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This book relocates the long life and literary career of the poet, playwright, novelist, philanthropist and teacher Hannah More (1745-1833) in the wider social and cultural contexts that shaped her, and which she helped shape in turn. One of the most influential writers and campaigners of the late eighteenth and early nineteenth centuries, More’s reputation has suffered unfairly from accusations of paternalism and provincialism, and misunderstandings of her sincerely-held but now increasingly unfamiliar evangelical beliefs. Now, in this book, readers can explore a range of essays rooted in up-to-the-minute research which examines newly-recovered archival materials and other evidence in order to present the fullest picture yet of this complex and compelling author, and the era she helped mould with her words.
Examines the determination and drive throughout her life which led Strug to secure the gold medal for the U.S. women's gymnastics team at the 1996 Olympics in Atlanta despite performing her final vault with a badly injured ankle.
This study offers a timely and necessary reassessment of the careers of Ann Yearsley and Hannah More. Making use of newly-discovered letters and poems, Andrews provides a full analysis of the breakdown of the two writers’ affiliation and compares it to other labouring-class relationships based on patronage.
This “absorbing history of the Ordnance Survey”—the first complete map of the British Isles—"charts the many hurdles map-makers have had to overcome” (The Guardian, UK). Map of a Nation tells the story of the creation of the Ordnance Survey map, the first complete, accurate, affordable map of the British Isles. The Ordnance Survey is a much beloved British institution, and this is—amazingly—the first popular history to tell the story of the map and the men who dreamt and delivered it. The Ordnance Survey’s history is one of political revolutions, rebellions and regional unions that altered the shape and identity of the United Kingdom over the eighteenth and nineteenth centuries. It’s also a deliciously readable account of one of the great untold British adventure stories, featuring intrepid individuals lugging brass theodolites up mountains to make the country visible to itself for the first time.
What does it mean to be out walking in the world, whether in a landscape or a metropolis, on a pilgrimage or a protest march? In this first general history of walking, Rebecca Solnit draws together many histories to create a range of possibilities for this most basic act. Arguing that walking as history means walking for pleasure and for political, aesthetic, and social meaning, Solnit homes in on the walkers whose everyday and extreme acts have shaped our culture, from the peripatetic philosophers of ancient Greece to the poets of the Romantic Age, from the perambulations of the Surrealists to the ascents of mountaineers. With profiles of some of the most significant walkers in history and fiction - from Wordsworth to Gary Snyder, from Rousseau to Argentina's Mother of the Plaza de Mayo, from Jane Austen's Elizabeth Bennet to Andre Breton's Nadja - Wanderlust offers a provocative and profound examination of the interplay between the body, the imagination, and the world around the walker.
A sweeping collection of women’s writing on the wandering path, moving across genres, geographies, and centuries. The follow-up to the celebrated Wanderers, Kerri Andrews’s Way Makers is the first anthology of women’s writing about walking. Moving from Elizabeth Carter’s correspondence with Catherine Talbot in the eighteenth century through to Merryn Glover in the present day, and across poetry, letters, diaries, novels, and more, this anthology traces a long tradition of women’s walking literature. Walking is, for the women included in this anthology, a source of creativity and comfort; it is a means of expressing grief, longing, and desire. It is also a complicated activity: it represents freedom but is also sometimes tinged with danger and fear. What cannot be denied any longer is that walking was, and continues to be, an activity full of physical and emotional significance for women: this anthology is a testament to the rich literary heritage created by generations of women walker-writers over the centuries.
A History of British Working-Class Literature examines the rich contributions of working-class writers in Great Britain from 1700 to the present. Since the early eighteenth century the phenomenon of working-class writing has been recognised, but almost invariably co-opted in some ultimately distorting manner, whether as examples of 'natural genius'; a Victorian self-improvement ethic; or as an aspect of the heroic workers of nineteenth- and twentieth-century radical culture. The present work contrastingly applies a wide variety of interpretive approaches to this literature. Essays on more familiar topics, such as the 'agrarian idyll' of John Clare, are mixed with entirely new areas in the field like working-class women's 'life-narratives'. This authoritative and comprehensive History explores a wide range of genres such as travel writing, the verse-epistle, the elegy and novels, while covering aspects of Welsh, Scottish, Ulster/Irish culture and transatlantic perspectives.
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An absorbing survey of poetry written in one of the most revolutionary eras in the history of British literature This comprehensive survey of British Romantic poetry explores the work of six poets whose names are most closely associated with the Romantic era—Wordsworth, Coleridge, Blake, Keats, Byron, and Shelley—as well as works by other significant but less widely studied poets such as Leigh Hunt, Charlotte Smith, Felicia Hemans, and Letitia Elizabeth Landon. Along with its exceptional coverage, the volume is alert to relevant contexts, and opens up ways of understanding Romantic poetry. The Romantic Poetry Handbook encompasses the entire breadth of the Romantic Movement, beginning wit...
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