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“Hegel and scepticism” remains an intriguing topic directly concerning the logical and methodological core of Hegel’s system. A series of contributions is unfolding around a keynote paper by Klaus Vieweg, which tries to understand and restate the limits and the content of the relationship between Hegels philosophy and scepticism. Various Hegel readers with different concerns are dealing with Hegel’s strategy in a large range of theoretical areas.
A monumental new biography of a pivotal yet poorly understood pioneer in modern philosophy. When a painter once told Goethe that he wanted to paint the most celebrated man of the age, Goethe directed him to Georg Wilhelm Friedrich Hegel. Hegel worked from the credo: To philosophize is to learn to live freely. While he was slow and cautious in the development of his philosophy, his intellectual growth was like an odyssey of the mind, and, contrary to popular belief, his life was full of twists and turns, suspense and even danger. In this landmark biography, the philosopher Klaus Vieweg paints a new picture of the life and work of the most important representative of German idealism. His vivid...
It is well known that Hegel departs from tradition in his treatment of contradiction in a way that is scandalous to some. This book explores the question of what Hegel means by contradiction and how it can be made useful for philosophy. For this purpose, the context of Hegel's analysis of contradiction is subjected to a close analysis - the essentialities, namely identity, difference, diversity, and opposition. The contradiction that arises in the analysis of contradiction is resolved, thus opening up a groundbreaking method for a philosophy that proceeds systematically. Bekannt ist, dass Hegel in seiner Behandlung des Widerspruchs in einer für manche skandalösen Art von der Tradition abwe...
"This volume brings together essays on Hegel from various decades of my involvement with the most important philosophical thinker of modernity. It is directed against some of the misinterpretations, malicious legends, and fairy tales about Hegel that are still prevalent today"--
An Ethical Modernity? offers a new view of Hegel’s doctrine of ethical life (Sittlichkeit) in relation to modernity. In this collection of essays, the authors investigate various aspects of this relation and its importance for today’s world.
Kant declared that philosophy began in 1781 with his Critique of Pure Reason. In 1806 Hegel announced that philosophy had now been completed. Eckart Förster examines the reasons behind these claims and assesses the steps that led in such a short time from Kant's "(Bbeginning" to Hegel's "(Bend." He concludes that, in an unexpected yet significant sense, both Kant and Hegel were indeed right. The Twenty-Five Years of Philosophy follows the unfolding of a key idea during this exceptionally productive period: the Kantian idea that philosophy can be scientific and, consequently, can be completed. Förster's study combines historical research with philosophical insight and leads him to propose a...
Modern individuality is the not-so-secret protagonist of Hegel’s practical philosophy. In the framework of spirit, Hegel presents some basic features of the individual’s way of life, lifeworld, self-interpreation, and self-determination, which can also be timely in shaping our own personal and social identities.
No philosopher has treated the subject of tragedy and comedy in as original and searching a manner as G. W. F. Hegel. His concern with these genres runs throughout both his early and late works and extends from aesthetic issues to questions in the history of society and religion. Hegel on Tragedy and Comedy is the first book to explore the full extent of Hegel's interest in tragedy and comedy. The contributors analyze his treatment of both ancient and modern drama, including major essays on Sophocles, Aristophanes, Shakespeare, Goethe, and the German comedic tradition, and examine the relation of these genres to political, religious, and philosophical issues. In addition, the volume includes several essays on the role tragedy and comedy play in Hegel's philosophy of history. This book will not only be valuable to those who wish for a general overview of Hegel's treatment of tragedy and comedy but also to those who want to understand how his treatment of these genres is connected to the rest of his thought.
The influence of Kant’s understanding of morality is too strong to be ignored. Hegel, however, fundamentally criticized Kant for offering merely a ‘formal’ model of normativity that cannot sufficiently comprehend human action as free. Instead, Hegel argues in his doctrine of ethical life (Sittlichkeit) that the embeddedness of the acting subject must be taken into account when identifying normativity. Yet the issue of normativity in Kant and Hegel remains contested even today, not least due to the misunderstandings of their conceptions of the topic. The present volume explores developments within recent scholarship which enable a better understanding of the concept of normativity in the thought of Kant and Hegel.
"In this incisive, original book, S. Williams reads prefaces to German literature and philosophy around 1800 as pretexts for writing, examining three of the most remarkable preface-writers of that era--Goethe, Jean Paul, and Hegel--in the contexts not only of German, but also European print culture, thought, and literature"--