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This book presents a thoroughly researched and meticulously documented study of the emergence, development, and demise of music, theatre, recitation, and dance witnessed by the populace on thoroughfares, plazas, and makeshift outdoor performance spaces in Edo/Tokyo. For some three hundred years this city was the centre of such arts, both sacred and secular. This study outlines the nature of the performances, explores the social relations which lay behind them, and reveals vast complexity: an obligation of gift-giving on the part of observers; performers who were often economic migrants fallen on hard times; relations of performance to social class; a class system much more finely gradated th...
This is the history of Dutch influence on Japan during the so-called 'closed centuries' between 1640 and 1853. Dutch maritime traders provided the only commercial link which Japan maintained with the west, and were thus the sole channel for western ideas and knowledge to reach neo-Confucian society. Professor Goodman explains the circumstances of the Dutch themselves in Japan during the seventeenth century, and the historical and intellectual milieu within which 'Dutch studies' were nurtured. He traces the initial interest of the Shogun government in European astronomy and medicine, and the gradual development of interest in wider spheres of western knowledge and culture.
Reevaluates representations of race, sex, nation, and modernity in the work of a celebrated early 20th-century Japanese filmmaker and critic
This book contains the most up-to-date, original data on Japanese migrant culture available. Its inescapable conclusion is that the multicultural age has finally come to Japan.
In the summer of 1942 Japan's leading cultural authorities gathered in Tokyo to discuss the massive cultural, technological, and intellectual changes that had transformed Japan since the Meiji period. They feared that without a sufficient understanding of these developments, the Japanese people would lose their identity to the reckless and rapid process of modernization. The participants of this symposium hoped to settle the question of Japanese cultural identity at a time when their country was already at war with England and the United States. They presented papers and held roundtable discussions analyzing the effects of modernity from the diverse perspectives of literature, history, theol...
From the very beginning of cinema, there have been amateur filmmakers at work. It wasnÕt until Kodak introduced 16mm film in 1923, however, that amateur moviemaking became a widespread reality, and by the 1950s, over a million Americans had amateur movie cameras. In Amateur Cinema, Charles Tepperman explores the meaning of the ÒamateurÓ in film history and modern visual culture. In the middle decades of the twentieth centuryÑthe period that saw HollywoodÕs rise to dominance in the global film industryÑa movement of amateur filmmakers created an alternative world of small-scale movie production and circulation. Organized amateur moviemaking was a significant phenomenon that gave rise to dozens of clubs and thousands of participants producing experimental, nonfiction, or short-subject narratives. Rooted in an examination of surviving films, this book traces the contexts of ÒadvancedÓ amateur cinema and articulates the broad aesthetic and stylistic tendencies of amateur films.
This second volume in a two-volume set provides the only comprehensive, Western-language history of Pan-Asianism through primary sources and commentaries. The book argues that Pan-Asianism, often—though unfairly—associated with the Yellow Peril, has been a powerful political and ideological force in modern Asia. It has shaped national identities and strongly influenced the development of international relations across Asia and the Pacific. Scholars have long recognized the importance of Pan-Asianism as an ideal of Asian solidarity, regional cooperation, and integration but also as an ideology that justified imperialist expansion and military aggression. Yet sustained research has been ha...
The Routledge Handbook of Modern Japanese History is a concise overview of modern Japanese history from the middle of the nineteenth century until the end of the twentieth century. Written by a group of international historians, each an authority in his or her field, the book covers modern Japanese history in an accessible yet comprehensive manner. The subjects featured in the book range from the development of the political system and matters of international relations, to social and economic history and gender issues, to post-war discussions about modern Japan’s historical trajectory and its wartime past. Divided into thematic parts, the sections include: Nation, empire and borders Ideologies and the political system Economy and society Historical legacies and memory Each chapter outlines important historiographical debates and controversies, summarizes the latest developments in the field, and identifies research topics that have not yet received sufficient scholarly attention. As such, the book will be useful to students and scholars of Japanese history, Asian history and Asian Studies.