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Winner of the Franco-British Society Book Prize 2019 'The ultimate biography of the Sun King' Simon Sebag Montefiore Louis XIV dominated his age. He extended France's frontiers into Netherlands and Germany, and established colonies overseas. The stupendous palace he built at Versailles became the envy of monarchs all over Europe. In his palaces, Louis encouraged dancing, hunting, music and gambling. He loved conversation, especially with women: the power of women in Louis's life and reign is a particular theme of this book. Louis was obsessed by the details of government but the cost of building palaces and waging continuous wars devastated the country's finances and helped set it on the path to revolution. Nevertheless, by his death, he had helped make his grandson king of Spain, where his descendants still reign, and France had taken essentially the shape it has today. King of the World is the most comprehensive and up-to-date biography of this hypnotic, flawed figure in English. It draws on all the latest research to paint a convincing and compelling portrait of a man who, three hundred years after his death, still epitomises the idea of le grand monarque.
Louis I, King of the Sheep is a funny philosophical fable about a sheep who finds a crown, and revels in dreams of power.
This richly illustrated volume, the first devoted to maritime art and galley slavery in early modern France, shows how royal propagandists used the image and labor of enslaved Muslims to glorify Louis XIV. Mediterranean maritime art and the forced labor on which it depended were fundamental to the politics and propaganda of France’s King Louis XIV (r. 1643–1715). Yet most studies of French art in this period focus on Paris and Versailles, overlooking the presence or portrayal of galley slaves on the kingdom’s coasts. By examining a wide range of artistic productions—ship design, artillery sculpture, medals, paintings, and prints—Meredith Martin and Gillian Weiss uncover a vital asp...
A thought-provoking, authoritative biography of one of history's most maligned rulers Louis XVI of France, who was guillotined in 1793 during the Revolution and Reign of Terror, is commonly portrayed in fiction and film either as a weak and stupid despot in thrall to his beautiful, shallow wife, Marie Antoinette, or as a cruel and treasonous tyrant. Historian John Hardman disputes both these versions in a fascinating new biography of the ill-fated monarch. Based in part on new scholarship that has emerged over the past two decades, Hardman's illuminating study describes a highly educated ruler who, though indecisive, possessed sharp political insight and a talent for foreign policy; who often saw the dangers ahead but could not or would not prevent them; and whose great misfortune was to be caught in the violent center of a major turning point in history. Hardman's dramatic reassessment of the reign of Louis XVI sheds a bold new light on the man, his actions, his world, and his policies, including the king's support for America's War of Independence, the intricate workings of his court, the disastrous Diamond Necklace Affair, and Louis's famous dash to Varennes.
It has been a commonly held historical belief that in the second half of the 17th century, the Spanish army suffered such catastrophic defeats that it effectively brought about the collapse of the state as a major player on the European stage. The wars, fought out in Catalonia, Franche Comté, Flanders, and Italy, resulted in a series of substantial defeats for Spain. The forces of Louis XIV carried all before them. Spain's ability to fend off the French monarch's assault was not eased by the fact that, at the same time, Spain had faced the Portuguese in the Iberian Peninsula, the English in the Caribbean, the Algerians in Melilla, as well as further insidious French assault in southern Ital...
Organization, composition and history of the army of the Sublime Porte in the age of the maximum expansion of the Empire.
Once considered the golden age of French printmaking, Louis XIV’s reign saw Paris become a powerhouse of print production. During this time, the king aimed to make fine and decorative arts into signs of French taste and skill and, by extension, into markers of his imperialist glory. Prints were ideal for achieving these goals; reproducible and transportable, they fueled the sophisticated propaganda machine circulating images of Louis as both a man of war and a man of culture. This richly illustrated catalogue features more than one hundred prints from the Getty Research Institute and the Bibliothèque nationale de France in Paris, whose print collection Louis XIV established in 1667. An es...
A new series of bespoke, full-coverage resources developed for the AQA 2015 A/AS Level History. Written for the AQA A/AS Level History specifications for first teaching from 2015, this print Student Book covers The Sun King: Louis XIV, France and Europe, 1643-1715 Depth component. Completely matched to the new AQA specification, this full-colour Student Book provides valuable background information to contextualise the period of study. Supporting students in developing their critical thinking, research and written communication skills, it also encourages them to make links between different time periods, topics and historical themes.
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Lavishly illustrated with archival images and beautiful photography, Versailles: From Louis XIV to Jeff Koons features insightful texts by Catherine Pégard, president of the Château de Versailles, with the collaboration of Mathieu da Vinha, scientific director of the Château de Versailles Research Center, revealing all the stories that have unfolded within this glorious monument.