Welcome to our book review site go-pdf.online!
You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
Making Renaissance Art
This book explores key themes in the making of Renaissance painting, sculpture, architecture, and prints: the use of specific techniques and materials, theory and practice, change and continuity in artistic procedures, conventions and values. It also reconsiders the importance of mathematical perspective, the assimilation of the antique revival, and the illusion of life. Embracing the full significance of Renaissance art requires understanding how it was made. As manifestations of technical expertise and tradition as much as innovation, artworks of this period reveal highly complex creative processes--allowing us an inside view on the vexed issue of the notion of a renaissance.
Cut in Alabaster
While marble is associated with Renaissance Italy, alabaster was the material commonly used elsewhere in Europe and has its own properties, traditions and meanings. It enjoyed particular popularity as a sculptural material during the two centuries 1330-1530, when alabaster sculpture was produced both for indigenous consumption and for export. Focussing especially on England, the Burgundian Netherlands and Spain, three territories closely linked through trade routes, diplomacy and cultural exchange, this book explores and compares the material practice and visual culture of alabaster sculpture in late medieval Europe. Cut in Alabaster charts sculpture from quarry to contexts of use, exploring practitioners, markets and functions as well as issues of consumption, display and material meanings. It provides detailed examination of tombs, altarpieces and both elite and popular sculpture, ranging from high status bespoke commissions to small, low-cost carvings produced commercially for a more popular clientele.
After the Woods
"Statistically speaking, girls like me don't come back when guys like Donald Jessup take us." Julia knows she beat the odds. She escaped the kidnapper who hunted her in the woods for two terrifying nights that she can't fully remember. Now it's one year later, and a dead girl turns up in those same woods. The terrible memories resurface, leaving Julia in a stupor at awkward moments-in front of gorgeous Kellan MacDougall, for example. At least Julia's not alone. Her best friend, Liv, was in the woods, too. When Julia got caught, Liv ran away. Is Liv's guilt over leaving Julia the reason she's starving herself? Is hooking up with Shane Cuthbert, an addict with an explosive temper, Liv's way of punishing herself for not having Julia's back? As the devastating truth about Liv becomes clear, Julia realizes the one person she thinks she knows best-Liv-is the person she knows least of all. And that after the woods was just the beginning.
Moving Sculptures
The Low Countries are generally considered to be the land of painting. Consequently, sculpture, especially that of the 16th century, has been insufficiently explored. In Moving Sculptures Aleksandra Lipińska presents a little-known chapter of the history of Netherlandish sculpture: the serial production of small-scale alabaster reliefs, altarpieces and statuettes in the workshops of Mechelen and Antwerp between c. 1525 and 1650. She gives the reader an insight into the rules of this craft, the specificity of the material, and the marketing methods employed. But the innovative element of this study lies in the fact that Lipińska analyses the phenomenon from the perspective of its distant recipients in Central and Northern Europe on the basis of works largely unknown to the broader public. For sample pages click on Google Books button.
The Baptismal Font Canopy of St. Peter Mancroft, Norwich
The early 16th-century baptismal font canopy of the church of St. Peter Mancroft, Norwich, is one of only three such structures to survive anywhere in the British Isles. This study, inspired by the recent rediscovery of four attributable panels at the Philadelphia Museum of Art, offers a trans-temporal account of the canopy’s initial creation and subsequent use, mutilation, and modification. Written by a team of scholars in art/architectural history, art conservation, heritage documentation, literary studies, and museum curation, it explores the installation’s multiple artistic, ritual, and cultural contexts, from late medieval and early modern Europe to modern-day North America. Contributors are Benjamin Baaske, Sarah Blick, Kate Duffy, Brent R. Fortenberry, Amy Gillette, Jack Hinton, Lesley Milner, Peggy Olley, Ellen K. Rentz, Behrooz Salimnejad, Zachary Stewart, Achim Timmermann, Charles Tracy, Kim Woods, and Lucy Wrapson.
Evolutionary Leadership
IS YOUR CORPORATE CULTURE SUFFOCATING YOU? Written by one of the world's leading management consultants, Evolutionary Leadership offers a vibrant style of leadership that will enlighten executives and inspire them to rethink their companies in an ever-changing economy. With business practices changing every day, companies must create environments of speed and flexibility that will engage employees and allow radical ideas to thrive. Susan Annunzio takes readers beyond typical management-speak, offering a blueprint for leading by promoting environments that succeed amid constant change. igniting passion for saving America's traditional businesses. thinking about where your company is heading and how to get there. With real-world examples, Annunzio shows how to create a more productive working environment by attacking traditional priorities in unconventional ways.
Into the Woods
A true queen of urban fantasy—the New York Times bestselling author of the wildly popular series featuring bounty hunter witch-turned-daywalking demon Rachel Morgan—the phenomenal Kim Harrison explores the Hollows more deeply than ever before in Into the Woods, her first collection of short stories. Rachel is here, as are Jenks the pixie, elven tycoon Trent Kalamack, and an unholy host of vampires, demons, shapeshifters, ghosts, and other assorted supernatural beings, friends and foes. Into the Woods combines original work, including a new Hollows novella, as well as all of Kim Harrison’s previously published short fiction gathered together in one volume for the very first time. No true Hollows aficionado will want to pass this up—and readers of Laurell K. Hamilton, Kelley Armstrong, Patricia Briggs, and Jim Butcher; fans of Stephanie Meyer’s Twilight novels and of paranormal romance superstars Christine Feehan and Sherrilyn Kenyon, will be likewise enchanted.
The Art and Ideology of the Trade Union Emblem, 18501925
‘The Art and Ideology of the Trade Union Emblem, 1850–1925’ is a groundbreaking book that considers trade union emblems and banners as art objects in their own right. It studies their commissioning, their designers and the social conditions and gender relations that they knowingly or unwittingly reveal. The volume celebrates working-class culture and shows how it could be both innovative and derivative. Annie Ravenhill-Johnson’s exploration of the artistry of the emblems – the art of and for the toiling masses – sets these images of labour in their historical, cultural and ideological context.
"Unwrapping" the Standards
A step-by-step process to understand what each standard is requiring a student to know and be able to do.
Actors Carved and Cast
Painting has long dominated discussions of Netherlandish art. Yet in the sixteenth century sculpture was held in considerably higher regard than painting, especially in foreign lands. This beautifully illustrated book is the first comprehensive study of sixteenth-century Netherlandish sculpture, and it opens an important window onto the works and milieu of these artists. Netherlanders dominated the sculptural world of northern Europe. They made the most prestigious tombs and altarpieces, alabaster reliefs, and boxwood collectibles for patrons throughout Iberia, France, and Central Europe. Even in Italy they were a formidable presence; the most famous sculptor in Europe in the second half of ...
