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Irrational Judgments examines the close friendship and significant exchange of ideas between Eva Hesse (1936–1970) and Sol LeWitt (1928–2007) in New York City during the 1960s. Taking its title from LeWitt’s statement “Irrational judgments lead to new experience,” this book examines the breakthroughs of the artists’ intertwined careers, offering a new understanding of minimal, post-minimal, and conceptual art amid the era’s political and social upheavals. Kirsten Swenson offers the first in-depth discussion of the early critical developments of each artist: LeWitt’s turn from commercial design to fine art, and Hesse’s move from expressionist painting to reliefs and sculpture. Bringing together a wealth of documents, interviews, and images—many published here for the first time—this handsome publication presents an insightful account of the artists’ influence on and support for each other’s pursuit of an experimental practice. Swenson’s analysis expands our understanding of the artists’ ideas, the importance of their work, and, more broadly, the relationship of the 1960s New York art world to gender politics, the Vietnam War, and the city itself.
From Francis AlØs and Ursula Biemann to Vivan Sundaram, Allora & Calzadilla, and the Center for Urban Pedagogy, some of the most compelling artists today are engaging with the politics of land use, including the growth of the global economy, climate change, sustainability, Occupy movements, and the privatization of public space. Their work pivots around a set of evolving questions: In what ways is land, formed over the course of geological time, also contemporary and formed by the conditions of the present? How might art contribute to the expansion of spatial and environmental justice? Editors Emily Eliza Scott and Kirsten Swenson bring together a range of international voices and artworks ...
Gripping Cold War thriller of love and treachery explores the reasons why men and women betray their countries and each other. "No one twitches the strings more expertly than Allbeury." — The Observer (UK).
Architecture manifests as a space of concealment and unconcealment, lethe and alêtheia, enclosure and disclosure, where its making and agency are both hidden and revealed. With an urgency to amplify narratives that are overlooked, silenced and unacknowledged in and by architectural spaces, histories and theories, this book contends the need for a critical study of hiding in the context of architectural processes. It urges the understanding of inherent opportunities, power structures and covert strategies, whether socio-cultural, geo-political, environmental or economic, as they are related to their hidescapes – the constructed landscapes of our built environments participating in the arch...
This volume reframes the development of US-American avant-garde art of the long 1960s—from minimal and pop art to land art, conceptual art, site-specific practices, and feminist art—in the context of contemporary architectural discourses. Susanneh Bieber analyzes the work of seven major artists, Donald Judd, Robert Grosvenor, Claes Oldenburg, Robert Smithson, Lawrence Weiner, Gordon Matta-Clark, and Mary Miss, who were closely associated with the formal-aesthetic innovations of the period. While these individual artists came to represent diverse movements, Bieber argues that all of them were attracted to the field of architecture—the work of architects, engineers, preservationists, lan...
The first book-length study of this influential artist's work, focusing on the participatory role of the human subject rather than the art object. Michael Asher doesn't make typical installations. Instead, he extracts his art from the institutions in which it is shown, culling it from collections, histories, or museums' own walls. Since the late 1960s, Asher has been creating situations that have not only taught us about the conditions and contexts of contemporary art, but have worked to define it. In Situation Aesthetics, Kirsi Peltomäki examines Asher's practice by analyzing the social situations that the artist constructs in his work for viewers, participants, and institutional represent...
A revelatory consideration of the wide-ranging practice of one of the most influential American artists of the 20th century A pioneer of minimalism and conceptual art, Sol LeWitt (1928–2007) is best known for his monumental wall drawings. LeWitt’s broad artistic practice, however, also included sculpture, printmaking, photography, artist’s books, drawings, gouaches, and folded and ripped paper works. From the familiar to the underappreciated aspects of LeWitt’s oeuvre, this book examines the ways that his art was multidisciplinary, humorous, philosophical, and even religious. Locating Sol LeWitt contains nine new essays that explore the artist’s work across media and address topics...
Presents an exhibition catalog that contains reproductions of the artist's working drawings along with essays discussing her works and methodology.
A cutting exploration of how cities drive climate change while being on the frontlines of the coming climate crisis How will climate change affect our lives? Where will its impacts be most deeply felt? Are we doing enough to protect ourselves from the coming chaos? In Extreme Cities, Ashley Dawson argues that cities are ground zero for climate change, contributing the lion’s share of carbon to the atmosphere, while also lying on the frontlines of rising sea levels. Today, the majority of the world’s megacities are located in coastal zones, yet few of them are adequately prepared for the floods that will increasingly menace their shores. Instead, most continue to develop luxury waterfront...
Introduction / Lyle Massey and James Nisbet -- Desolate dreams / Joseph Masco -- Air, wind, breath, life : desertification and Will Wilson's AIR (Auto-Immune Response) / Jessica L. Horton -- Notes from bioteknika / Albert Narath -- Troglodyte modernists / Lyle Massey -- Explosive modernism : Hiram Hudson Benedict's Bouldereign and Zabriskie Point at 50 / Edward Dimendberg -- Point Omega/Omega Point : desert In three parts / Stefanie Sobelle -- The desert in fine grain / Emily Eliza Scott -- The desert as black mythology / Bridget R. Cooks -- On the recalcitrance of the desert island, by way of Andrea Zittel's A-Z West / James Nisbet -- Four theses for the coming deserts / Hans Baumann and Karen Pinkus.