Welcome to our book review site go-pdf.online!
You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
Sportwissenschaft
Auf die Plätze, fertig, los – erfolgreich durch das Studium der Sportwissenschaft! Dieses Buch nimmt gekonnt alle Hürden des Studiums der Sportwissenschaft – die naturwissenschaftlichen wie auch die medizinischen. Anschaulich dargestellt und verständlich erklärt werden: - Anatomie und Funktion - Trainingslehre, Bewegungswissenschaft, leistungsbeeinflussende Faktoren - Sportverletzungen - Sport als Prävention und zur Therapie verschiedener Erkrankungen - wissenschaftliche Grundlagen und Arbeitsweisen in der Sportwissenschaft Und das kommt noch on top: - an den Curricula der einzelnen Hochschulen orientiert - viele hochwertige Abbildungen machen komplexe Zusammenhänge verständlich - Key points lassen die wichtigsten Informationen immer wieder ins Auge springen - Exkurse in die aktuelle wissenschaftliche Forschung bzw. die sportwissenschaftliche Praxis zeigen, woher neueste Erkenntnisse stammen und wie sie im Alltag Anwendung finden - Verständnisfragen am Kapitel helfen, das Gelernte zu festigen und zu nutzen Geschrieben von erfahrenen SpezialistInnen/TrainerInnen/interdisziplinäre WissenschaftlerInnen für Studierende der Sportwissenschaft.
The Concept of Sin in Judaism, Christianity and Islam
It is asserted by Judaism, Christianity and Islam alike that sin is a central part of human life. Where sin comes from, however, is answered differently in the respective religions. While both the Bible and the Qur’an agree that there was a kind of "fall" of Adam at the beginning of human history, this fall is interpreted solely in classical Christian theology in terms of an "original" or "ancestral sin." Moreover, the classical doctrine of original sin is becoming increasingly called into question in today's Christian theology. This example already shows that the concept of sin is anything but clear. What does sin mean? Is sin primarily a violation of God's commandments? Or does the term "sin" refer to a radical corruption of man’s nature? How does sin relate to man’s redemption, toward which all three religions aim? The book "The Concept of Sin in Judaism, Christianity and Islam" addresses these and related questions. It analyzes how "sin" has been understood in the three religions in the past and the present and points out similarities and differences.
The Use and Abuse of Eschatology in the Middle Ages
An interdisciplinary approach, wit hits comparative study of sources, helps to highlight the intellectual preoccupations of many religious thinkers who grappled with the overwhelming prospect of Universal destruction.
The Concept of Body in Judaism, Christianity and Islam
This volume of the series "Key Concepts in Interreligious Discourses" investigates the roots of the concept of "body" in Judaism, Christianity and Islam. The Body and being a created being stands in the focus of all the thre major monotheistic faiths. It is not just by the christian idea of man's likeness to God that indicates that the human body is a central object of religious thinking, both culturally and theologically charged. Here, the body stands in the crossfire of terms like "pure" and "unpure", "sacred" and "profane", "male" and "femal". And besides the theological controversies, everyday experiences like sexuality, gender equality and how to dispose of the own body (and that of oth...
Directory of Graduate Research
Faculties, publications and doctoral theses in departments or divisions of chemistry, chemical engineering, biochemistry and pharmaceutical and/or medicinal chemistry at universities in the United States and Canada.
Robert Siodmak
Trained in the German Expressionist tradition, Robert Siodmak brought a uniquely European flavor to Hollywood. Such Siodmak features as Phantom Lady, Cry of the City, and The File on Thelma Jordan contributed to the establishment of film noir as a movie genre. This study opens with a detailed biography of the director, focusing on the development and evolution of his thematic and visual style. Critical analyses of each of his noir films are next presented, as well as plot synopses and comments on the movie's place in the Siodmak canon. An exhaustive filmography of all of Siodmak's works, including those uncompleted, is then given, with full cast and credits, running time, release date, alternate titles, and studio.
