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The Animal Surreal
The Animal Surreal situates Surrealism within the burgeoning field of Animal Studies by examining Surrealist representations of nonhuman animals through the lens of Darwinian theory. Unlike Marx and Freud, Darwin was rarely cited by name as a source for the Surrealists, and yet his influence is present in various ways, such as the frequent inclusion of "natural history" imagery and the exploration of themes of mutability and mutation. Animals and our relationship to them furthermore constitute a significant source of inquiry for Surrealism, as evidenced by Max Ernst's human-bird alter-ego Loplop, their avid interest in the praying mantis, the adoption of the Minotaur as emblem, and the frequ...
The Routledge Companion to Surrealism
This book provides a conceptual and global overview of the field of Surrealist studies. Methodologically, the companion considers Surrealism’s many achievements, but also its historical shortcomings, to illuminate its connections to the historical and cultural moment(s) from which it originated and to assess both the ways in which it still shapes our world in inspiring ways and the ways in which it might appear problematic as we look back at it from a twenty-first-century vantage point. Contributions from experienced scholars will enable professors to teach the subject more broadly, by opening their eyes to aspects of the field that are on the margins of their expertise, and it will enable scholars to identify new areas of study in their own work, by indicating lines of research at a tangent to their own. The companion will reflect the interdisciplinarity of Surrealism by incorporating discussions pertaining to the visual arts, as well as literature, film, and political and intellectual history.
Making History
Strom (modern and contemporary art and theory, Grand Valley State U.) identifies and describes two validation strategies used by the Surrealists in Paris during and after World War I: the appropriation of historical figures, and the self-conscious construction of a Surrealist group identity based on the principles of solidarity and faith in a common cause. She considers the historical context of the movement's rise, and its views of history and trans-historicity. Annotation copyrighted by Book News, Inc., Portland, OR
Syndrome X
Millions of Americans follow the "best" medical advice every day to prevent heart attacks -- eating the standard low-fat, high-carbohydrate diet so widely recommended by doctors -- but in fact they are placing themselves at greater risk for heart disease. In Syndrome X: Overcoming the Silent Killer That Can Give You a Heart Attack, Dr. Gerald Reaven, the world-renowned physician who identified and named this silent killer, explains why the standard heart-healthy diet can be dangerous and lays out a simple six-step program to reduce the risk of heart disease for everyone. The problem stems from a little-known cluster of metabolic abnormalities known as Syndrome X. The insulin resistance that ...
The Invention of Politics in the European Avant-Garde (1906-1940)
In 1906, for the first time in his life, F.T. Marinetti connected the term ‘avant-garde’ with the idea of the future, thus paving the way for what is now commonly called the ‘modernist’ or ‘historical avant-garde’. Since 1906 the ties between the early twentieth-century European aesthetic vanguard and politics have been a matter of debate. With a century gone by, The Invention of Politics in the European Avant-Garde takes stock of this debate. Opening with a critical introduction to the vast research archive on the subject, this book proposes to view the avant-garde as a political force in its own right that may have produced solutions to problems irresolvable within its democratic political constellation. In a series of essays that combine close readings of texts and plastic works with a thorough knowledge of their political context, the book looks at avant-garde works as media producing political thought and experience. Covering the canonised avant-garde movements of Futurism, Expressionism, Dadaism and Surrealism, but also focussing on the avant-garde in Europe’s geographical outskirts, this book will appeal to all those interested in the modernist avant-garde.
A Companion to Luis Buñuel
A Companion to Luis Buñuel presents a collection of critical readings by many of the foremost film scholars that examines and reassesses myriad facets of world-renowned filmmaker Luis Buñuel’s life, works, and cinematic themes. A collection of critical readings that examine and reassess the controversial filmmaker’s life, works, and cinematic themes Features readings from several of the most highly-regarded experts on the cinema of Buñuel Includes a multidisciplinary range of approaches from experts in film studies, Hispanic studies, Surrealism, and theoretical concepts such as those of Gilles Deleuze Presents a previously unpublished interview with Luis Buñuel’s son, Juan Luis Buñuel
The Community in Avant-Garde Literature and Politics
This book rethinks the concept of community taking Jean-Luc Nancy’s influential essay “La communauté désoeuvrée” as its starting point, tracing subsequent scholarship on community and adding new insights on avant-garde aesthetics and politics. Extensively exploring the communitarian dimension of avant-garde aesthetics and politics (focusing on artistic groups, intellectual circles and theoretical collectives), the author aims to bring literature and art into a philosophical examination of the paradoxical and complex idea of community.
The Last Mile
The majority of parents throughout the world don't even know thalassemia exists let alone what it is. But for the parents of children born with thalassemia it is a rude awakening to a life of despair and desperation for their child's future. This book is one mother's quest to try and save her daughter's life irrespective of what she has to endure. The initial realisation that her daughter had a genetically inherited disease that she had never heard of gave Aisha the drive and determination to not only research the illness but to also find a cure for her daughter.
Humanities
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The European Avant-Garde
The European Avant-Garde: Text and Image is an interdisciplinary collection of thirteen essays relating to the study of European Avant-Garde movements between 1900 and 1940. The essays cover both literary and artistic subjects, across geographical, linguistic and disciplinary boundaries. Various aspects of the English, Irish, German, French, Italian, Spanish, and Polish avant-gardes are explored, examining both diverse literary genres such as prose, poetry and drama, and specific avant-garde movements such as Futurism and Surrealism. The volume includes a lengthy introductory essay by Prof. John J. White, Emeritus Professor of German and Comparative Literature at King’s College London. Avant-garde studies can be enhanced and developed through dialogue with other disciplines, such as translation, gender, exile and comparative studies. Thus, the volume is divided into four sections: Representations of the Body; Translating the Avant-Garde, Identity and Exile; and Comparative Perspectives and the Legacy of the Avant-Garde.
