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Fighting, Hunting, Impressing
Does Islam have a special approach to warfare and arms and armour? Do weapons from the Islamic world have particular characteristics? Publishing in conjunction with an exhibition at The David Collection in Copenhagen from 24 February to 15 August 2021, Fighting, Hunting, Impressing discusses the central issues relating to Islamic arms and armour: the types and the different contexts in which they were used in warfare, in hunting, and as symbols of social position. Other aspects include the roles of arms and armour in the Quran; their collection history from trophies to museum objects; their inscriptions; and furusiyya-literature - the manuals for the chivalrous Islamic warrior. The publication showcases 151 items of arms and armour from the Ottoman, Safavid and Mughal empires, in addition to miniature paintings that illustrate how the objects were used in their historical contexts, and supporting essays.
Woven Treasures
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The Human Figure in Islamic Art
This richly illustrated book focuses on an unusually and rarely elucidated subject in the world of Islamic art: human depictions. Through seventy-five important works of Islamic art from the David Collection in Copenhagen, Denmark, The Human Figure in Islamic Art focuses on an unusually and rarely elucidated subject in the world of Islamic art: human depictions. Depictions of man were considered objectionable from an orthodox Muslim point of view since only God can create life, and man should not try to emulate God's work. There was concern that depictions or those who were depicted could be worshipped, something that went against the dogma that only God, Allah, should be the object of worsh...
Glass of the Sultans
This catalogue accompanies an exhibition that brings together more than 150 glass objects representing twelve centuries of Islamic glassmaking. Included are the principal types of pre-industrial glass from Egypt, the Middle East, and India in a comprehensive array of shapes, colors, and techniques such as glassblowing, the use of molds, the manipulation of molten glass with tools, and the application of molten glass to complete or decorate an object. -- Metropolitan Museum of Art website.
For the Privileged Few
When Lexy Baker makes it to the finale of America's most prestigious bakery contest, Bakery Battles, she thinks her biggest dream has finally come true... Until she stumbles across the dead body of judge Amanda Scott-Saunders. âe ̈What starts out as a bad day for Lexy becomes even worse when the police discover the judge was strangled with Lexy's apron. Now Lexy's sitting at the top of the suspect list with a motive, means and opportunity... but no solid alibi. âe ̈Lexy soon finds herself in a race against time to find the real killer before she ends up disqualified from the contest, or worse, in jail. But that's no easy task. There's a bakery competition full of suspects who all hated t...
The Islamic Villa in Early Medieval Iberia
Exploring the aristocratic villas and court culture of C?ba, during its 'golden age' under the reign of the Umayyad dynasty (r. 756-1031 AD), this study illuminates a key facet of the secular architecture of the court and its relationship to the well-known Umayyad luxury arts. Based on textual and archaeological evidence, it offers a detailed analysis of the estates' architecture and gardens within a synthetic socio-historical framework. Author Glaire Anderson focuses closely on the C?ban case study, synthesizing the archaeological evidence for the villas that has been unearthed from the 1980s up to 2009, with extant works of Andalusi art and architecture, as well as evidence from the Arabic...
Perspectives on Persian Painting
This is a detailed study of the illustrations to Amir Khusrau's Khamsah, in which twenty discourses are followed by a brief parable, and four romances. Amir Khusrau (1253-1325) lived the greater part of adventurous life in Delhi; he composed in Persian, and also in Hindi. From the point of view of manuscript illustration, his most important work is his Khamsah (Quintet'). Khusrau's position as a link between cultures of Persia and India means that the early illustrated copies of the Khamsah have a particular interest. The first extant exemplar is from the Persian area in the late 14th century, but a case can be made that work was probably illustrated earlier in India.
After One Hundred Years
The exhibition "Meisterwerke muhammedanischer Kunst" that took place in Munich in 1910 marked a turning point in the approach to Islamic Art. The show attempted to break free of Orientalism and exotic fantasies and, in doing so, set a new standard for the reception of Islamic art in Europe. Moreover, naming the Islamic artefacts masterpieces, it layed claim to bestow upon Islamic art “a place equal to that of other cultural periods”. This book is the first comprehensive study on this path-breaking exhibition. It includes a wealth of unpublished material and numerous novel ideas on the subject and addresses the exhibition’s historical context, organization, realization and display as well as its reception in the West and its later influence on the study of Islamic art.
À l’orientale: Collecting, Displaying and Appropriating Islamic Art and Architecture in the 19th and Early 20th Centuries
The present volume offers a collection of essays that examines the mechanisms and strategies of collecting, displaying and appropriating Islamic art in the nineteenth and early twentieth centuries. Many studies in this book concentrate on lesser known collections of Islamic art, situated in Central and Eastern Europe that until now have received little attention from scholars. Special attention is given to the figure of the Swiss collector Henri Moser Charlottenfels, whose important, still largely unstudied collection of Islamic art is now preserved in the Bernisches Historisches Museum, Switzerland. Contributors to the volume include young researchers and established scholars from Western a...
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