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Concentrating on the period of advance of the vernaculars in the context of religious text production in Central and Eastern Central Europe from the fourteenth until the sixteenth century, the individual studies in this volume present material so far neglected by the nationally defined historiographies and literary studies. The process of vernacularization created a new sociolinguistic field for the negotiation of social order through the choice of texts and topics. The volume seeks to answer the question whether, why and how distinctive new communicative, literary, and political cultures developed after the vernacular languages had acquired ever higher levels of literacy and education. The volume fills a gap of contemporary scholarship on the role of the vernaculars and vernacular literatures in European medieval societies and with the focus on the Eastern European regions it breaks new ground in regard to questions that have so far only been explored based on material from Europe's 'West'.
Jean-Claude Lebensztejn’s history of the urinating figure in art, Pissing Figures 1280–2014, is at once a scholarly inquiry into an important visual motif, and a ribald statement on transgression and limits in works of art in general. Lebensztejn is one of France’s best-kept secrets. A world-class art historian who has lectured and taught at major universities in the United States, his work has remained almost entirely in French, his American audience limited to a small but dedicated group of cognoscenti. First introducing the Manneken Pis—the iconic little boy whose stream of urine supplies water to this famous fountain and is also the logo for a Belgian beer company—the author ta...