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Rhetorical Code Studies
Winner of the 2017 Sweetland Digital Rhetoric Collaborative Book Prize Software developers work rhetorically to make meaning through the code they write. In some ways, writing code is like any other form of communication; in others, it proves to be new, exciting, and unique. In Rhetorical Code Studies, Kevin Brock explores how software code serves as meaningful communication through which software developers construct arguments that are made up of logical procedures and express both implicit and explicit claims as to how a given program operates. Building on current scholarly work in digital rhetoric, software studies, and technical communication, Brock connects and continues ongoing convers...
The Secrets of Money
A comprehensive guide to personal finance covers such topics as consumer credit, real estate mortgages, property leases, car buying and financing, insurance, taxes, investments, and wills.
Life in the Leatherwoods
Life in the Leatherwoods is one of the country's most delightful childhood memoirs, penned by an Ozark native with a keen, observant eye and a gift for narrative. John Quincy Wolf's relaxed style and colorful characters resemble those of another chronicler of nineteenth-century rural life, Laura Ingalls Wilder. Wolf's acerbic wit and lucid prose infuse the White River pioneers of his story with such life that the reader participates vicariously in their log rollings, house-raisings, spelling bees, hog killings, soap making, country dances, and camp meetings. Originally published by Memphis State University Press in 1974, this new edition includes additional writings of John Q. Wolf and a con...
Her Dying Secret
She gently opens the woman’s tightly clenched fist, uncurling each finger to reveal a square of folded paper hidden in her palm. Scrawled in thick crayon, beside a child’s crooked drawing of a red flower, is one word that sends a shiver through the evening mist: HELP It was supposed to be a routine road accident recovery, but the moment Detective Josie Quinn sees the passenger—pale and painfully thin, a sharp tool lodged in her stomach—it’s clear she was the victim of something far more sinister, and likely dead before the crash. Watching the driver taken away in an ambulance, questions spin through Josie’s mind. Where were these two women going? Was the driver trying to save a l...
Social Mediations
Rhetoric and composition scholar Donna LeCourt combines theoretical inquiry, qualitative research, and rhetorical analysis to examine what it means to write for the “public” in an age when the distinctions between public and private have eroded. Public spaces are increasingly privatized, and individual subjectivities have been reconstructed according to market terms. Part critique and part road map, Social Mediations begins with a critical reading of digital public pedagogies, then turns to developing a new theory that can guide a more effective writing pedagogy. LeCourt offers a theory based in embodied relationality that uses information economies to develop public spheres. She highlights how information commodities generate value through circulation, orchestrate relationships among people, and support unequal power structures. By demonstrating how we can use information capital for social change rather than market expansion, writers and readers are encouraged to seek out encounters with cultural and political impact.
The Society of Text
This collection of essays continues Barrett's investigations into implementing networked online systems described in his first book Text, ConText, and HyperText, with a more focused emphasis on specific hypermedia systems. In four parts the 22 essays take up designing hypertext and hypermedia systems for the online user; textual intervention and collaboration; new roles for writers; and sensemaking and learning in the online environment.In his introduction, Barrett analyzes the design of networked online systems as part of a collaborative process, asserting that the online environment fosters collaboration by using computer technology to support interaction among those who design, use, and w...
A Republic Under Assault
NEW YORK TIMES BESTSELLER In this explosive new book, New York Times bestselling author and president of Judicial Watch Tom Fitton explains how the Radical Left and the Deep State are trying to destroy the Trump presidency. Tom Fitton’s first two New York Times bestselling books, The Corruption Chronicles and Clean House, exposed the hypocrisy and corruption of Obama’s two terms. Now, in Fitton’s latest investigative probe, he identifies the four major forces posing a continued threat to American democracy. Deep State Efforts to Destroy the Trump Presidency: How the Democratic National Committee and the Clinton campaign paid for the fraudulent anti-Trump “Steele Dossier,” and how i...
Ethical Programs
Explores the rhetorical potential and problems of a new era of hosts and guests
The Alcalde
As the magazine of the Texas Exes, The Alcalde has united alumni and friends of The University of Texas at Austin for nearly 100 years. The Alcalde serves as an intellectual crossroads where UT's luminaries - artists, engineers, executives, musicians, attorneys, journalists, lawmakers, and professors among them - meet bimonthly to exchange ideas. Its pages also offer a place for Texas Exes to swap stories and share memories of Austin and their alma mater. The magazine's unique name is Spanish for "mayor" or "chief magistrate"; the nickname of the governor who signed UT into existence was "The Old Alcalde."
Her Final Confession
Watching her friend dragged away in handcuffs, Josie couldn't believe for one second that Gretchen had killed that poor boy. Confession or not, someone else was involved. She would find out who… When the body of a young student is found on the driveway of a local Denton home, a photograph pinned to his collar, Detective Josie Quinn is first on the scene. The house belongs to Gretchen Palmer, a dedicated member of Josie’s team, missing for the last twenty-four hours. Working around the clock, Josie is stopped in her tracks when Gretchen hands herself in to the police. She knows that there’s no way Gretchen could ever be a killer, so why would she confess to a murder she didn’t commit?...
