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Reading Words into Worlds asks how it is that reading a novel can feel in some ways like being-in-a-world. The book explores how novels give themselves to readers in ways that mimetically resemble our phenomenological reception of given beings in reality. McReynolds refers to this process as phenomenological mimesis of givenness, and he draws on the phenomenological philosophy of Husserl, Heidegger, and Jean-Luc Marion to explore how masterful novels can make reading ink marks on a page feel like seeing things, feeling things, and meeting (even loving) others. McReynolds blends rigorous phenomenological study with a personable style, first laying out his theory in detail and then applying that theory through close studies of his reading experiences of four British realist masterpieces: Defoe’s Robinson Crusoe, Austen’s Northanger Abbey, Eliot’s Middlemarch, and Hardy’s Jude the Obscure. Ultimately, this book offers a grounded phenomenology of novel-reading, illuminating what gives novels such power to not only thrill readers—but to change them.
Simple but powerful strategies for increasing your success by improving your thinking The 5 Elements of Effective Thinking presents practical, lively, and inspiring ways for you to become more successful through better thinking. The idea is simple: You can learn how to think far better by adopting specific strategies. Brilliant people aren't a special breed—they just use their minds differently. By using the straightforward and thought-provoking techniques in The 5 Elements of Effective Thinking, you will regularly find imaginative solutions to difficult challenges, and you will discover new ways of looking at your world and yourself—revealing previously hidden opportunities. The book of...
Within key texts of Romantic-era aesthetics, William Wordsworth, S. T. Coleridge, and other writers and theorists pointed to the poet, naturalist, and physician Erasmus Darwin as exemplifying a lack of originality and sensibility in the period’s scientific literature--the very qualities that such literature had actually sought to achieve. The success of this strawman tactic in establishing Romantic-era principles resulted in the historical devaluation of numerous other, especially female, imaginative authors, creating misunderstandings about the aesthetic intentions of the period’s scientific literature that continue to hinder and mislead scholars even today. Regenerating Romanticism dem...
English Industrial Fiction of the Mid-Nineteenth Century discusses the valuable fiction written in mid-nineteenth-century Britain which represents the situations of the new breed of industrial workers, both the mostly male factory workers who operated in the oppressive mills of the midlands and north and, in other stories, the oppressed seamstresses who worked mostly in London in very poor and low-paid conditions. Beginning with a general introduction to workers’ fiction at the start of the period, this volume charts the rise of an identifiable genre of industrial fiction and the development of a substantial mode of seamstress fiction through the 1840s, including an analysis of novels by Benjamin Disraeli, Charles Kingsley, Elizabeth Gaskell and Charles Dickens, and more briefly Charlotte Bronte, Geraldine Jewsbury and George Eliot. This volume is essential reading for students and scholars of industrial fiction and nineteenth-century Britain, or those with an interest in the relationship between literature, society and politics.
It demonstrates that developments in technology, commerce, and infrastructure in the late eighteenth and early nineteenth centuries were closely linked to theological shifts and changing modes of religious life as British evangelicals developed new methods of spreading the gospel and new forms of personal religious practice.
Doctrine and Difference: The Thematic Scale of Classic American Literature aims to expand and deepen our knowledge into the inquiry of “contextual historicism,” observing writers of the American nineteenth century, and their vastly differing approaches to perceptions such as race, gender, and national identity. Ranging from the religious acuities of the first American Puritans to the more secularized literary awakening of the American Renaissance and into late-century texts that deliberately resist the limits of received religious and political opinion, this volume seeks to uncover a history of human thought within classic American Literature. This volume critically observes these survivable works of literature, presenting insight into the “difference” made by conversation, dispute, and dramatized self-doubt within novels and poems of the historical past.
A meditation on the conversions, betrayals, and divine revelations of motherhood. What if Augustine's Confessions had been written not by a man, but by a mother? How might her tales of desire, temptation, and transformation differ from his? In this memoir, Natalie Carnes describes giving birth to a daughter and beginning a story of conversion strikingly unlike Augustine's—even as his journey becomes a surprising companion to her own. The challenges Carnes recounts will be familiar to many parents. She wonders what and how much she should ask her daughter to suffer in resisting racism, patriarchy, and injustice. She wrestles with an impulse to compel her child to flourish, and reflects on w...
In all six of its volumes The Broadview Anthology of British Literature presents British literature in a truly distinctive light. Fully grounded in sound literary and historical scholarship, the anthology takes a fresh approach to many canonical authors, and includes a wide selection of work by lesser-known writers. The anthology also provides wide-ranging coverage of the worldwide connections of British literature, and it pays attention throughout to issues of race, gender, class, and sexual orientation. It includes comprehensive introductions to each period, providing in each case an overview of the historical and cultural as well as the literary background. It features accessible and enga...
Documents eighteenth-century literary representations of atheism, arguing that opposition to atheism generated unique forms of religious belief.