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Astronomy
Superb full-color photographs of scientific instruments, experiments, and innovative 3-D models reveal the discoveries and research that have transformed our understanding of the Universe. Learn how space probes photograph planets, what causes a meteor shower, what makes Mars red, why the Sun shines, where the Moon came from, how the first telescopes worked, the stages in the life of a star, and more.
The Story of Time
Tentoonstellingscatalogus over de cultuurgeschiedenis van tijd en tijdmeting, de voorstelling van tijd in de beeldende kunst en tijdsbesef in verschillende perioden en culturen.
Art History as Cultural History
This book focuses on Aby Warburg (1866-1929), one of the legendary figures of twentieth century cultural history. His collection, which is now housed in the Warburg Institute of the University of London bears witness to his idiosyncratic approach to a psychology of symbolism, and explores the Nachleben of classical antiquity in its manifold cultural legacy. This collection of essays offers the first translation of one of Warburg's key essays, the Gombrich lecture, described by Carlo Ginzburg as 'the richest and most penetrating interpretation of Warburg' and original essays on Warburg's astrology, his Mnemosyne project and his favourite topic of festivals. Richard Woodfield is Research Profe...
Illustrating the Phaenomena
In this volume all extant celestial maps and globes made before 1500 are described and analysed. It also discusses the astronomical sources involved in making these artefacts in antiquity, the Middle Ages, the Islamic world and the European Renaissance before 1500.
Between Tradition and Modernity
Aby Warburg (1866-1929), founder of the Warburg Institute, was one of the most influential cultural historians of the twentieth century. Focusing on the period 1896-1918, this is the first in-depth, book-length study of his response to German political, social and cultural modernism. It analyses Warburg's response to the effects of these phenomena through a study of his involvement with the creation of some of the most important public artworks in Germany. Using a wide array of archival sources, including many of his unpublished working papers and much of his correspondence, the author demonstrates that Warburg's thinking on contemporary art was the product of two important influences: his engagement with Hamburg's civic affairs and his affinity with influential reform movements seeking a greater role for the middle classes in the political, social and cultural leadership of the nation. Thus a lively picture of Hamburg's cultural life emerges as it responded to artistic modernism, animated by private initiative and public discourse, and charged with debate.
Symbols of Time in the History of Art
C. Heck and K. Lippincott, Symbols of Time in the History of Art: Introduction; A. Acres, Small Physical History: Trickling Past of Early Netherlandish Painting; B. Winston Blackmun, 'From Time Immemorial': Historicism in the Court art of Benin, Nigeria; S. Blumenroder, Andrea Mantegna's Grisaille Paintings: Colour Metamorphosis as a Metaphor for History; K. Enz Finken, An Early Christian Construction of Time: Salvation History in the Catacomb of Callistus in Rome; M. Wellington Gahtan, Notions of Past and Future in Italian Renaissance Art and Letters; P. Gerrish Nunn, Time and Tide wait for no man: a Victorian apocalypse; J. M. Greenstein, Faces in Time: Temporalities of the Sitter in Renaissance Portraits; J. Berger Hochstrasser, Goede Dingen Willen Tijt Hebben: Time as a Meditation on Painting in Dutch Still Life of the Seventeenth Century; P. Junod, Figures du Temps au siecle de l'histoire; W. Pullan, Death and Praxis in the Funerary Architecture of Mamluk Cairo; S. Sun, The Symbols of Seasonal Changes from Winter to Spring in East Asian Paintings; D. Motycka Weston, 'The Hour of the Enigma': The Phenomenal Temporality in the Metaphysical Painting of Giorgio de Chirico.
The Other Virgil
The Other Virgil tells the story of how a classic like the Aeneid can say different things to different people. As a school text it was generally taught to support the values and ideals of a succession of postclassical societies, but between 1500 and 1800 a number of unusually sensitive readers responded to cues in the text that call into question what the poem appears to be supporting. This book focuses on the literary works written by these readers, to show how they used the Aeneid as a model for poems that probed and challenged the dominant values of their society, just as Virgil had done centuries before. Some of these poems are not as well known today as they should be, but others, like Milton's Paradise Lost and Shakespeare's The Tempest, are; in the latter case, the poems can be understood in new ways once their relationship to the 'other Virgil' is made clear.
Time for Architecture
Using time as a unifying theme, this book critically analyses many of the key concepts in modern architecture and urban design, such as modernity, innovation, timelessness and sustainability. Drawing on the statements of contemporary architects and with reference to a wide range of sources from history, philosophy, sociology and anthropology, as well as studies in diverse subjects such as science fiction, colonialism and archaeology, the text provides a new perspective on much of the thinking behind contemporary design. In addition, it develops original and practical theories on the meanings of modernity, the variable ageing of the environment, the central role of longevity in sustainability, the significance of authenticity in conservation, and the relationship between collective memory and tradition.
Navigating the American West
If you’ve ever stared in awe at the Rocky Mountains and wondered how early travelers could possibly traverse those peaks, then this is the book for you! In a time of smartphones, GPS devices, and voice automated navigation systems, it’s difficult to imagine crossing unknown desserts, mountains, and prairies with just a few ancient techniques and the heavens above. This history of movement across the American West brings three centuries of travel to life. It shows how four different cultures, in four different areas, migrated across this harsh and beautiful land: the native travelers on foot, Spanish conquistadors on horseback, Frenchmen by canoe, and American settlers by wagon. In this history, the “who,” “where,” and “when” take a back seat to the fascinating “how.” How did they find their way from place to place? How did they measure time, distance, and direction traveled? How did they provide themselves with food, water, and shelter—the barest necessities of human existence? Travel the myth and reality of the raw land that made the American West. Discover the depth of human bravery, determination, and ingenuity. And enjoy the adventure.
