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Ottoman Land Reform in the Province of Baghdad
In Ottoman Land Reform in the Province of Baghdad, Keiko Kiyotaki traces the Ottoman reforms of tax farming and land tenure and establishes that their effects were the key ingredients of agricultural progress. These modernizing reforms are shown to be effective because they were compatible with local customs and tribal traditions, which the Ottoman governors worked to preserve. Ottoman rule in Iraq has previously been considered oppressive and blamed with failure to develop the country. Since the British mandate government’s land and tax policies were little examined, the Ottoman legacy has been left unidentified. This book proves that Ottoman land reforms led to increases in agricultural production and tax revenue, while the hasty reforms enacted by the mandate government ignoring indigenous customs caused new agricultural and land problems.
New Cinema in Turkey
New Cinema in Turkey: Filmmakers and Identities between Urban and Rural Space focuses, with a very precise overview, on Turkish cinema that, since the mid-’90s, has seen the emergence and consolidation of a strong and original authorship, which has been accompanied by a growing recognition at the international level. This is a personal cinema, which, with a wide variety of styles and approaches to storytelling, addresses the issues of identity in a country that is in a crucial phase of its history, in both social and political terms. The book presents a critical assessment of the last twenty years of the “New Turkish Auteur Cinema” by comparing the so-called “third generation”, the directors born in the early ’60s, to a fourth generation of directors, born in the ’70s and ’80s, who, in the great majority, made their debut in the last decade. As such, this study represents the most up-to-date English language book on Turkish cinema.
War, Politics and Society in Afghanistan, 1978-1992
The subject of this work is Afghanistan under the rule of the People's Democratic Party. Its focus is explicitly on the regime, its institutions and its successes and failures rather than on the resistance to it or on the international dimensions of the conflict in Afghanistan.
Turkish Cinema 1970-2007
This handbook on Turkish cinema tries to provide a basis for those who are interested in Turkish cinema in general and for those who wish to do research in the field of Turkish cinema. It comprises two parts, a bibliography and a study on the history of Turkish cinema. With around 6000 entries and two or three times as many cross references, the bibliography forms part one and includes for the first time all kinds of non-Turkish and Turkish publications on the history of Turkish cinema, directors, actors, films and film festivals from 1970 to 2007. Part two is a comprehensive study focusing on various aspects and subjects of Turkish cinema including its beginnings, genres, directors, producers, films, etc.
Fatih Akin's Cinema and the New Sound of Europe
In Fatih Akın's Cinema and the New Sound of Europe, Berna Gueneli explores the transnational works of acclaimed Turkish-German filmmaker and auteur Fatih Akın. The first minority director in Germany to receive numerous national and international awards, Akın makes films that are informed by Europe's past, provide cinematic imaginations about its present and future, and engage with public discourses on minorities and migration in Europe through his treatment and representation of a diverse, multiethnic, and multilingual European citizenry. Through detailed analyses of some of Akın's key works—In July, Head-On, and The Edge of Heaven, among others—Gueneli identifies Akın's unique styl...
The Palgrave Handbook of Asian Cinema
This collection offers new approaches to theorizing Asian film in relation to the history, culture, geopolitics and economics of the continent. Bringing together original essays written by established and emerging scholars, this anthology transcends the limitations of national borders to do justice to the diverse ways in which the cinema shapes Asia geographically and imaginatively in the world today. From the revival of the Silk Road as the “belt and road” of a rising China to historical ruminations on the legacy of colonialism across the continent, the authors argue that the category of “Asian cinema” from Turkey to the edges of the Pacific continues to play a vital role in cutting-edge film research. This handbook will serve as an essential guide for committed scholars, students, and all those interested in the past, present, and possible future of Asian cinema in the 21st century.
The Ottoman Origins of Modern Iraq
As a result of the various reforms of the mid-nineteenth century Tanzimat ('reorganisation') era, Ottoman authority in Iraq was much stronger and better administered by the 1870s, than it had been when the Ottomans imposed direct rule over the region in the 1830s. Drawing upon original source documents, Ebubekir Ceylan provides the first comprehensive study of the Tanzimat reforms in Iraq in the nineteenth century, focusing on aspects of political reform, modernization and development and analyzing both the successes and failures of the reform process. The reforms included administrative and military centralization, the establishment of provincial councils and these, as well as the Ottoman tribal policy and the Ottoman contribution to the modernization of urban life and infrastructure. Ceylan demonstrates that the origins of modern Iraq can be found in the period of Ottoman rule in the nineteenth century.
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Islamische Selbstbilder
In der Islamkunde wird seit einigen Jahren sehr lebhaft diskutiert, inwieweit „Horizonte des Individuellen“ in literarischen und dokumentarischen Quellen wahrnehmbar sind. Der Band ist bewusst nicht als kumulativ strukturierte Festgabe konzipiert, sondern soll vielmehr an fachwissenschaftlich relevante Diskussionen anknüpfen. Mit Beiträgen von Lale Behzadi, Michael Ursinus, Henning Sievert, Paula Schrode, Johannes Zimmermann, Ines Weinrich u.v.a. DE
