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Although fictional characters have long dominated the reception of literature, films, television programs, comics, and other media products, only recently have they begun to attract their due attention in literary and media theory. The book systematically surveys today ́s diverse and at times conflicting theoretical perspectives on fictional character, spanning research on topics such as the differences between fictional characters and real persons, the ontological status of characters, the strategies of their representation and characterization, the psychology of their reception, as well as their specific forms and constellations in - and across - different media, from the book to the internet.
In this sweet Regency romance by USA Today bestselling author Jennifer Monroe, a strongheaded woman meets her match when an arrogant knight vows to take over the very theater she cherishes. A Knight with a destiny. A secret that can unravel it. Sir Aaron Kirkwood knows no woman can resist his good looks or charms. With no time for romance, his focus is on the local theater, which he hopes to turn into a gentlemen’s club. His first point of resistance, however, comes from a wild and undisciplined beauty from the local school for young women. Miss Dunston is flirty, and her pouty lips are tempting, but Aaron knows what it will take to tame her. Her beauty is her strength, and she’ll use it...
Dani grew up in America, but when her marriage failed she had to return to her family in Oman, where she lives under her father’s watchful eye. Her greatest joy now is sneaking out to the used bookstore. One day, she meets a man there who takes her breath away, a kind, charismatic entrepreneur named Quasar. They begin seeing each other in secret, but Dani is crushed when she learns that their families are enemies. Dani’s father sees everything in black-and-white, and she can’t bear to betray him. Is there a future for Dani and Quasar?
[With Bonus Episode !] Including 4 special pages of additional story.Dani grew up in America, but when her marriage failed she had to return to her family in Oman, where she lives under her father’s watchful eye. Her greatest joy now is sneaking out to the used bookstore. One day, she meets a man there who takes her breath away, a kind, charismatic entrepreneur named Quasar. They begin seeing each other in secret, but Dani is crushed when she learns that their families are enemies. Dani’s father sees everything in black-and-white, and she can’t bear to betray him. Is there a future for Dani and Quasar?
The proposed book uses the Star Trek television/movie and Star Wars movie series to explain key international relations (IR) concepts and theories. It begins with an overview of the importance of science fiction in literature and film/television. It then presents the development of the Star Trek and Star Wars franchises, and discusses how their progression through time has illustrated key IR theories and concepts. As a bonus, it compares the two franchises to another recent science fiction franchise used to teach IR (Battlestar Galactica).
"A GRIPPING NOVEL." —New York Times Book Review When her children's school is set ablaze, Grace runs into the burning building to rescue her teenage daughter, Jenny. In the aftermath, badly injured, Grace learns the police have identified the arsonist, but they have blamed the wrong person. Only Detective Sarah McBride, the sister-in-law Grace has never liked, is searching for the real arsonist--a hunt that becomes urgent when it's clear Jenny is still the perpetrator's target. Page-turning suspense combines with a beautiful portrayal of deep family bonds to make this a stunning and riveting read. Now with Extra Libris material, including a reader’s guide and bonus content
In this book, Jennifer Yee examines the ways in which the imperialist enterprise is subverted in the French nineteenth-century exotic literature through detailed case studies of key works by Chateaubriand, Hugo, Flaubert and Segalen.
Every Guardian was born a warrior with powerful magic and a soulmate to complete her. All except for Luna, it seemed, who despite having mastered her craft, continued her fight in solitude. She was an enigma in their society—alone for far longer than any Guardian before her. Still, Luna remained hopeful that one day her soulmate would find her, and all the tender yearning would have been worth it. Then Gia stumbles into her life. Gia—who lives a Human life, in Human glamour, with a Human fiancé. Now Luna finds herself questioning everything that she—and the Guardians—have believed in for millennia. “Love isn’t always enough.” Luna had always understood the words, but she had never actually believed them.
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If material bodies have inherent, animating powers—or virtues, in the premodern sense—then those bodies typically and most insistently associated in the premodern period with matter—namely, women—cannot be inert and therefore incapable of ethical action, Holly Crocker contends. In The Matter of Virtue, Crocker argues that one idea of what it means to be human—a conception of humanity that includes vulnerability, endurance, and openness to others—emerges when we consider virtue in relation to modes of ethical action available to premodern women. While a misogynistic tradition of virtue ethics, from antiquity to the early modern period, largely cast a skeptical or dismissive eye on...