth-century poetry. Themes in this book are the way the fable is used as a means for knowledge of physical nature and the development of science; the importance of language in the fable and in its settings when rewritten in other texts, and psychoanalytic aspects of Echo and Narcissus. The fable has the capacity to represent mental life and psychological crisis within other narratives and this is also an important discussion point, based around the medieval text Roman de la Rose. The book also considers the wider Metamorphoses and Ovid’s importance for literature.
The Temporal Mechanics of the Fourth Gospel
By redefining narrative temporality in light of modern physics, this book advances a unique and innovative approach to the deep-seated temporalities within the Gospel of Johna "and challenges the implicit assumptions of textual brokenness that run throughout Johannine scholarship.
Newton and Religion
Over the past twenty-five years - since the very large collection of Newton's papers became available and began to be seriously examined - the beginnings of a new picture of Newton has emerged. This volume of essays builds upon the foundation of its authors in their previous works and extends and elaborates the emerging picture of the `new' Newton, the great synthesizer of science and religion as revealed in his intellectual context.
Engines of the Imagination
Challenging the artificial divide between technological studies and cultural history, Engines of the Imagination traces the story of the imaginative encounter with machines and machinery in the European Renaissance.
Fallen Languages
According to Robert Markley, historians and philosophers of science who link the rise of science to the rise of modern, objective forms of writing are interpreting the works of Robert Boyle, Isaac Newton, and their contemporaries far too narrowly. Focusing on the crises of representation in the discourse of physico-theology in English natural philosophy from 1660 to 1740, Markley demonstrates the crucial role played by theology in the development of modern science.
Now Through a Glass Darkly
Nolan explores the way Roman and medieval authors used the mirror as both instrument and metaphor
Humanities
None
Narcissism and Selfhood in Medieval French Literature
This book offers analyses of texts from medieval France influenced by Ovid’s myth of Narcissus including the Lay of Narcissus, Alain de Lille’s Plaint of Nature, René d’Anjou’s Love-Smitten Heart, Chrétien de Troyes’s Story of the Grail and Guillaume de Machaut’s Fountain of Love. Together, these texts form a corpus exploring human selfhood as wounded and undone by desire. Emerging in the twelfth century in Western Europe, this discourse of the wounded self has survived with ever-increasing importance, informing contemporary methods of theoretical inquiry into mourning, melancholy, trauma and testimony. Taking its cue from the moment Narcissus bruises himself upon learning he cannot receive the love he wants from his reflection, this book argues that the construct of the wounded self emphasizes fantasy over reality, and that only through the world of the imagination—of literature itself—can our narcissistic injuries seemingly be healed and desire fulfilled.
Museum Configurations
Museum Configurations demonstrates how museum space functions cognitively and communicatively and questions whether it can be designed to provide a rich embodied experience, situating displays and their public in felicitous dialogue. Including contributions from authors working in the disciplines of architecture, psychology, museum studies, history and the visual arts, this volume addresses an interdisciplinary audience. The analysis of a wealth of examples shows how the voices of architects, curators and exhibition designers enter into dialogue and invite visitors to make their own connections between physical, cognitive and affective space. Considering how the layout of museums facilitates...
