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Urban Obsessions, Urban Fears
Kurtz's analysis the development of the Kenyan novel in English emphasizes the historical contingencies affecting the production of literature in Kenya, and how succeeding generations have drawn from and expanded the thematic repertoire established by the 'first generation' of works in the 1960s.He explores the relationship between the novel and the city, and how obsessions and fears about the urbanization have been expressed and represented through different generations of Kenyan writers. Kurtz has also put together the first annotated bibliography of all the anglophone Kenyan novels that have appeared since Ngugi wa Thiong'o wrote Weep Not, Child.Ngugi's Weep Not, Child made an immediate i...
The river between
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Petals of Blood
'A compelling novel about the tragedy of corrupting power, set in post-independence Kenya... Ngugi writes with passion about every form, shape and colour which power can take' Sunday Times After decades of British rule Kenya has declared its independence, but drought and poor harvests still govern the village of Ilmorog. Undeterred, Munira, Karega, Wanja and Abdulla each move to Ilmorog in search of a more provincial life, only to find themselves suspects in a crime that signals a dark turning of the times. A classic of modern African literature, Ngugi wa Thiong'o's damning satire of politics and corruption in Kenya would prove the catalyst for his imprisonment by the Kenyan government.
Land, Freedom and Fiction
This now classic work examines the contrasting ways in which the Mau Mau struggle for land and independence in Kenya was mirrored, and usually distorted, by successive generations of English and white Kenyan authors, as well as by indigenous Kenyan novelists. Against the turbulent background of the Mau Mau Uprising, Dr Maughan-Brown explores the relationship between history, literary creation and the myths that societies cultivate. Spanning the breadth of colonial and post-colonial African literature, his subjects range from the colonialist authors Robert Ruark and Elspeth Huxley to the post-independence novels of Meja Mwangi and Ngugi wa Thiong'o. Maughan-Brown's book is invaluable on many levels. He presents a concise account of the uprising and its place in Kenyan identity, and significantly increases our understanding of settler attitudes and the role of literature within colonial ideology. Land, Freedom and Fiction succeeds in showing the subtle insights a materialist approach can bring to the study of literature, ideology and society.
A Grain of Wheat
Set in 1963, A Grain of Wheat tells the story of Kenya on the verge of Uhuru - its independence day. The novel focuses on Mugo, a man affected by his childhood, the years in the State of Emergency and his own demons within. This novel was recognised as o
Weep Not, Child
This is a simple and powerful tale of the effects of the Mau Mau war on individuals and families in Kenya.
Weep Not, Child
This is an Upper Level story in a series of ELT readers comprising a wide range of titles - some original and some simplified - from modern and classic novels, and designed to appeal to all age-groups, tastes and cultures. The books are divided into five levels: Starter Level, with about 300 basic words; Beginner Level (600 basic words); Elementary Level (1100); Intermediate Level (1600); and Upper Level (2200). Some of the titles are also available on cassette.
The Promised Land
A young farmer and his wife who have migrated to Tanzania from Kenya become embroiled in issues of personal jealousy and materialism, and a melodramatic tale of tribal hatreds ensues. The novel explores Ogot's concept of the ideal African wife: obedient and submissive to her husband; family and community orientated; and committed to non-materialist goals. The style is distinctively ironic giving the story power and relevance. Grace Ogot has been employed in diverse occupations as a novelist, short story writer, scriptwriter, politician, and representative to the UN. Some of her other works include The Island of Tears (1980), the short story collection Land Without Thunder (1988), The Strange Bride (1989) and The Other Woman (1992). The Promised Land was originally published in 1966, and has since been reprinted five times.
Black Star Nairobi
Two cops—one American, one Kenyan—team up to track down a deadly terrorist. It’s December 2007. The Kenyan presidential elections have gotten off to a troubled start, with threats of ethnic violence in the air, and the reports about Barack Obama on the campaign trail in the United States are the subject of newspaper editorials and barstool debates. And Ishmael and O have just gotten their first big break for their new detective agency, Black Star. A mysterious death they’re investigating appears to be linked to the recent bombing of a downtown Nairobi hotel. But local forces start to come down on them to back off the case, and then a startling act of violence tips the scales, setting them off on a round-the-globe pursuit of the shadowy forces behind it all. A thrilling, hard-hitting novel, from the author of Nairobi Heat, a major new crime talent.
Land Without Thunder
The first collection of short stories from Kenya's foremost woman novelist. Twelve stories bring alive the author's feeling for the macabre and fantastic - reminiscent of the tragedy in The Promised Land.
