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Pain 2012 Refresher Courses: 14th World Congress on Pain
Pain 2012: Refresher Courses, 14th World Congress on Pain, is based on IASP's refresher courses on pain research and treatment. Includes techniques (neuroimaging, genetics), treatments (interventional, psychological, pharmacological, complementary/alternative), and disorders (neuropathic pain, headache, cancer pain, musculoskeletal pain, CRPS, orofacial pain, postoperative pain, pediatric pain, abdominopelvic pain).
Necrophonia
'Necrophonia' documents a collaborative exhibition by longtime friends Urs Fischer and Georg Herold at The Modern Institute in Glasgow during the summer of 2011. Transforming the gallery space into a studio, the artists created figurative clay sculptures based on poses performed by models from a nearby art school.
Kir Royal
The heterogeneous punk spirit of Urs Fischer is in full threat in this catalogue from his recent retrospective exhibition (including many new works) at Kunsthaus Zrich. All materials were considered fair game, and Fischer took every possible liberty in the museum space. He cut huge walk-through holes in the gallery walls and leaned the removed pieces on their edges in the rooms. He made burning wax sculptures, put obstacles on the ground, and hung a DANGEr sign above it all. As curator Mirjam Varadinis says, "the familiarity of everyday motifs is undermined in a process of metamorphosis that renders [the work] uncanny and even threatening." Of course, a dose of humor, drawing upon the grotesque, informs the work as well. You can try to name influences, inspirations, and related artists--Thek, Nauman, Barney, Fischli & Weiss--but Fischer is sui generis.
Life as a Readymade
Darren Bader's Life As a Readymade is a four-part disquisition on contemporary art culture and his doubts about its terms of engagement. Addressing inanities, profanities and vanities in the contemporary world of art, the first section is an "open letter to the art world"; the second a meditation on the art fair phenomenon; the third is about "naming things in the face of no names"; the final section addresses what the artist regards as "a paucity of poetics.
Fractured Figure
Tiré du site Internet d'Amazon.com (Vol. 1): "A culture's body image, as refracted through its art, will usually provide a more telling account of its preoccupations than the most explicit political art; it seems that cultural symptoms leak more readily into depictions of the body than into more overt statements. This is especially true in periods of heightened alienation, when the solitary figure gains poignancy, but bodies register their eras in many ways: the signifiers of opulence, imperialism, fashion, social decay, sexual convention and anxiety can all be readily inscribed onto the human form in art--and indeed, always have been. Fractured Figure projects our millennial moment as one ...
The Cambridge Companion to Queer Studies
This Companion provides a guide to queer inquiry in literary and cultural studies. The essays represent new and emerging areas, including transgender studies, indigenous studies, disability studies, queer of color critique, performance studies, and studies of digital culture. Rather than being organized around a set of literary texts defined by a particular theme, literary movement, or demographic, this volume foregrounds a queer critical approach that moves across a wide array of literary traditions, genres, historical periods, national contexts, and media. This book traces the intellectual and political emergence of queer studies, addresses relevant critical debates in the field, provides an overview of queer approaches to genres, and explains how queer approaches have transformed understandings of key concepts in multiple fields.
Fairbairn's Book of Crests of the Families of Great Britain and Ireland
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Beyond the Uncanny Valley
"In the 1970s, Japanese robotics expert Masahiro Mori published an article that coined and theorized the idea of the "uncanny valley" as a measurable correlation between the human likeness of a machine and people's comfort level with its presence. Criticized as flawed from the moment of its appearance and eventually debunked by empirical studies, Mori's original mapping of the "uncanny valley" may have no scientific grounding, but the term still endures as an apt metaphor for a technologically induced terrain of philosophical, biological, and social uncertainty. With the development of major technologies from the atom bomb to the digital computer and the emergence of cybernetics and artifici...
Satyr Drama
The esteem in which satyr drama was held in antiquity still arouses curiosity and controversy. Twelve new papers, generated in North America by a distinguished cast of scholars, explore questions central to the genre. How did satyr drama relate to comedy and tragedy; how closely was it tied to its tragic trilogy? How did the Athenians react to pro-satyric drama, such as the Alcestis? How far did satyr plays reflect contemporary political life? Fresh conclusions are adduced from the fragments, particularly those of Aeschylus, and there is special study of Euripides' Cyclops, not least for its possible reflection of the fifth-century sophists.
