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Watching Si Doel
While television in today’s world increasingly displays a global character, national television systems are still firmly rooted in a specific locality. But in what ways does this locality actually shape the content and performance of national television? What is the significance of local cultures and local languages in these processes of mediation? And how do the local, the national, and the global intersect in discourses of and discourse on television? Taking a critical discourse analysis perspective, Watching Si Doel investigates these and related questions in the context of contemporary Indonesia. Starting from the nationwide popularity of the local television serial Si Doel Anak Sekola...
Establishing a Pluralist Society in Medieval Korea, 918-1170
This book offers no less than a radically different view of the Koryŏ state. Until now scholarship failed to recognize the complicated historical descent, byzantine international relations and multiple incommensurable worldviews of the early Korean Koryŏ state (918-1170). Instead, it subjected these to reductionist categories favouring reified particulars over broader views. Asking how Koryŏ meaningfully dealt with its environment, Remco Breuker rejects the reduction of Koryŏ intellectual abundance to analytical categories, and emphasizes the functional importance of Koryŏ’s pluralism in allowing the notion that realities were scattered, inconsistent and plural. Here is a convincing argument that Koryŏ’s pluralism decisively contributed to the formation of a region-transcending communal identity that enabled Koryŏ to engage in a civilizational competition with neighbouring Chinese and Manchurian states, while maintaining a dynamic but stable society domestically.
Moments in Indonesian Film History
This book explores Indonesian cinema, focusing on moments of unique creativity by Indonesian film artists who illuminate important but less-widely-known aspects of their multi-dimensional society. It begins by exploring early 1950s ‘Indonesian neorealist films’ of the Perfini group, which depict the ethos and emerging moral issues of the period of struggle for independence (1945–49). It continues by discussing four audacious political allegories produced in four discrete political eras—including the Sukarno, Suharto and Reformasi periods. It also surveys the main approaches to Islam in both popular cinema and auteur films during the Suharto New Order. One chapter celebrates the popular songs and B-movies of the Betawi comedian, Benyamin S, which dramatize the experience of the poor in ‘modernizing’ Jakarta. Another examines persisting Third World dimensions of Indonesian society as critiqued in two experimental features. The concluding chapter highlights innovation in a renewed Indonesian cinema of the post-Suharto Reformasi period (1999–2020), including films by an unprecedented generation of women writer-directors
Visual Media in Indonesia
This book focuses on the visual media, one of the key factors in shaping the contemporary ecology of colliding environments, in the fourth most populous country in the world, Indonesia. It deals with creative actors, including literary authors, television producers, video artists and community media activists, who demonstrate, reflect on, criticise and rework the multidimensional impact of the visual media in imaginative and innovative ways. Combining contemporary art and media theory with the detailed analysis of authentic texts and contexts, the author analyses the multidimensional ecological impact of the media in its role as one of the key forces of Integrated World Capitalism (IWC).
Contemporary Indonesian Film
This highly informative book explores the world of Post-Soeharto Indonesian audio-visual media in the exiting era of Reform. From a multidisciplinary approach it considers a wide variety of issues such as mainstream and alternative film practices, ceremonial and independent film festivals, film piracy, history and horror, documentary, television soaps, and Islamic films, as well as censorship from the state and street. Through the perspective of discourses on, and practices of film production, distribution, and exhibition, this book gives a detailed insight into current issues of Indonesia’s social and political situation, where Islam, secular realities, and ghosts on and off screen, mingle or clash.
The Cambridge Handbook of World Englishes
The plural form 'Englishes' conveys the diversity of English as a global language, pinpointing the growth and existence of a large number of national, regional and social forms. The global spread of English and the new varieties that have emerged around the world has grown to be a vast area of study and research, which intersects multiple disciplines. This Handbook provides a comprehensive and authoritative survey of World Englishes from 1600 to the present day. Covering topics such as variationist sociolinguistics, pragmatics, contact linguistics, linguistic anthropology, corpus- and applied linguistics and language history, it combines discussion of traditional topics with a variety of innovative approaches. The chapters, all written by internationally acclaimed authorities, provide up-to-date discussions of the evolution of different Englishes around the globe, a comprehensive coverage of different models and approaches, and some original perspectives on current challenges.
Cultural Specificity in Indonesian Film
This book explores ways in which diverse regional cultures in Indonesia and their histories have been expressed in film since the early 1950s. It also explores underlying cultural dominants within the new nation, established at the end of 1949 with the achievement of independence from Dutch colonialism. It sees these dominants—for example forms of group body language and forms of consultation—not simply as a product of the nation, but as related to unique and long standing formations and traditions in the numerous societies in the Indonesian archipelago, on which the nation is based. Nevertheless, the book is not concerned only with past traditions, but explores ways in which Indonesian filmmakers have addressed, critically, distinctive aspects of their traditional societies in their feature films (including at times the social position of women), linking past to the present, where relevant, in dynamic ways.
Wayang & Its Doubles
Much has been said about how Javanese puppet theatre, Wayang Kulit, richly reflects the Javanese world, and how changes and tensions in performance practice mirror those in culture and society. 0For decades, television has been as intensely part of the Javanese world as Wayang. This book explores the ways two complex media and modes of being, seeing and fantasising, with their different cultures, coexist and meet, and haunt or invade each other. It is what what a Javanese commentator calls a 'difficult marriage' - intimate on the one hand, deeply alienating on the other, institutionalised yet at the same time mercurial and shifting.0This encounter is explored on many levels including perform...
Cultural Travel and Migrancy
Cultural travel and migrancy examines how people in West Java use modern media such as radio, television, and cassettes to give expression to their thoughts and feelings about problems of contemporary life. It describes artistic approaches to globalization, one of the problems that has been felt most pressing during the late New Order and early Reformation. Situating itself at this remarkable turning-point in Indonesian history, it shows that local artists have not been mere victims or products of globalization, but virtual migrants who self-consciously steer the electronic media on their worldwide travels. The book gives an analysis of relevant case-studies and historical debates on culture and representation in Indonesia and the West, and also provides an overview of early developments and recent trends in the Indonesian and West Javanese media landscapes. With its focus on Sundanese language and culture, it is a pioneering and gap-filling complement to the existing literature on media.
Islamic Modernities in Southeast Asia
What does it mean to be a modern Muslim today? In contemporary discourse Islam and modernity are often presented as each other’s opposites in media and popular culture. Southeast Asia has a large Muslim population, especially in Indonesia, Malaysia, and Singapore, but Islamic culture in these states is conspicuously absent from the wider global discourse on Islam. With a focus on popular culture in Indonesia – a country that houses the world’s largest Muslim population and that is also undergoing modernisation –Islamic Modernities in Southeast Asia will demonstrate how Islamic modernities are being negotiated and constructed through popular and visual culture from a trans-regional perspective. Looking at a variety of Islamic-themed popular and visual culture including rock music, cinema, art, visual decorations in shopping malls, self-help books, and fashion blogs, the book explores how Islamic modernities are imagined, negotiated, contested, and shared in Southeast Asia.
