You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
This book is an argument for moving beyond culturally/historically/ethnically/biologically-grounded identity as the necessary foundation of an authentic self. It highlights examples of people who are attempting to inhabit identities they feel are more appropriate to themselves, by deploring the damage done via claims about authentic identity. The sole theme of this book is “becoming beyond identity”. We are not fixed human beings but rather perpetually-dynamic human becomings. As intelligence is enabled or recognized beyond the merely human, we should welcome our continuing evolution from homosapiens, sapiens, into many varieties of intelligences on Earth and the cosmos. This book builds...
Fiction. THE GROTESQUE CHILD is a story about being and being and being something else. It is about swallowing and regurgitating, conceiving and birthing. It is about orifices and orbs. It is about the viscous, weepy, goopy, mucousy, bloody state of feminine being and trans-being. It is about pain and various healers and torturers, soothers and inflictors. It is about what sleeps and hides in all the nooks and crannies of perceived existence and existence unperceived.
In this stunning collection Rockman explores the themes of aging; our relationships to our bodies; marriage; and the surprises, griefs, and joys of motherhood.
Longlisted for the Center for Fiction Debut Novel prize, this fableistic, "beautifully crafted, poetic" debut novel about a sister trying to hold back her brother from the edge of the abyss is for readers of Jesmyn Ward and Tommy Orange (The New York Times Book Review). In the tourist town of Ciudad de Tres Hermanas, in the aftermath of their mother's passing, two siblings spend a final weekend together in their childhood home. Seeing her brother, Rafa, careening toward a place of no return, Rufina devises a bet: if they can make enough money performing for privileged tourists in the plaza over the course of the weekend to afford a plane ticket out, Rafa must commit to living. If not, Rufina will make her peace with Rafa's own plan for the future, however terrifying it may be. As the siblings reckon with generational and ancestral trauma, set against the indignities of present-day prejudice, other strange hauntings begin to stalk these pages: their mother's ghost kicks her heels against the walls; Rufina's vanished child creeps into her arms at night; and above all this, watching over the siblings, a genderless, flea-bitten angel remains hell-bent on saving what can be saved.
The debut full-length collection of poetic fictions from Santa Fe, New Mexico author Kim Parko.
100 imagination-stretching writing exercises inspired by the idea of creative constraints, from the author of The Making of a Story. When you are facing down a blank page (or screen), a constraint-based prompt—for example, “you must use the words ‘cloud’ and ‘green’” or “you must set the scene in a crowded grocery store”—can get your brain working in unexpected ways. In this creative writing guide, longtime teacher and novelist Alice LaPlante shares 100 original exercises that will simultaneously push you into a corner and give you the tools to write yourself out of it. LaPlante explains the purpose of each exercise—to sharpen your ear for dialogue, generate surprising images, or access intense emotions—and breaks down student examples to reveal how to achieve these goals. Whether you are looking to jumpstart new ideas or find a fresh angle on a work in progress, and whether you write fiction, creative nonfiction, or poetry, Write Yourself Out of a Corner will strengthen your imagination and your craft.
These poems travel physically and emotionally, addressing the human condition through evocative language. “Enter Water, Swimmer” and you will be steeped in various manifestations of this world and beyond, daring to take on diverse realms of women, belief, culture, and ethics. Day One You slipped through me, not by me. How could I have known I would fall through these waters into the country of us?
Virginia Woolf's career was shaped by her impression of the conflict between poetry and the novel, a conflict she often figured as one between masculine and feminine, old and new, bound and free. In large part for feminist reasons, Woolf promoted the triumph of the novel over poetry, even as she adapted some of poetry's techniques for the novel in order to portray the inner life. Woolf considered poetry the rival form to the novel. A monograph on Woolf's sense of genre rivalry thus offers a thorough reinterpretation of the motivations and aims of her canonical work. Drawing on unpublished archival material and little-known publications, the book combines biography, book history, formal analy...