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Religion and National Identity in the Japanese Context
This book focuses upon the relationship between religion and socio-cultural or socio-political aspects in the history of religions in Japan. Religious and ideological justifications in the course of forming a political and national identity, and the mutual relation between political, national and cultural issues can be noticed in every region of the world before the onset of secularization processes, but also in modern nation-states today. In Japan as well, just like in most modern societies, political, cultural and religious elements are closely interrelated. In a comparative approach the sixteen papers in this volume elucidate the intellectual undercurrent in Japanese history of putting positive perspectives on national achievements and cultural-religious uniqueness into service of establishing and refurbishing a national identity.
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Huai-su and the Beginnings of Wild Cursive Script in Chinese Calligraphy
Der M�nchskalligraph Huai-su (ca. 725-ca. 782) gilt als einer der Begruender der "Wilden Konzeptschrift" (k'uang-ts'ao), die den exzentrischen Stil innerhalb der chinesischen Kalligraphiegeschichte pr�gte und zur Herausbildung einer vom klassischen Ideal der Wang-Schule abweichenden Traditionslinie fuehrte. Die vorliegende Studie gibt erstmals Einblick in die Prim�rquellen: neben Briefen und anderen Zeugnissen des Huai-su zahlreiche Lobgedichte von Beamten und Gelehrten. Alles deutet darauf hin, da� es sich bei seinem Hauptwerk, der sog. Autobiographie, um ein Empfehlungsschreiben in eigener Sache handelt. Neben einer annotierten �bersetzung der Autobiographie und s�mtlicher Koll...
外国語図書所蔵目錄
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China's Modernisation
"This book has been prepared to mark the retirement of Professor dr. E. Zèurcher from the Sinologisch Instituut, Leiden"-- Pref.
The Other Face of the Moon
Gathering for the first time all of Claude Lévi-Strauss’s writings on Japanese civilization, The Other Face of the Moon forms a sustained meditation into the French anthropologist’s dictum that to understand one’s own culture, one must regard it from the point of view of another. Exposure to Japanese art was influential in Lévi-Strauss’s early intellectual growth, and between 1977 and 1988 he visited the country five times. The essays, lectures, and interviews of this volume, written between 1979 and 2001, are the product of these journeys. They investigate an astonishing range of subjects—among them Japan’s founding myths, Noh and Kabuki theater, the distinctiveness of the Jap...
A Year in Seventeenth-Century Kyoto
Before the twentieth century, Japanese religious and cultural life was shaped by a variety of yearly ceremonies, festivals, and customs. These annual events (nenju gyoji) included Shinto festivals in which participants danced through the night to boisterous music and Buddhist temple practices that honored deities, great priests, or temple founders with solemn rituals and prayers—and sometimes, when the Buddha was invoked, raucous dancing. Temples also hosted popular fairs, where holy objects and artwork were displayed to the faithful and curious. Countless other celebrations were held annually at the residences of the nobility and military elite and at commoner domiciles. Kyoto, the imperi...
