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The historical horse is at once material and abstract, as is the notion of the border. Borders and frontiers are not only markers delineating geographical spaces but also mental constructs: there are borders between order and disorder, between what is permitted and what is prohibited. Boundaries and liminal spaces also exist in the material, economic, political, moral, legal and religious spheres. In this volume, the contributing authors explore the theme of the liminality of the horse in all of these historical arenas, asking how does one reconcile the very different roles played by the horse in human history?
This volume, originally published in 1989, is intended as a practical guide to archaeological illustration, from drawing finds in the field to technical studio drawing for publication. It is also an invaluable reference tool for the interpretation of illustrations and their status as archaeological evidence. The book's ten chapters start from first principles and guide the illustrator through the historical development of archaeological illustration and basic skills. Each chapter then deals with a different illustrative technique - drawing in the field during survey work and excavation, drawing artefacts, buildings and reconstructions, producing artwork for publication and the early uses of computer graphics. Information about appropriate equipment, as well as a guide to manufacturers, is also supplied. An obvious and important feature of Archaeological Illustration is the 120 line drawings and half-tones which show the right - and the wrong - way of producing drawings. This volume will therefore be of interest to amateur and professional archaeologists alike.
The King's Body investigates the role of royal bodies, funerals, and graves in English succession debates from the death of Alfred the Great in 899 through the Norman Conquest in 1066. Using contemporary texts and archaeological evidence, Nicole Marafioti reconstructs the political activity that accompanied kings' burials, to demonstrate that royal bodies were potent political objects which could be used to provide legitimacy to the next generation. In most cases, new rulers celebrated their predecessor's memory and honored his corpse to emphasize continuity and strengthen their claims to the throne. Those who rose by conquest or regicide, in contrast, often desecrated the bodies of deposed royalty or relegated them to anonymous graves in attempts to brand their predecessors as tyrants unworthy of ruling a Christian nation. By delegitimizing the previous ruler, they justified their own accession. At a time when hereditary succession was not guaranteed and few accessions went unchallenged, the king's body was a commodity that royal candidates fought to control.
Death was a constant, visible presence in medieval and renaissance Europe. Yet, the acknowledgement of death did not necessarily amount to an acceptance of its finality. Whether they were commoners, clergy, aristocrats, or kings, the dead continued to function literally as integrated members of their communities long after they were laid to rest in their graves. From stories of revenants bringing pleas from Purgatory to the living, to the practical uses and regulation of burial space; from the tradition of the ars moriendi, to the depiction of death on the stage; and from the making of martyrs, to funerals for the rich and poor, this volume examines how communities dealt with their dead as continual, albeit non-living members. Contributors are Jill Clements, Libby Escobedo, Hilary Fox, Sonsoles Garcia, Stephen Gordon, Melissa Herman, Mary Leech, Nikki Malain, Kathryn Maud, Justin Noetzel, Anthony Perron, Martina Saltamacchia, Thea Tomaini, Wendy Turner, and Christina Welch
Latest research on the chivalric ethos of western Europe 10c-15c. from the practical [houses, armour], to the intellectual [concept of holy war, loyalty, etc.]
Anglo-Saxon England consistently embraces all the main aspects of study of Anglo-Saxon history and culture.
Bringing together knowledge accumulated from historical, archaeological and literary sources, Daniell paints a vivid picture of the entire phenomenon of medieval death and burial. A big contribution to medieval and early modern studies.
Gloucestershire 2: The Vale and the Forest of Dean and its companion, Gloucestershire I: The Cotswolds, provide a lively and uniquely comprehensive guide to the architecture of Gloucestershire. Alan Brooks's extensively revised and expanded editions of David Verey's original volumes bring together the latest research on a county unusually rich in attractive and interesting buildings. The area covered lies on both sides of the River Severn, rising from flat alluvial lands to the lower slopes of the Cotswold Escarpment on the east and the rough wooded hills of the Forest of Dean on the Welsh border, with its distinctive industrial inheritance. Architecture is generally more varied and unpredic...
This volume originates in a conference session that took place at the 2018 International Council of Archaeozoology conference in Ankara, Turkey, entitled "Humans and Cattle: Interdisciplinary Perspectives to an Ancient Relationship." The aim of the session was to bring together zooarchaeologists and their colleagues from various other research fields working on human cattle interactions over time. The contributions in this volume reflect well the breadth of work being undertaken on the ancient relationship between humans and cattle across the continents of Europe, Africa and Asia, and from the late Pleistocene to postmedieval period. Almost all involve the study of archaeological cattle remains and use different zooarchaeological methods, but the combination of these approaches with that of ethnography, isotopes and genetics is also featured. Author Interview