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Brazil has long been called the "country of the future." This book documents an exhibition that examines Brazil from the perspective of blindness as a critical category, a metaphor for the way in which the obstruction of perception can illuminate alternate modes of knowledge and experience. It features twenty emerging and mid-career artists working in Brazil who offer a critical perspective on processes of transition within contemporary society, be it from the public space of the street to the virtual zone of the computer screen, or the scale of local communities to the structure of large-scale political action. These works speak to the complexity and heterogeneity of an art milieu that is both tied to the local and manifestly global in reach.
This first comprehensive publication on New York-based interdisciplinary artist Autumn Knight documents her performances addressing the regulation of African American female bodies. Accompanying these images are scores and notes, text by performance studies scholars and an artist interview with choreographer Cynthia Oliver.
Modernist design, that radical and iconoclastic break with the past, is now itself a thing of the past. Perhaps sufficiently so that over the last few years, artists have been treating modernist designs as icons themselves, and incorporating them'sometimes literally and often conceptually'into their own work. These recombinations and modifications result in an entirely unique mix: a meta-modernism in which the original source is changed, self-referential, abstracted. Using classic elements in new configurations, artists from across the world are making original works of art that comment on the claims of the past in light of the complexities of the present. The artists included in MetaModern,...
The multiauthored book accompanying the World on the Horizon exhibition organized by Krannert Art Museum is the first interdisciplinary study of Swahili visual arts and their historically deep and enduring connections to eastern and central Africa, the port towns of the western Indian Ocean, Europe, and the United States. At once exhibition catalogue and scholarly inquiry, the publication features eighteen essays in a mix of formats - personal reflections, object biographies, as well as more in-depth critical treatments - and includes never before published images of works from the National Museums of Kenya and Bait Al Zubair Museum in Oman. By approaching the east African coast as a vibrant...
From her hand-colored, machine-stitched photographic prints to her artist’s books and well-known Mountain Dream Tarot card deck, the first-known photographic treatment of the tarot, Bea Nettles’s work has always upended tradition. Bea Nettles: Harvest of Memory presents the span of her art across half a century, in conjunction with an exhibition co-organized by the George Eastman Museum in Rochester, New York, and the Sheldon Art Galleries in St. Louis, Missouri. Recognized for her innovations in mixed-media photography, Nettles used alternative photographic processes that produced textured works with subjects including self-portraits; investigations of the body and its relationship to nature and landscape; and the experience of mothering, loss, and aging. A tremendously productive artist, Nettle’s work has received critical acclaim, and been acquired into the permanent collections of museums coast to coast. Now, for the first time in her fifty-year career, Bea Nettles: Harvest of Memory offers a large-scale retrospective, tracing the journey of an artist who profoundly illuminates our inner worlds.
Placing her subjects in a social as well as art historical context, Muriel Scheinman provides engaging catalog entries describing how various pieces came to the university and how critics, faculty, and students received them.
In the last thirty years of the Soviet Communist project, Viktor Koretsky's art struggled to solve an enduring riddle: how to ensure or restore Communism's moral health through the production of a distinctively Communist vision. In this sense Koretsky's art demonstrates what an “avant-garde late Communist art” would have looked like if we had ever seen it mature. Most striking of all, Koretsky was pioneering the visual languages of Benetton and MTV at a time when the iconography of interracial togetherness was still only a vague rumor on Madison Avenue. Vision and Communism presents a series of interconnected essays devoted to Viktor Koretsky's art and the social worlds that it hoped to transform. Produced collectively by its five editors, this writing also considers the visual art, film, and music included in the exhibition Vision and Communism, opening at the Smart Museum of Art in September 2011.