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Death and History
The analyses in the book investigate the possibilities and foundations of a completely new philosophy of history, although outlined in dialogue with M. Heidegger. The fundamental questions the author asks are: Why, wherefrom is there history? Why are we humans historical? Why is there historiography? Primarily and ultimately, the response to each of these questions is: because we are MORTAL. Accordingly, the first chapter tackles the possibilities and lays the foundations of an ontology of history. Built upon these, the second chapter analyses the being of the PAST and its existential characteristics – as NOT-BEING-ANY-MORE, as HAD-BEEN-NESS. Chapter three turns towards the FUTURE and analyses its existential characteristics as NOT-YET-BEING. Chapter four is an explicit return to the dialogue with Heidegger, which surfaces the main aspects of the essential belonging together of the fundaments and origins of philosophy and history. The Appendix is an applied philosophical research related to the previous subjects which examines the interlacements of DEATH and SECRET in the phenomenon of TERRORISM.
SOCRATES
This issue of Socrates has been divided into three sections. The first section is Language & Literature- Persian. The paper authored by Nazia Jafri critically analyses the novel Gunah-e-Muqaddas. This novel represents the Political and social situation in Iran during the Pahlavi. The second section of this issue is Philosophy. The Paper authored by Olivera Z. Mijuskovic, critically analyses Aristotle's concept of the State. The word policy comes from the ancient Greek word "polis" and from it created another word "politeia" which refers to a lifestyle and "a general thing of all citizens". "Bios politikos" or practical life was related to life in community with other people. The definition o...
The Archaeology and Material Culture of Queenship in Medieval Hungary, 1000–1395
This book explores an alternate history of the power and agency of 30 Hungarian queens over 400 years by a rigorous examination of the material culture connected with their lives. By researching the objects, images, and spaces, it demonstrates how these women expressed and displayed their power. Queens used material culture and space not only to demonstrate their own power to a wide, international audience, but also to consolidate their own position when it was weakened by external circumstances. Both the public and private image of the queen factors significantly in understanding in her own role at the strongly centralized Hungarian court, and, moreover, how her position and person strengthened and complemented that of the king.
