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An illustrated selection of highlights from The Albertina's world-renowned collection of prints, drawings and paintings, featuring works from Old Masters as well as modern artists. The largest of the Hapsburg residential palaces, The Albertina in Vienna provides a stunning home to one of the largest and most important print rooms in the world. Named after its founder, passionate art collector Duke Albert of Saxe-Teschen (1738-1822), the priceless collection comprises 50,000 drawings and watercolours and some 900,000 prints ranging from the late Gothic period to contemporary art. Here visitors can see world-famous works by da Vinci, Michelangelo and Raphael as well as Dürer, Rubens, Rembrand...
An exploration of the influences that have shaped the Austrian Expressionist.
A trenchant yet sympathetic portrait of Lee Miller, one of the iconic faces and careers of the twentieth century. Carolyn Burke reveals Miller as a multifaceted woman: both model and photographer, muse and reporter, sexual adventurer and mother, and, in later years, gourmet cook—the last of the many dramatic transformations she underwent during her lifetime. A sleek blond bombshell, Miller was part of a glamorous circle in New York and Paris in the 1920s and 1930s as a leading Vogue model, close to Edward Steichen, Charlie Chaplin, Jean Cocteau, and Pablo Picasso. Then, during World War II, she became a war correspondent—one of the first women to do so—shooting harrowing images of a de...
Issued in connection with an exhibition held March 24-June 9, 2013, National Gallery of Art, Washington.
Blow Up, the 1966 cult film, can also be regarded as an excursion in photography. On a futile search for evidence of a crime he thought he has seen, Thomas, a fashion photographer, enlarges his pictures, pushing the envelope of the medium's boundaries. Michelangelo Antonioni's milestone in film history revolves around the issue of how much truth exists in perception, inquires into the ways that media reproductions can be manipulated.This publication examines Blow Up from a photographic perspective, investigating in detail the photographic and art-historical stances presented in the film as well as the genres is represents. The stylistic devices discussed range from social reportage, fashion photography, and Pop Art to abstract photography--and how, incidentally, Antonioni discovers soft focus as an artistic device. (German edition ISBN 978-3-7757-3736-4) Exhibition schedule: Albertina, Vienna April 30-August 24, 2014 - Fotomuseum Winterthur September 13-November 30, 2014 - C/O Berlin December 13, 2014-March 8, 2015
140 masterpieces of painting demonstrate the parallel development of widely different styles, design principles and aesthetic ideas. The avant-garde artists influenced each other and were sometimes in conflict with each other. At the same time you could find advocates of representational Expressionism and supporters of pure abstraction; styles like Primitivism, Cubo-Futurism and Suprematism followed each other in succession. Surprising contrasts of works visualize the differences, so that the successive conflicting -isms are clearly demonstrated. Through this visual confrontation the picture of all the many different forms of Russian avant-garde come alive. With works by Altman,Chagall, Exter, Gontscharowa, Griogorijew, Kandinsky, Larionow, Lissitzky, Malewitsch, Petrow-Wodkin, Popowa, Rodtschenko and many ohters. Exhibition: Albertina, Vienna, Austria (26.02-26.06.2016).
Catalog of an exhibition held at the Albertina, Vienna, September 20, 2013-January 12, 2014.
In 2007, the Albertina in Vienna, Austria announced the acquisition of the Batliner collection, one of the most important collections of modern art in the world. Comprising more than 500 pieces, the Batliner collection includes a wide range of pieces covering virtually aspect of modern painting, including French impressionism, German expressionism, Fauvism, the Russian avantgarde, and surrealism. This new book, which highlights the most important artists in the collection, provides an excellent overview of international classic modernism.
The Jablonka Collection is one of the highest-profile repositories of American and German art of the 1980s. In this catalog, the art dealer, gallerist, and curator Rafael Jablonka provides for the first time an insight into his wide-ranging collection, which is dedicated primarily to artists of his own generation--featuring artists like Eric Fischl, Damien Hirst, Roni Horn, Mike Kelly, Sherrie Levine, Thomas Schütte, Terry Winters, and many more. Jablonka has collected art for decades according to the basic principle of assembling multiple works from the different creative phases of artists. Featuring reproductions of some 120 works--paintings, works on paper, sculpture, and installations--the book introduces the oeuvres of the artists in question and presents a representative cross-section of the extensive Jablonka Collection, which was presented to the Albertina in Vienna on permanent loan in 2019.
This volume gathers together paintings, drawings, films, and sculptures by Maria Lassnig (1919-2014) from a creative career that spanned some seventy years. It explains how she thought of herself in relation to the art scene of her time. This multimedia approach makes possible new ways of looking at the artist's multfaceted work. Examples of Maria Lassnig's writings round out this presentation.