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Liquid Horizon
Sensual, meditative, and powerfully evocative photographic studies of the ocean by professional surfer Danny Fuller. Danny Fuller's work as a photographer and artist is best understood through his thirty years as a professional surfer. Fuller who is known for riding the waves of North Shore Oahu's famous Pipeline and Maui's treacherous Jaws sees and experiences the ocean in ways intimate and infinite. Fuller's nocturnal seascapes of the worlds most savage and beautiful waves, all captured exclusively by moonlight with slow exposures, share the soulful beauty of the ocean, in meditative, painterly studies of subtle changes of light and color. In the tradition of artists drawn to the sea for inspiration, Fuller expresses a surfer's deep spiritual connection to the ocean and to the meaning of consequence in surfing. The sensual allure of blue mixed with the ominous presence of water, whose scale is epic, reminds us just how minuscule and insignificant we are relative to the powers of the sea.
How We See: Photobooks by Women
A “book on books” anthology that documents How We See, a traveling public and hands-on reading room of a global range of 100 photography books by female photographers. In addition to all one hundred books in the How We See Reading Room, the publication includes three essays, an annotated history, reference lists of historical books by women photographers, an author index and a visual index. Paris Photo-Aperture Foundation Photobook Awards 2019 – Jury’s Special Mention Les Rencontres d’Arles Photobook Award 2019 – Shortlisted 50 Books 50 Covers / AIGA 2019 – Best Book Winner ADC Merit Award 2020
Feliza Bursztyn: Welding Madness
A career-spanning monograph on a pioneer of kinetic sculpture This is the first comprehensive survey on the work of the Colombian pioneer in kinetic sculpture Feliza Bursztyn (1933-1982). A selection of 50 sculptures, films, installations and archival material showcases Bursztyn's role as one of Latin America's most important artists of the 20th century.
The Practice of Public Art
This exciting new collection of essays by practicing artists, curators, activists, art writers, administrators, city planners, and educators offers divergent perspectives on the numerous facets of the public art process. The volume also includes a useful graphic timeline of public art history.
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xxxxx proposes a radical, new space for artistic exploration, with essential contributions from a diverse range of artists, theorists, and scientists. Combining intense background material, code listings, screenshots, new translation, [the] xxxxx [reader] functions as both guide and manifesto for a thought movement which is radically opposed to entropic contemporary economies. xxxxx traces a clear line across eccentric and wide ranging texts under the rubric of life coding which can well be contrasted with the death drive of cynical economy with roots in rationalism and enlightenment thought. Such philosophy, world as machine, informs its own deadly flipside embedded within language and tech...
New Media in the White Cube and Beyond
"New Media in the White Cube and Beyond perceptively addresses the challenges inherent in the digital arts. The book will be a great asset to the study and practice of presenting media art for many years to come."--Barbara London, curator, Museum of Modern Art, New York "Provocative and original, New Media in the White Cube and Beyond represents an important contribution to the fields of new media, museum studies, and contemporary art."--Alexander Alberro, author of Conceptual Art and the Politics of Publicity
Women, Culture and Geometry in Southern Africa
New edition of award winning book "Women and Geometry in Southern Africa: Suggestions for Further Research", published by the "Universidade Pedagógica" (Mozambique) in 1995. The original book contains chapters on geometrical ideas embedded in basket weaving, bead work, wall decoration, tattooing, and ceramics. The expanded edition includes a foreword by Sibusiso Moyo (Secretary of the African Mathematical Union Commission on Women in Mathematics in Africa, and Research Director of the Durban University of Technology, South Africa), afterwords by Ubiratan D'Ambrosio (Brazil) and Jens Hoyrup (Denmark), and the papers "Makwe colour inversion, symmetry and patterns" (Northeastern Mozambique) and "Symmetries on mats woven by Yombe women from the area along the Lower Congo." The book contains also a chapter written by Salimo Saide on the geometry of pottery decoration among Yao women (Nyassa Province, Mozambique). (2013, 276 pp.)
