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Arwah adalah jiwa orang yang sudah meninggal. Manusia terdiri dari dua bagian, jiwa dan raga. Tanpa jiwa, raga tak bisa berbuat apa-apa. Dan tanpa raga, jiwa tidak akan terlihat secara kasat mata. Jiwa tanpa raga inilah yang disebut ARWAH. Tapi, ada cara-cara yang bisa dilakukan untuk melihat jiwa tanpa wadah tersebut. Ada 13 cara agar kamu bisa melihat wujud arwah tersebut. Jika kamu tidak percaya, kamu bisa mencoba lakukan cara tersebut. Tapi tolong, jika kamu mau mencobanya, ajaklah teman agar jika terjadi sesuatu yang tak bisa kau hadapi seorang diri, ada yang menemanimu. Buku persembahan penebir RANS Publisher
WARNING! Kalian boleh membaca buku ini sendirian, tapi jika ingin mencoba mempraktikkan apa yang sudah kalian baca, tolong sekali ajaklah teman. Paling tidak ada yang akan menemanimu jika terjadi hal-hal yang tak sanggup kau hadapi sendirian. Buku Persembahan Penerbit Rans Publisher
A marvelously illustrated look at the most deadly predators on the planet Tooth and Claw presents the world’s top predators as you have never seen them before, from big cats and wild dogs to sharks, reptiles, and killer whales. Blending gorgeous photos and illustrations with spellbinding storytelling, this book is packed with the latest facts about these fearsome but often misunderstood animals. It covers apex and other top predators in each major vertebrate family, discussing where and how they live, how they are faring in the modern world, and why they matter. Along the way, the authors share informative and entertaining anecdotes from their decades in the field learning about predators ...
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God gave me a second chance. I am now what I despised in my past life. While in a coma for seven days at the age of eighteen, I was made fully aware of the evil I had done under a name that will forever live in infamy. It is still painful for me to acknowledge my connection to that name. It still shakes me to the core when I reflect on my ownership of that which came straight from the bowels of hell. It is a name synonymous with racism, greed, war, torture, murder, and systematic genocide. Why would anyone in his or her right mind want to claim such a name? But, sadly, I have no choice. I have lived with the knowledge of my previous life for more than thirty-five years, and I made a promise before the judgment seat of God that upon my death I would reveal who I was and attempt to make amends for the evil I brought into the world. In my past life, I was, without question, Adolf Hitler, the omnipotent führer of the National Socialist German Workers’ (Nazi) Party and the supreme leader of Germany from 1934 to 1945.
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This is the first full-length study of South African English youth literature to cover the entire period of its publication, from the late nineteenth century to the early twenty-first century. Jenkins' book focuses on what made the subsequent literature essentially South African and what aspects of the country and its society authors concentrated on. What gives this book particular strength is its coverage of literature up to the 1960s, which has until now received almost no scholarly attention. Not only is this earlier literature a rewarding subject for study in itself, but it also throws light on subsequent literary developments. Another exceptional feature is that the book follows the author’s previous work in placing children’s literature in the context of adult South African literature and South African cultural history (e.g. cinema). He also makes enlightening comparisons with American, Canadian and Australian children’s literature.
Jewish Identities mounts a formidable challenge to prevailing essentialist assumptions about "Jewish music," which maintain that ethnic groups, nations, or religious communities possess an essence that must manifest itself in art created by members of that group. Klára Móricz scrutinizes concepts of Jewish identity and reorders ideas about twentieth-century "Jewish music" in three case studies: first, Russian Jewish composers of the first two decades of the twentieth century; second, the Swiss American Ernest Bloch; and third, Arnold Schoenberg. Examining these composers in the context of emerging Jewish nationalism, widespread racial theories, and utopian tendencies in modernist art and twentieth-century politics, Móricz describes a trajectory from paradigmatic nationalist techniques, through assumptions about the unintended presence of racial essences, to an abstract notion of Judaism.
Signals Intelligence (SIGINT) encompasses the various disciplines of wireless interception, cryptanalysis, communications intelligence, electronic intelligence, direction-finding, and traffic analysis. It has become the basis upon which all combat operations are undertaken. It is now widely recognized as an absolutely vital dimension to modern warfare and it has proved to be a vital component in the counter-intelligence war fought between the West and Soviet bloc intelligence agencies. The Historical Dictionary of Signals Intelligence covers the history of SIGINT through a chronology, an introductory essay, an appendix, and an extensive bibliography. The dictionary section has over 300 cross-referenced entries on key personnel, SIGINT technology, intelligence operations, and agencies, as well as the tradecraft and jargon. This book is an excellent access point for students, researchers, and anyone wanting to know more about Signals Intelligence.