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Film Feminisms
Film Feminisms offers a global and updated overview of the history, present-day concerns, and future of feminist film and theory. It introduces frameworks from phenomenology, affect theory, and psychoanalysis to reception studies, new media theories, and critical historiography, as well as engaging with key issues in documentary ethics, genre theory, and star studies. This new textbook situates feminist film theory within the larger framework of transnational scholarly approaches, as well as decolonial, queer, disability studies, and critical race theories. It offers a much-needed update on pedagogical approaches to feminist film studies, providing discussions of filmmakers and films that have been overlooked in the field, or that are overdue for further analysis. Each chapter is supported by a variety of pedagogical features including activities, key terms, and case studies. Many of the activities draw on contemporary digital media, such as social media and streaming platforms, to update the field to today's changing media landscape.
Loved By An “ANGEL”
This is an inspiring story about the life of Kristin Michelle Beaucher, how she touched thousands of lives, all of the pain and suffering she overcame, and how her faith in God only grew stronger. Losing her battle with cancer at the early age of nine never changed the person she was or made her lose sight of what she wanted to accomplish. Kristin was diagnosed with medduloblastoma (brain cancer) at the young age of two and a half. She dealt with more pain and suffering than many adults will endure in their entire life. Kristin overcame every obstacle in her path and every problem that came her way with a smile on her face and love pouring from her heart. Kristin was truly an angel, a gift f...
The 27s
Jimi Hendrix. Janis Joplin. Jim Morrison. Brian Jones. Kurt Cobain. Founding bluesman Robert Johnson. All died at 27. Their stories, as well as those of ill-fated members of the Grateful Dead, The Stooges, Badfinger, Big Star, Minutemen, Echo & the Bunnymen, and The Mars Volta, are here presented for the first time as a profound and interlocking web that reaches beyond coincidence to the roots of artistic causality and fate.
The Femme Fatale
Ostensibly the villain, but also a model of female power, poise, and intelligence, the femme fatale embodies Hollywood’s contradictory attitudes toward ambitious women. But how has the figure of the femme fatale evolved over time, and to what extent have these changes reflected shifting cultural attitudes toward female independence and sexuality? This book offers readers a concise look at over a century of femmes fatales on both the silver screen and the TV screen. Starting with ethnically exoticized silent film vamps like Theda Bara and Pola Negri, it examines classic film noir femmes fatales like Barbara Stanwyck in Double Indemnity, as well as postmodern revisions of the archetype in fi...
Straight Korean Female Fans and Their Gay Fantasies
This book is about ardent Korean female fans of gay representation in the media, their status in contemporary Korean society, their relationship with other groups such as the gay population, and, above all, their contribution to reshaping the Korean media’s portrayal of gay people. Jungmin Kwon names the Korean female fandom for gay portrayals as “FANtasy” subculture, and argues that it adds to the present visibility of the gay body in Korean mainstream media, thus helping to change the public’s perspective toward sexually marginalized groups. The FANtasy subculture started forming around text-based media, such as yaoi, fan fiction, and U.S. gay-themed dramas (like Will & Grace), and...
Nobody's Girl Friday
This book on the history of Hollywood's high-flying career women during the studio era covers the impact of the executives, producers, editors, writers, agents, designers, directors, and actresses who shaped Hollywood film production and style, led their unions, climbed to the top during the war, and fought the blacklist.
Affirmative Aesthetics and Wilful Women
Fifty years of feminist thought have made the idea that women stay at home while men dominate the streets seem outdated; nevertheless, Ceuterick argues that theoretical considerations of gender, space, and power in film theory remain limited by binary models. Looking instead to more fluid models of spatial relations inspired by Sara Ahmed, Rosi Braidotti, and Doreen Massey, this book discovers wilful, affirmative, and imaginative activations of gender on screen. Through close, micro-analysis of historic European Messidor (Alain Tanner, 1979) and contemporary world cinema: Vendredi Soir (Claire Denis, 2002), Wadjda (Haifaa Al-Mansour, 2012), and Head-On (Fatih Akin, 2004), this book identifies affirmative aesthetics: light, texture, rhythm, movement and sound, all of which that participate in a rewriting of bodies and spaces. Ultimately, Ceuterick argues, affirmative aesthetics can challenge the gender categories and power structures that have been thought to determine our habitation of cars, homes, and city streets. Wilful women drive this book forward, through their movement and stillness, imagination and desire, performance and abjection.
Return of the Monstrous-Feminine
This follow-up to the classic text of The Monstrous-Feminine analyses those contemporary films which explore social justice issues such as women’s equality, violence against women, queer relationships, race and the plight of the planet and its multi-species. Examining a new movement – termed by Creed as Feminist New Wave Cinema – The Return of the Monstrous-Feminine explores a significant change that has occurred over the past two decades in the representation of the monstrous-feminine in visual discourse. The Monstrous-Feminine is a figure in revolt on a journey through the dark night of abjection. Taking particular interest in women directors who create the figure of the Monstrous-Fe...
Triptych
Known for her award-winning poetry and her intricate visual art, P. K. Page did not consider herself a writer of fiction, but she nevertheless produced a substantial and varied body of compelling stories. Triptych: Selected Fiction of P. K. Page presents powerful examples of Page’s insightful and provocative fiction. Characterized by the exploration of charged ideas, these works (including a novel, several short stories, and a collection of brief linked narratives) take inspiration from experience both lived and imagined. In them, Page meditates on the notion of memory and the process of remembering, delving into themes of imagination and identity, of art and the environment, all the while maintaining the language and lyricism epitomized in her poetry. With a critical introduction by volume editor Elizabeth Popham, Triptych not only reproduces the captivating and lyrical prose of one of Canada’s most beloved authors, but also provides readers with a tantalizing glimpse into the extension of the poet-artist’s oeuvre and her development as a skillful writer of fiction.
The Routledge Companion to Cinema & Gender
Comprised of 43 innovative contributions, this companion is both an overview of, and intervention into the field of cinema and gender. The essays included here address a variety of geographical contexts, from an analysis of cinema. Islam and women and television under Eastern European socialism, to female audience reception in Nigeria, to changing class and race norms in Bollywood dance sequences. A special focus is on women directors in a global context that includes films and filmmakers from Asia, Africa, Australia, Europe, North and South America. The collection also offers a solid overview of feminist contributions to thinking on genre from the "chick flick" to the action or Western film...
