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Riding a Donkey Backwards
Timeless wisdom is found in absurdity in these tales of an iconic Muslim character known as the sagest man in the village — and also its biggest fool. Would you like to know how a thief can turn into a donkey? Whether a cow can climb a pole? Or why you should spoon yogurt into a lake? Mulla Nasruddin knows all the answers, and he might also tell you why he rides his donkey backwards. Whether in the guise of an imam in a mosque or a beggar in the street, this trickster is never at a loss for a rejoinder, though it may leave you scratching your head, rolling your eyes, or laughing out loud. Enjoy twenty-one classic tales about a much-loved character from Muslim cultures in a book packed with jokes, riddles, and wisdom and paired with vibrant, theatrical illustrations.
Shakespeare, Race and Performance
What does it mean to study Shakespeare within a multicultural society? And who has the power to transform Shakespeare? The Diverse Bard explores how Shakespeare has been adapted by artists born on the margins of the Empire, and how actors of Asian and African-Caribbean origin are being cast by white mainstream directors. It examines how notions of 'race' define the contemporary British experience, including the demands of traditional theatre, and it looks at both the playtexts themselves and contemporary productions. Editor Delia Jarrett-Macauley assembles a stunning collection of classic texts and new scholarship by leading critics and practitioners, to provide the first comprehensive critical and practical analysis of this field.
Theatre Record
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Terrorism
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Staging Muslims in Britain
This scholarly volume delves into the manner in which British Muslims articulate their cultural, social and religious identities through theatrical productions in 21st-century Britain and examines their portrayal within these performances. The study investigates the factors influencing the emergence and evolution of Islamic theatre in Britain, providing an in-depth analysis of plays by British playwrights of both Muslim and non-Muslim origins that have shaped the trajectory of British Islamic theatre from the late 20th century to the present. Önder Çakırtaş critically examines how British playwrights, predominantly of Muslim origin but also including some of non-Muslim origin, depict Muslim identity and culture from their unique perspectives, particularly in the context of post-9/11 society. Adopting a comprehensive approach to Islamic playwriting and performance, this book highlights the accomplishments and contributions of contemporary British playwrights, primarily from Muslim backgrounds. This study will be of significant interest to scholars and students in theatre studies, as well as related disciplines such as Islamic studies, sociology and political science.
The Invisible Muslim
An Anglo-American born to Sufi converts, Medina Tenour Whiteman recounts her experiences at the margins of whiteness and Islam.
British Muslims and Their Discourses
This book highlights the changing dynamics of Muslim identity and integration in Britain, focusing on the post-9/11 era. Historically, Muslims faced discrimination based on ethnicity rather than religion. However, contemporary discrimination against Muslims is rooted in different reasons, with events like the Rushdie affair significantly impacting multicultural relations. This study analyzes the evolving multicultural landscape in Britain, exploring the shift from predominantly assimilationist policies to a more mutual process of integration. It delves into the emergence of interfaith dialogue as well as the complexities surrounding the intersection of race, religion, gender, and identity. T...
Muslim Women and Misogyny
Muslim women are among the most fetishised and objectified groups in society today. Much is assumed and imagined about their lives, and it is all too easy to succumb to orientalist myths. For too long, Muslim women have been reduced to two-dimensional stereotypes: empowered heroines rejecting patriarchal religious teachings, or victims of a misogyny believed to run deep within Islam. But why is this neatly packaged view so pervasive? Are oppression and subjugation actually so central to Muslim women’s lives? How is this misogyny influenced by white supremacy and Islamophobia? And where do the biggest threats to Muslim women’s freedom and safety really come from? In this bold new book, Samia Rahman explores the relationships between misogyny and Muslim women’s experiences in Britain today, untangling complex issues such as Muslim feminism, representation, toxic masculinity, marriage and sexuality. Based on extensive interviews with both women and men from Islamic communities, she offers a powerful, much-needed response to the misappropriation of female Muslim voices, revealing the many faces of Muslim womanhood within the UK.
Contemporary British Muslim Arts and Cultural Production
This unique collaboration between scholars, practitioners and Muslim artists profiles emerging forms of contemporary British Muslim art, prompting a debate about its purpose and its inclusion in UK society. It features analysis of Muslim art as a category, as well as reflective accounts of people working in theatre, popular music, the heritage sector and ancient and modern visual arts, often at the margins of the British arts industry. Dealing with sociological and theological themes as well as art history and practice, the volume provides a timely intervention on a neglected topic. The collection discusses diverse topics including how second- and third-generation British Muslims, as part of a broader generational shift, have reworked Sufi music and traditional calligraphy and fused them with new musical and artistic styles, from Grime to comic book art, alongside consideration of the experiences of Muslim artists who work in the theatre, museums and the performing arts sectors. It is a must-read for students and researchers of theology and religious studies, Islamic studies, fine art, cultural studies and ethnic and racial studies.
Young Muslims, Pedagogy and Islam
For most young people religion and religiosity is something latent or private activated by private events or the passing of years. For Muslim young people it can be activated by an incessant Islamaphobic discourse that requires fundamental questions of relationships and belonging to be addressed in the public gaze whilst being positioned as representatives and 'explainers' of their religion and their communities. Written by a leading practitioner and academic in the field of youth and community work this multidisciplinary book reflects the way theoretical, the social and the religious impacts on the lives of Muslim young people.
