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Modern Chinese Literary Thought
This volume presents a broad range of writings on modern Chinese literature. Of the fifty-five essays included, forty-seven are translated here for the first time, including two essays by Lu Xun. In addition, the editor has provided an extensive general introduction and shorter introductions to the five parts of the book, historical background, a synthesis of current scholarship on modern views of Chinese literature, and an original thesis on the complex formation of Chinese literary modernity. The collection reflects both the mainstream Marxist interpretation of the literary values of modern China and the marginalized views proscribed, at one time or another, by the leftist canon. It offers a full spectrum of modern Chinese perceptions of fundamental literary issues.
Exhibiting the Past
During the Mao era, China’s museums served an explicit and uniform propaganda function, underlining official Party history, eulogizing revolutionary heroes, and contributing to nation building and socialist construction. With the implementation of the post-Mao modernization program in the late 1970s and 1980s and the advent of globalization and market reforms in the 1990s, China underwent a radical social and economic transformation that has led to a vastly more heterogeneous culture and polity. Yet China is dominated by a single Leninist party that continues to rely heavily on its revolutionary heritage to generate political legitimacy. With its messages of collectivism, self-sacrifice, a...
The Problematic of Self in Modern Chinese Literature
Centered around the figures of Hu Feng, a leftist literary theorist who promoted "subjectivism," and his disciple Lu Ling, known for his psychological fiction, this study explores theoretical and fictional responses to the problematic of self at the heart of the experience of modernity in 20th-century China.
The Columbia Companion to Modern Chinese Literature
The Columbia Companion to Modern Chinese Literature features more than fifty short essays on specific writers and literary trends from the Qing period (1895–1911) to the present. The volume opens with thematic essays on the politics and ethics of writing literary history, the formation of the canon, the relationship between language and form, the role of literary institutions and communities, the effects of censorship, the representation of the Chinese diaspora, the rise and meaning of Sinophone literature, and the role of different media in the development of literature. Subsequent essays focus on authors, their works, and the schools with which they were aligned, featuring key names, tit...
Jottings Under Lamplight
Literature in Times of Revolution (1927) -- Miscellaneous Thoughts (1927) -- The Divergence of Art and Politics (1928) -- Literature and Revolution: A Reply (1928) -- An Overview of the Present State of New Literature (1929) -- A Glimpse at Shanghai Literature (1931) -- On the "Third Type of Person" (1932) -- The Most Artistic Country (1933) -- The Crisis of the Small Essay (1933) -- V. On Modern Culture -- Impromptu Reflections No. 48 (1919) -- Untitled (1922) -- What Happens after Nora Walks Out (1924) -- On Photography and Related Matters (1925) -- Modern History (1933) -- Lessons from the Movies (1933) -- Shanghai Children (1933) -- How to Train Wild Animals (1933) -- Toys (1934) -- The Glory to Come (1934) -- The Decline of the Western Suit (1934) -- Take-ism (1934) -- Ah Jin (1936) -- Written Deep into the Night (1936) -- Notes -- Lu Xun's Oeuvre -- Acknowledgments -- Illustration Credits -- Index
The Landscape of Historical Memory
The Landscape of Historical Memory explores the place of museums and memorial culture in the contestation over historical memory in post–martial law Taiwan. The book is particularly oriented toward the role of politics—especially political parties—in the establishment, administration, architectural design, and historical narratives of museums. It is framed around the wrangling between the “blue camp” (the Nationalist Party, or KMT, and its supporters) and the “green camp” (Democratic Progressive Party, or DPP, and its supporters) over what facets of the past should be remembered and how they should be displayed in museums. Organized into chapters focused on particular types of ...
Literary Societies of Republican China
Literary Societies of Republican China provides a new and comprehensive perspective on the fascinating literary world of the most turbulent period in recent Chinese history: the Republican era of 1911-1949. Wedged between the fall of the Empire and the founding of the Communist state, the Republican period witnessed enormous social, political, and cultural changes. Kirk A. Denton and Michel Hockx have collected thirteen essays by eleven scholars from North America, Europe, and Asia that present detailed discussions of particular literary groups active in the Republican-era literary scene. Some of these groups are familiar representatives of what used to be considered the "mainstream," while others represent literary styles that have hitherto been considered "marginal" or that have been ignored altogether. Each of the essays in this volume looks in detail at literary societies both as producers of literary views and texts and as organizations with sometimes very complex social structures. The result is a unique blend of literary, cultural, and social history, unrivalled in any English-language scholarship on China to date. Book jacket.
Crossing Between Tradition and Modernity: Essays in Commemoriation of Milena Doležalová-Velingerová (1932–2012)
Kniha "Crossing Between Tradition and Modernity" představuje soubor třinácti esejů k uctění památky Mileny Doleželové-Velingerové (1932–2012), členky pražské sinologické školy a významné odbornice na čínskou literaturu, která zastávala přední místo při zavádění literární teorie a její důsledné aplikace v sinologii. Milena Doleželová-Velingerová byla jedním z těch vzácných vědeckých pracovníků, kteří psali se stejnou erudicí a stejně kvalifikovaně jak o moderní, tak i o klasické literatuře. Eseje následují příkladu Mileny Doleželové-Velingerové v tom smyslu, že se zabývají širokým spektrem historických období, literárních žánrů a témat - od Tangových cestovatelských esejů až po kulturní identitu postkoloniálního Hong-Kongu. Eseje jsou strukturovány do dvou částí Language, Structure, and Genre a Identities and Self-Representations. Jsou motivovány soustředěným zájmem o problematiku jazyka, narativní struktury a komplexní povahy literárního významu, tématy, které byly středobodem práce Mileny Doleželové-Velingerové.
China
China: Adapting the Past, Confronting the Future combines original essays by leading experts with excerpts from primary sources, the latest scholarship, Chinese literature, and Western media reports to provide a comprehensive textbook on contemporary China. Completely updated, China: Adapting the Past, Confronting the Future is the latest in a series of classroom units on China from the Center of Chinese Studies at The University of Michigan. It is not only ideal for courses on contemporary China but also an excellent supplement for courses in area studies, international affairs and economics, and women's studies. Each section, in addition to essay and excerpts, also includes a bibliography of additional topical works as well as suggestions for complementary video and internet teaching resources.
