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The Holophin is a microcomputer in the guise of a tiny dolphin-shaped sticker that narrates the story. Blue and white plastic sticker affixed to title page.
'Khaled Hakim is the great lost British experimental writer of the last quarter century. I believe that his importance ... lies in the fact that he brings a powerful and original set of ingredients to the most important kind of contemporary poetry. His film-making background and engagement with the work of Stan Brakhage changed the speed and the angle of his L=A=N=G=U=A=G=E-polarized poetry. He was the only UK poet to work with David Antin's conversational poetics. His Brummie-styled phonetic writing drew parallels with the similarly individual universes of Tom Leonard and bill bissett, and his class and colour were--and still are, of course--important. The conversations that his writing and being sparked in the 1990s have never really been followed through in British poetry.' -- Tim Atkins, from the Foreword to this volume
An industrial accident in a wire factory and the chance discovery of a birth certificate. Church services held in a ruined swimming pool. An unidentified elephant skull. Midland tells the stories of three young women as they fight to find their feet amidst the accumulated rubble of the twentieth century. From the bombsites of the 1940s to the construction sites of the 1960s and the school halls and decaying tower blocks of the 1980s, Honor Gavin has created an ingenious narrative of one Midlands family that is also a startling, anarchic history of a city. Composed in electric prose that soars and dives, blending keenly observed dialect with urban theory, cinema, farcical digressions and surrealist timekeeping, Midland is a novel out of time but in the middle of everything.
'The Bells of Hope' is a series of 51 poems, all of them in a short form Lumsden has developed, in which metaphor and truth swirl in one short and three long lines. The poems collectively chart a time of change in the poet's life, delighting in unusual words and tumbling images, in poems whose titles run from A to Z and back to A.
'A joyous tale from a fresh new voice.' – Cosmopolitan – Cosmopolitan A young boy comes of age within the confines of post-civil-war Beirut, with conflict, and comedy lurking round every corner. Adam dreams of becoming an astronaut but who has ever heard of an Arab on the moon? He battles with his father, a book-hoarding journalist with a penchant for writing eulogies, his closest friend, Basil, a Druze who is said to worship goats and believe in reincarnation, and a host of other misfits and miscreants in a city attempting recover from years of political and military violence. Adam's youth oscillates from laugh out loud escapades, to near death encounters, as he struggles to understand the turbulent and elusive city he calls home. ''Set amidst the country's sectarian divisions as it attempts to recover from decades of political violence and civil war, Between Beirut and the Moon charts a young boy's near-death encounters, with a colourful cast and comical escapades. A unique debut.' – AnOther Magazine
Of Sea takes the form of a poetic bestiary of creatures living beneath, beside and above the water: in wetlands, salt marshes and the intertidal zone. In a sequence of 46 poems, Burnett captures the world of cockles and clams, rare moths and the humble earwig (to name a few) with a precise and dynamic lyric that seems always on the verge of music. "Burnett is one of the UK's most original poets of the nonhuman world, and of our environmental moment. Innovative, dazzling, affecting poems that shimmer with intellectual acuity and emotional resonance." Rebecca Tamás
Metrophobia, n. Fear or hatred of poetry . From urban sketches of London and warped love poems to a paean to the Boston Tea Party and a letter to an American in Afghanistan, Metrophobia establishes a poetry that is inventive, quirky and packed with humour. . Stephanie Leal's satirical verses, visual poems and prose chunks gnaw at the edges of pop culture and the everyday. Her language twists and turns in unexpected ways, revealing a bold new writer ready to 'french kiss life square in the mouth'. REVIEWS "This is a demanding, rewarding, refreshingly iconoclastic and earthy collection of poems for the way we live now." John Field, Poor Rude Lines "A searching and resourceful imagination is at work here, seeking new perspectives with vitality and insight." Penelope Shuttle. "Leal [is] playful, experimental, questioning of 'poetry' as a specialised, rarefied state enjoyed only by sensitive types, her poems with a touch of theatre and bravura" George Szirtes.
Both human and humane, Oliver Dixon's debut collection of poetry maps a city and its inhabitants - from starlings and plane trees to a Stockhausen-listening street cleaner. But Human Form is as much a reflection on an interior world on the cusp of change. This book is a search for form, modes of utterance, combining elegantly crafted lyrics with dense blocks of prose poetry and fractured texts. Dixon is a poet open to invention and re-invention: reflective yet lively, philosophical yet grounded, a brilliant observer of people, place and moments of uncertainty coalescing into meaning. - Reviews 'Archive of the fleeting, Human Form is a work of suspended animation whose captures rarely linger ...
A young woman spends a month taking the waters at a thermal water-based rehabilitation facility in Budapest. On her return to London, she attempts to continue her recovery using an £80 inflatable blue bathtub. The tub becomes a metaphor for the intrusion of disability; a trip hazard in the middle of an unsuitable room, slowly deflating and in constant danger of falling apart. Sanatorium moves through contrasting spaces — bathtub to thermal pool, land to water, day to night — interlacing memoir, poetry and meditations on the body to create a mesmerising, mercurial debut.