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Faith is the Path Grace is the Bridge Surrender is the Gate Love is the Garden "Over the course of more years than I care to admit, I've been witness to Kristina's multi-faceted talents as actress, musician, writer, composer, fellow spiritual seeker and dear friend. of all of her worthy endeavors, perhaps most compelling is her poetry. It is a reflection of her soul; an out-picturing of her inner and outer travels and, as such, a daily mantra of a visionary creative spirit; an expression for you to share and experience with her in consciousness. Mystic Wayfarer, One Soul's Journey Into Light is powerful, purposeful, intimate, and, like Kristina herself, utterly unique in its power to alter y...
Faith is the Path Grace is the Bridge Surrender is the Gate Love is the Garden Over the course of more years than I care to admit, Ive been witness to Kristinas multi-faceted talents as actress, musician, writer, composer, fellow spiritual seeker and dear friend. Of all of her worthy endeavors, perhaps most compelling is her poetry. It is a reflection of her soul; an out-picturing of her inner and outer travels and, as such, a daily mantra of a visionary creative spirit; an expression for you to share and experience with her in consciousness. Mystic Wayfarer, One Souls Journey Into Light is powerful, purposeful, intimate, and, like Kristina herself, utterly unique in its power to alter your ...
During the second half of the 20th century, landmark works of the horror film genre were as much the product of enterprising regional filmmakers as of the major studios. From backwoods Utah to the Louisiana bayous to the outer boroughs of New York, independent, regional films like Night of the Living Dead, Last House on the Left, I Spit on Your Grave, The Texas Chain Saw Massacre, and The Evil Dead stood at the vanguard of horror cinema. This overview of regionally produced horror and science fiction films includes interviews with 13 directors and producers who operated far from mainstream Hollywood, along with a state-by-state listing of regionally produced genre films made between 1958 and 1990. Highlighting some of the most influential horror films of the past 50 years, this work celebrates not only regional filmmaking, but also a cultural regionalism that is in danger of vanishing.
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Reviews of The Gorehound's Guide to Splatter Films of the 1960s and 1970s: "recommended"--Booklist; "exhaustive...useful"--ARBA; "a solid reference work"--Video Watchdog; "bursting with information, opinion and trivia...impeccably researched"--Film Review; "interesting and informative"--Rue Morgue; "detailed credits...entertaining"--Classic Images. Author Scott Aaron Stine is back again, this time with an exhaustive study of splatter films of the 1980s. Following a brief overview of the genre, the main part of the book is a filmography. Each entry includes extensive technical information; cast and production credits; release date; running time; alternate and foreign release titles; comments on the availability of the film on videocassette and DVD; a plot synopsis; commentary from the author; and reviews. Extensive cross-referencing is also included. Heavily illustrated.
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