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Medieval Humour
Simultaneously pervasive and evasive, rebellious and oppressive, transgressive and socially specific, humour is a vast and interdisciplinary field of research. Seeking to rethink this quintessentially human expression, this volume is bringing together established and emerging directions of medieval humour research. Each contribution explores different artistic expressions, receptions and functions of humour and identifies a series of problems in researching humour historically. Medieval Humour: Expressions, Receptions and Functions dissects humour in art and thought, literature and drama, society and culture, contributing to a deeper understanding of our cultural past.
Medieval Humour
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Medieval Humour
Simultaneously pervasive and evasive, rebellious and oppressive, transgressive and socially specific, humour is a vast and interdisciplinary field of research. Seeking to rethink this quintessentially human expression, this volume is bringing together established and emerging directions of medieval humour research. Each contribution explores different artistic expressions, receptions and functions of humour and identifies a series of problems in researching humour historically. Medieval Humour: Expressions, Receptions and Functions dissects humour in art and thought, literature and drama, society and culture, contributing to a deeper understanding of our cultural past.
The Wild Man
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The Linguistics of Humor
This book is the first comprehensive and systematic introduction to the linguistics of humor, exploring not only theoretical linguistic analyses, but also topics from applied linguistics. It will be a valuable resource for students from advanced undergraduate level upwards, particularly those coming to linguistics from related disciplines.
The Printmaker's Art
The print collections of the National Galleries of Scotland reveal a diverse and dazzling variety of different techniques and approaches to printmaking. Through technical summaries and featured examples, 'The Printmakers' Art' draws on the print and archive collections to illustrate and explain the mysteries of printmaking. AUTHOR: Hannah Brocklehurst is Curator of Prints and Drawings at the Scottish National Gallery, and has a special interest in printmaking and the etching revival of the nineteenth century. Recent print displays include: Rembrandt at 400 (2006), Goya: Monsters and Matadors (2007), The Printmaker's Art (2010). Kerry Watson is Librarian at the Scottish National Gallery of Modern Art, and has a particular interest in artists' books and printmaking. She has curated a number of print displays including Towards the Light: Colour Woodcuts from Britain and Japan (2011) and Woodcuts and Wood Engraving: The British Tradition (2012). SELLING POINTS: * Features some of the best known works from the National Galleries of Scotland's collection * A useful guide to the different print techniques 80 colour illustrations
Literary Hybrids
First Published in 2004. Routledge is an imprint of Taylor & Francis, an informa company.
Ambiguous Women in Medieval Art
Ambiguous Women in Medieval Art brings together the work of seven researchers who, coming from different perspectives, and in some cases different disciplines, approach the question of ambiguity in relation to different case-studies where the represented women do not follow the ever-present dichotomy exemplified by Eve and Mary. In doing so, they demonstrate the complexities of a topic that is as contemporary as it is ancient. Through them, we can get valuable insights on the understanding and experience of gender in the past and the ways in which these experiences have shaped our own understanding of this topic.
Joking about Jihad
Satire and comedy are powerful tools in politics, both to convince and to ridicule. As this original and bleakly humorous book attests, global jihadism is no exception.
