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A funny and insightful novel about an autistic teen who realises she's been missing all the signs when it comes to her romantic life.
A powerful and funny Own Voices story from a debut Australian writer, for fans of Simone Howell’s Girl, Defective and Rainbow Rowell’s Fangirl.
This is the history of the most significant translator, publisher, and distributor of left-wing literature in the United States. Based in Chicago and still publishing, Charles H. Kerr & Company began in 1886 as a publisher of Unitarian tracts. The company's focus changed after its founder, the son of abolitionist activists, became a socialist at the turn of the century. Tracing Kerr's political development and commitment to radical social change, "We Called Each Other Comrade" also tells the story of the difficulties of exercising the First Amendment in an often hostile business and political climate. A fascinating exploration in left-wing culture, this revealing chronicle of Charles H. Kerr and his revolutionary publishing company looks at the remarkable list of books, periodicals, and pamphlets that the firm produced and traces the strands of a rich tradition of dissent in America.
SHORTLISTED FOR THE WALTER SCOTT PRIZE FOR HISTORICAL FICTION LONGLISTED FOR THE ORWELL PRIZE FOR POLITICAL FICTION A BOOK OF THE YEAR IN THE TIMES, GUARDIAN, SUNDAY TIMES, DAILY EXPRESS, SCOTSMAN and SPECTATOR Three journeys. One road. England, 1348. A gentlewoman flees an odious arranged marriage, a Scots proctor sets out for Avignon and a young ploughman in search of freedom is on his way to volunteer with a company of archers. All come together on the road to Calais. Coming in their direction from across the Channel is the Black Death, the plague that will wipe out half of the population of Northern Europe. As the journey unfolds, overshadowed by the archers' past misdeeds and clerical warnings of the imminent end of the world, the wayfarers must confront the nature of their loves and desires. A tremendous feat of language and empathy, it summons a medieval world that is at once uncannily plausible, utterly alien and eerily reflective of our own. James Meek's extraordinary To Calais, In Ordinary Time is a novel about love, class, faith, loss, gender and desire - set against one of the biggest cataclysms of human history.
In the 1960s and '70s, class struggle surged in U.S. industrial cities. Many leftists joined these struggles by going to work in the nation's factories; among them was Noel Ignatiev. He labored in different factories during this period, and this memoir came from his experiences as an electrician in the blast furnace division of U.S. Steel Gary Works. His first-hand account reveals the day-to-day workings of white supremacy, patriarchy, and the exploitation of labor. More so, though, we see the seeds of a new society sown in the workers' on-the-job resistance. The stories Noel tells are gripping and humorous--and at times will bring you to tears.
On the periphery of Aotearoa New Zealand's publishing scene, there is a rich and varied cottage industry of small press publishers. They work in collaboration, in gaps between paid gigs and with the support of like-minded peers: poets who print, curators-cum-editors, self-publishing photographers, and cross-disciplinary designers. From this rich set of makers come books that are inventive. Books that are attentive and thoughtful. Books that are often genre-bending and indeterminate. Books that are exquisitely designed. Books that exist as beautiful objects, often made to be admired rather than mass-produced. Despite the huge costs of printing, and even bigger challenges of distribution, alternative publishing in Aotearoa is thriving. Dwelling in the Margins introduces the leading figures of independent publishing in their own words.
On a remote Scottish island, three children make a shocking discovery: two bodies on the beach, a whale and a man. Fraser and Hayley see it as the start of an adventure, but sensitive Dunny is distraught. What happened on the water just isn't natural ... and only by watching the whales can it be put right.
This book explores the lifecycle of digital games. Drawing upon a broad range of media studies perspectives with aspects of sociology, social theory and economics, Aphra Kerr explores this all-pervasive, but under-theorised, aspect of our media environment. Written as an introductory text for media and game students this book aims present an overview of industry and scholary work on who makes games, where they get made, what kind of media and cultural form they are and who plays them and where. The Business and Culture of Digital Games looks at: - games as a new media form; - the design, development and marketing of games; - the use of games in public and private spaces. Combining a theoretical and empirical analysis of the production, content and consumption of computer games, this book will be of interest to many students of media, culture and communication.
The classic picture book about a magical cat from the beloved and iconic Judith Kerr.
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