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Teaching Violin, Viola, Cello, and Double Bass summarizes three centuries of string pedagogy treatises to create a comprehensive resource on methods and approaches to teaching all four bowed string instruments. Co-written by three performance and pedagogy experts, each specializing in different string instruments, this book is applicable to all levels of instruction. Essays on historical pedagogues are clearly structured to allow for easy comprehension of their philosophies, pedagogical practices, and unique contributions. This book concludes with a section on application through comparative analysis of the historical methods and approaches. With coverage from the eighteenth century to the present, this book will be invaluable for teachers and students of string pedagogy and general readers who wish to learn more about string pedagogy’s rich history, diverse content, and modern developments.
Forced to provide for his family from the age of 8 and thrown out of his home into a bitter Moscow winter at age 12, cellist Gregor Piatigorsky began his career as an archetypal struggling artist, using secondhand and borrowed instruments. When the October Revolution forced his escape to Warsaw, he enjoyed initial success with the Warsaw Philharmonic. Relocating to Berlin a few months later, he again struggled in poverty before eventually emerging as solo cellist with the Berlin Philharmonic. Settling in the United States during World II, Piatigorsky continued a brilliant career that cemented his place as one of the twentieth century's greatest musicians. This all-embracing chronicle of Piatigorsky's tempestuous life and career finally reveals the full life story of a musical legend.
Through the middle years of this century, a formidable stream of Russian pianists - Gilels, Richter, Berman, Ashkenazy - took the musical world by storm, revealing by their virtuosity and musicianship the continuation of a great pianistic tradition. The Central School of Music and the Moscow Conservatory were the shrines where this tradition was passed on by dedicated and gifted teachers. Dmitry Paperno, himself a brilliant pianist, was a witness to this golden age of the piano. His memoirs, translated for the first time into English, take us into the halls of these celebrated schools, where the reader encounters not only the great pianists of the period but other legendary names: Oistrakh, Kogan, Rostropovich. Towering above all is his beloved teacher, Alexander Borisovich Goldenweiser. The rich musical life of Moscow and the tensions of international competition are vividly described along with the brutal repression of the Stalin years. The author recalls his performing career and gives an account of his years teaching in America since his emigration, rounding out this reminiscence.
Through the analysis of transcribed verbal testimonies of the Sephardim in the Ottoman Empire in the sixteenth century a vision of Jewish Ottoman life as well as a deep understanding of the development of Judeo-Spanish can be appreciated.
The documents edited by H. Şükrü Ilıcak in Those Infidel Greeks comprise the English translations of select documents from the Ayniyat Registers on the Greek War of Independence preserved in the Ottoman State Archives. The primary importance of these documents is that they are a clear testimony of the larger imperial context in which the Greek War of Independence evolved and proved successful. The mass of information they contain is immense and allows the reader to follow on an almost day-to-day basis how an empire tried to suppress a national uprising—the first of its kind in the early nineteenth century. Contributors: Çağrı Erdoğan, H. Şükrü Ilıcak, Nikola Rakovski, Mehmet Savan, Kahraman Şakul, and Aysel Yıldız. This is a co-publication with the Aikaterini Laskaridis Foundation.
"An in-depth history of the Stalinist skyscraper"--
Wealth in the Ottoman and Post-Ottoman Balkans demonstrates the economic and social transformations wrought by wars, state centralization, European expansion and the gradual Ottoman withdrawal from the Balkans. As a new middle class emerged, and the power of religion faded, Ottoman and post-Ottoman social, economic and cultural norms changed rapidly across the region. This book illustrates not only how markers of wealth accumulation and poverty were socially defined across the region, but also the ways inequality was experienced, revealing the relationships between the state, economy, society, modernity in the context of Balkan, Ottoman and European development. Evguenia Davidova marshals a compendium of thirteen contributions wherein new archival data and various case studies frame a comparative social portrayal of the modern Balkans, offering new truths to the major discourses about nationalism, modernity, and the Ottoman legacy in the respective Balkan national historiographies.