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Berlin in autumn: Christine Starlight is living in an artists' colony in the crumbling urban shadows of the old east. Her lover Jude is a painter; his beauty and patience help her bear the chronic pain that is a legacy of the car crash that crippled her and killed her beloved parents. Out of the blue comes a crimson-haired beauty, who presides over a land where a witch dwells in a well, a wolf is the queen's counsellor and fate turns on the fall of an autumn leaf. For a brief span, the lands of faery and mortal man march hand in hand and Queen Mayfridh has taken the chance to seek out Christine, her childhood friend. But dealings with faeryland are never simple: as Christine yearns for Mayfridfh's world, where mortals feel no pain, so Mayfridh in turn is becoming addicted to Christine's, where there are tastes and textures and the danger of forbidden love. As secrets and jealousies and betrayals begin to unpick the threads that bind their lives, so yet another danger stalks them: the cruel and brilliant billionaire sculptor Immanuel Z. He is hunting faery bones for the grandest sculpture of them all . . .
Young Australian cellist Maisie Fielding is bored with her career and her overpowering, manipulative musical family. Faking a wrist injury, she takes time off to return to England, her mother's home country, to search for her own roots and to find out more about her grandmother, a white witch who settled in a bleak village on the North Yorkshire coast. Maisies mother is set against her going, and refuses to tell her daughter anything about the woman, other than that - even dead - she is dangerous. On her arrival in Solgreve, she receives a hostile welcome from her new neighbours and begins to find clues to her grandmothers mysterious death. Amongst the clutter in her grandmothers house is a ...
Victoria Scott, scientist and hardened sceptic, accepts a job at an isolated weather station on an island in the Norwegian Sea. She's running from a broken engagement and the certain knowledge that love is a lie. But there are shadows outside her cabin window, a hag who visits in nightmares - and a distrurbing sense of familiarity in the deep, haunted forest. In Asgard, the world of the old gods, Odin's son Vidar has exiled himself from his cruel family to await the reincarnation of his beloved: the woman his father murdered a thousand years before. And deep in the black, twisted roots of the World Tree, the three Norns spin and weave the fates of everyone. Vidar must escape his destiny, but the price may be more than anyone can pay . . .
My name is Gina Champion and there's something more to me than meets the eye, I'm psychic.
Sophie Black is a journalist who doesnt believe anything she cant see until her latest interviewee tells her a tale of time gone by which Sophie cant seem to get out of her head. Three sisters, daughters of a caustic, blazingly intelligent blind poet names John Milton find their loyalties tested by the arrival of a fallen angel named Lazodeus. Set against the twin backdrops of the modern urban ritual magic scene and the bustle and colour of Restoration London, FALLEN ANGEL is a tale of angels and devils, art and lies, and sibling rivalry at its most irretrievably complicated.
The first passionate, magical book in a compelling new series from award-winning author Kim Wilkins. Lying in a magic-induced coma, the King of Thyrsland is on the brink of death: if his enemies knew, chaos would reign. In fear for his life and his kingdom, his five daughters set out on a perilous journey to try to save him, their only hope an aunt they have yet to meet, a shadowy practitioner of undermagic who lives on the wild northern borders. No-one can stand before the fierce tattooed soldier and eldest daughter Bluebell, an army commander who is rumoured to be unkillable, but her sisters, the loyal and mystical Ash, beautiful but unhappily married Rose, pious Willow and uncertain Ivy a...
Works of genre fiction are a source of enjoyment, read during cherished leisure time and in incidental moments of relaxation. This original book takes readers inside three popular genres of fiction, including crime, fantasy, and romance, to reveal how personal tastes, social connections, and industry knowledge shape genre worlds. Attuned to both the pleasure and the profession of producing genre fiction, the authors investigate contemporary developments in the field?the rise of Amazon, self-publishing platforms, transmedia storytelling, and growing global publishing conglomerates?and show how these interact with older practices, from fan conventions to writers? groups. Sitting at the interse...
Since the late 1990s a new language has emerged in film scholarship and criticism in response to the popularity of American directors such as Wes Anderson, Charlie Kaufman, and David O. Russell. Increasingly, adjectives like 'quirky', 'cute', and 'smart' are used to describe these American films, with a focus on their ironic (and sometimes deliberately comical) stories, character situations and tones. Kim Wilkins argues that, beyond the seemingly superficial descriptions, 'American eccentric cinema' presents a formal and thematic eccentricity that is distinct to the American context. She distinguishes these films from mainstream Hollywood cinema as they exhibit irregularities in characterization, tone, and setting, and deviate from established generic conventions. Each chapter builds a case for this position through detailed film analyses and comparisons to earlier American traditions, such as the New Hollywood cinema of the 1960s and 1970s. American Eccentric Cinema promises to challenge the notion of irony in American contemporary cinema, and questions the relationship of irony to a complex national and individual identity.
Young adult fantasy (YA fantasy) brings together two established genres - young adult fiction and fantasy fiction - and in so doing amplifies, energises, and leverages the textual, social, and industrial practices of the two genres: combining the fantastic with adolescent concerns; engaging passionate online fandoms; proliferating quickly into series and related works. By considering the texts alongside the way they are circulated and marketed, this Element aims to show that the YA fantasy genre is a dynamic formation that takes shape and reshapes itself responsively in a continuing process over time.
Beyond this world, behind the veil of history, lies the kingdom of the Rus . . . When an ancient golden bear is found walled up in a dilapidated St Petersburg bathhouse, researcher Daniel St Clare and his frosty colleague Em Hayward set out for Arkhangelsk to verify its age. But in the deep of night they are mysteriously set adrift. Lost and exhausted, they turn north, sinking ever deeper into the secrets and terrors of the Russian landscape. Daniel's lost love, the wild and beautiful Rosa Kovalenka, knows the only way to save him is to outwit the haunted Chenchikov family. But their home, deep in unknowable, impenetrable forests, is a shadowy tangle of grief, desire and treachery. Only Papa Grigory, full of tales and riddles of times past, seems to have the knowledge they need But will he destroy them all in order for his world to survive?