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Zum 65. Geburtstag von Klaus Peter Dencker wird mit dieser Publikation die erste umfassende Monographie, ein Überblick über sein Werk von 1965 bis 2005, vorgelegt. Sie enthält außer den frühen Texten im Stil des Phantastischen Realis-mus und der Konkreten Poesie die wichtigsten Sequenzen Visueller Poesie in farbiger Reproduktion. Die Publikation enthält eine komplette Bibliographie aller Bücher, Aufsätze, Texte, Textbilder, Sequenzen, Schallplatten/CD-, Hörfunk- und Fernseharbeiten sowie Ausstellungen und Literatur über Dencker seit 1960. In der Bibliographie ist zugleich auch der Bestand der theoretischen und künstlerischen Arbeiten Denckers markiert, der sich in Besitz der Kunstbibliothek Berlin befindet. --
Despite the short life of the Dada movement, it has provoked the interest of art historians, museum directors and literary critics from all over the world. The present volume comprises the literary texts of individual Dadaists and periodicals from all Dada centers as well as books, articles, exhibition catalogs and bibliographies by international scholars. Jo rgen Scha fer's Exquisite Dada is the most exhaustive bibliography on Dada that has ever been compiled so far. By giving a synopsis of some decades of scholarly research, it provides an indispensable source for further studies on the matter.
Die 33 Beiträge zeigen neue Perspektiven für das Verhältnis von Sprache im Alltag und Sprachwissenschaft in unterschiedlichster und oft ungewohnter Weise auf. Dabei werden theoretische und methodologische Aspekte der Hinwendung zum Umgang mit Sprache in der Alltagswelt ebenso erörtert wie konzeptionelle oder empirische Zugänge zu diesem Forschungsbereich und Aufgabenstellungen einer praxisorientierten Sprachwissenschaft.
A new conceptualization of the relationship between the systemic and the iconic in real-time simulations that distinguishes among four levels of forming. Computer simulations conceive objects and situations dynamically, in their changes and progressions. In The Systemic Image, Inge Hinterwaldner considers not only the technical components of dynamic computer simulations but also the sensory aspects of the realization. Examining the optic, the acoustic, the tactile, and the sensorimotor impressions that interactive real-time simulations provide, she finds that iconicity plays a dominant yet unexpected role. Based on this, and close readings of a series of example works, Hinterwaldner offers a...
Heterogeneous objects provides various essays that explore the encounter of photography with other media since the 1960s. The essays offer new ways of thinking about photography beyond modernist notions of medium specificity and autonomy based upon the idea that a photograph does not rely on a coherent system of codes but is almost always encountered as a fragmented, partial object. Addressing recent debates in art history and photography theory, film studies, and media theory, the contributions cover a broad array of approaches, relating photography to issues of the panorama, surveillance, sculpture, transformation and processuality, and the development of new media categories. Rather than conceiving of photography as a medium, the aim is to reconsider the photograph as a historically, theoretically, and culturally embedded heterogeneous object that is always related to, in contact with, or shaped by other media.
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This volume presents a collection of original papers at the intersection of philosophy, the history of science, cultural and theatrical studies. Based on a series of case studies on the 17th century, it contributes to an understanding of the role played by instruments at the interface of science and art. The papers pursue the hypothesis that the development and construction of instruments make a substantive contribution to the opening of new fields of knowledge, the development of new cultural practices, but also to the delineation of particular genres, methods, and disciplines. This perspective leads the authors to reflect anew on what actually defines an instrument and to develop a series ...
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The central question of this interdisciplinary volume is, whether present day medical visualisation techniques like ultrasound, endoscopy, CT, MRI and PET-scans mark a significant shift in the historical and cultural construction and experience of bodily interiority.