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When Janice Ballenger joined a volunteer rescue company, she began keeping a journal, and clipping news articles about the calls she responded to. Now, as an EMT and deputy coroner, she has seen, smelled and touched things most people have difficulty just hearing about. With the thought of "There's nothing worse that I can see," she continued her job. The Nickel Mines Amish School shootings in October 2006, changed that, when a milk truck driver shot ten Amish girls, and killed himself. Read her story as one of the few people who entered the schoolhouse with the bodies inside. (286pp. Masthof Press, 2008.)
Field Guide to the Trees of the Gila Region of New Mexico is the definitive guide for field botanists, researchers, students, and avid nature lovers who wish to explore the natural history of native and introduced tree species across the Gila. The book documents over seventy-five tree species in the first wilderness area in the United States--and the largest in New Mexico--known for its wildness, remoteness, and significant recreation opportunities. Drawing on extensive fieldwork, the authors feature detailed individual species accounts and special ecological and ethnobotanical information, providing full dichotomous keys to the families, genera, and species of all trees in the region. Color photographs of the species provide diagnostic clarity for easy identification, showing the whole tree, trunk, and foliage as well as macro photos of the flowers, fruits, or cones and other significant features. This comprehensive and user-friendly guide will be welcomed by residents and visitors studying and discovering the diverse trees of the Gila Region.
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For years, conventional wisdom has held that theatre companies have to produce brainless, well-known, flashy shows to make money and stay afloat. But one regional theatre company out in the middle of America has been proving since 1991 that conventional wisdom is wrong. New Line Theatre consistently challenges its audiences, taking them on wild, intense, roller coaster rides, assaulting them with issues, challenging them with complex characters and themes, demanding that audiences not remain passive, sometimes producing shows very few people have heard of, daring to be controversial, aggressive, confrontational. And not only has New Line survived its first ten years, it's sailing into its next ten years as healthy and as heartily supported by its public as ever. New Line Theatre has, once and for all, shattered the myth that audiences only like what they know, that audiences don't like to think when they come to the theatre, that television has made us all into passive couch potatoes. On the contrary, New Line has proven that audiences-even those in the supposedly conservative Midwest-love to be challenged, shaken up, confronted, involved. This is New Line's story.