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Stefan Heym's very beginnings as a writer were a direct response to the threat of Fascism and the mass veneration of Hitler, and in his American exile he was to encounter the marketing and image machinery of capitalism and democratic politics. After arriving in the GDR in the wake of McCarthyism he was then confronted with the Stalin cult and the stark contradiction between the personality cult and the purported aims of the Communist vision. This book examines Heym's response to a problem that did not die out with the collapse of the Soviet bloc and which he treated as a universal phenomenon, and probes the extent to which he employed various publicity techniques to shape his own reception as a writer. In this analysis of an often controversial figure, the author draws on much uncovered archive material, and places close readings in a broad context; this is one of few studies that deal with Heym's career as a whole, from his beginnings in the Weimar Republic and Czechoslovakia and his overnight success in America through to his eminence as an intellectual public figure in the GDR and the reunified Germany.
"Bringing together many of the most important scholars of German film, this hugely significant collection offers a fascinating and subtle account of the contours of the political in the post-Wall cinematic landscape."---Paul Cooke, professor of German cultural studies in the School of Modern Languages and Cultures, University of Leeds --Book Jacket.
This collection of essays aims to recapitulate the state of grotesque poetics in modern and post-modern writing. It concentrates on Central and Eastern Europe, introducing the Western reader to the variety and ingenuity of this region’s literary traditions, ranging from German and Russian to Lithuanian and Romanian literatures. At the same time, it seeks to highlight the importance of the grotesque mode of writing in the region. It includes new insights and interpretations of theories on grotesque and Menippean satire including (but not limited to) the works of Mikhail Bakhtin. The historic scope of the volume ranges from the legacies of Nazi dictatorship and exile to the post-communist ti...
Memory Matters juxtaposes in tripartite structure texts by a child of German bystanders (Wolf), an Austrian-Jewish child-survivor (Klüger), a daughter of Jewish émigrés (Honigmann), a daughter of an officer involved in the German resistance (Bruhns), a granddaughter of a baptized Polish Jew (Maron), and a granddaughter of German refuges from East Prussia (Dückers). Placed outside of the distorting victim-perpetrator, Jewish-German, man-woman, and war-postwar binary, it becomes visible that the texts neither complete nor contradict each other, but respond to one another by means of inspiration, reverberation, refraction, incongruity, and ambiguity. Focusing on genealogies of women, the bo...
In 1903 Otto Weininger, A Viennese Jew who converted to Protestantism, publishedGeschiecht und Charakter(Sex and Character), a book in which he set out to prove the moral inferiority and character deficiency of "the woman" and "the Jew." Almost immediately, he was acclaimed as a young genius for bringing these two elements together. Shortly thereafter, at the age of twenty-three, Weininger committed suicide in the room where Beethoven had died. Weininger's sensationalized death immortalized him as an intellectual who expressed the abject misogyny and antisemitism. This collection of essays, many translated into English for the first time, examines Weininger's influence and reception in Weste...
Her thoughts actually revolved around Paris, stoking the fire of her imagination. Paris, the dream of a city that kept her going. Yet she decided on the incomplete city of Berlin, a city of change and aspiration: A mirror of her own development and symbolic for arrival in a new world. Romanian author Carmen-Francesca Banciu has lived in Berlin since 1991 and has since become a part of the city herself. In her autobiographical reports and literary miniatures, she immerses herself in the life of the metropolis, visits enchanting localities from world history, and tells of her encounters with interesting and unique people. She whisks readers away to her favorite cafes, goes on journeys of discovery through dreamy courtyards, and shows how Paris can be forgotten in this New Berlin. Melancholic, jovial, and idiosyncratic stories of life between two cultures and of a city that is once again starting to exude cosmopolitan air.
This is the first book in English to survey the Eastern German literary trend of employing humor and satire to come to terms with experiences in the German Democratic Republic and after the fall of the Berlin Wall. As sophisticated attempts to make sense of socialism’s failure and a difficult unification process, these contemporary texts help define Germany today from a specific, Eastern German perspective. Grounded in politics and history, ten humorous and satirical novels are analyzed for their literary aesthetics and language, cultural critiques, and socio-political insights. The texts include popular novels such as Thomas Brussig’s Helden wie wir, Ingo Schulze’s Simple Storys, and ...
Competing representations of the former East German state in the German cultural memory.
In Topographies of Class, Sabine Hake explores why Weimar Berlin has had such a powerful hold on the urban imagination. Approaching Weimar architectural culture from the perspective of mass discourse and class analysis, Hake examines the way in which architectural projects; debates; and representations in literature, photography, and film played a key role in establishing the terms under which contemporaries made sense of the rise of white-collar society. Focusing on the so-called stabilization period, Topographies of Class maps out complex relationships between modern architecture and mass society, from Martin Wagner's planning initiatives and Erich Mendelsohn's functionalist buildings, to ...