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Memory’s Turn
The first book to trace Brazil's reckoning with dictatorship through the collision of politics and cultural production.
Trauma, Taboo, and Truth-Telling
Silences, taboos, and "public secrets" carry their own deep meaning about Argentina's painful legacy of repression.
The Art of Truth-telling about Authoritarian Rule
People who have lived through authoritarian rule have stories to tell, truths that have been silenced. But how do individuals begin to speak about a political past that was too horrible for words? How is truth best voiced in a society moving out of authoritarianism? This generously illustrated volume examines the creation of stories, accounts, images, songs, street theater, paintings, and ideas that pay witness to authoritarian pasts in Nigeria, South Africa, Argentina, Chile, Guatemala, Cambodia, Indonesia, the Philippines, Thailand, Bosnia, Serbia, and Croatia. This theme is explored with contributions by scholars, activists, and artists. By examining the past, they hope to teach us to avoid repeating these atrocities.
Accounting for Violence
Offering bold new perspectives on the politics of memory in Latin America, scholars analyze the memory markets in six countries that emerged from authoritarian rule in the 1980s and 1990s.
The Justice of Visual Art
Drawing on novel case studies, this book provides the first substantive theoretical framework for understanding transitional justice and visual art.
The Cambridge Companion to Tango
Tango music rapidly became a global phenomenon as early as the beginning of the twentieth century, with about 30% of gramophone records made between 1903 and 1910 devoted to it. Its popularity declined between the 1950s and the 1980s but has since risen to new heights. This Companion offers twenty chapters from varying perspectives around music, dance, poetry, and interdisciplinary studies, including numerous visual and audio illustrations in print and on the accompanying webpages. Its multidisciplinary approach demonstrates how different disciplines intersect through performative, historical, ethnographic, sociological, political, and anthropological perspectives. These thematic continuities illuminate diverse international perspectives and highlight how the art form flourished in Argentina, Uruguay and abroad, while tracing its international and cultural impact over the last century. This book is an innovative resource for scholars and students of tango music, particularly those seeking a diverse international perspective on the subject.
The Transition will be Televised
Dieses Werk untersucht die Spuren, die der Friedenprozess mit der Guerrilla FARC-EP in der kolumbianischen Fernsehfiktion hinterlassen hat. Dazu ergründet es das Phänomen kolumbianischer Versöhnungstelenovelas, welche untrennbar mit dem nationalen Transitional Justice Prozess verknüpft sind. Gestützt auf Analysen der Telenovelas und Expert:innen-Interviews wird das Versöhnungspotential der Telenovelas beleuchtet und werden Chancen und Risiken ausgelotet, die aus der Nutzung von massenmediierten Formaten der Popkultur in Friedensprozessen erwachsen. Die Telenovelas, die vorschnell als seichte Unterhaltung abgetan werden könnten, stellen sich als integraler Bestandteil des kolumbianischen Transitional Justice Strategie heraus.
Humoring Resistance
Contextualizing theoretical debates about the political uses of gendered humor and female excess, this book explores bold new ways in which a number of contemporary Latin American women authors approach questions of identity and community. The author examines the connections among strategic uses of humor, women's bodies, and resistance in works of fiction by Laura Esquivel, Ana Lydia Vega, Luisa Valenzuela, Armonía Somers, and Alicia Borinsky. She shows how the interarticulation of the comic and comic-grotesque vision with different types of excessive female bodies can result in new configurations of female subjectivity.
A Companion to Public Art
A Companion to Public Art is the only scholarly volume to examine the main issues, theories, and practices of public art on a comprehensive scale. Edited by two distinguished scholars with contributions from art historians, critics, curators, and art administrators, as well as artists themselves Includes 19 essays in four sections: tradition, site, audience, and critical frameworks Covers important topics in the field, including valorizing victims, public art in urban landscapes and on university campuses, the role of digital technologies, jury selection committees, and the intersection of public art and mass media Contains “artist’s philosophy” essays, which address larger questions about an artist’s body of work and the field of public art, by Julian Bonder, eteam (Hajoe Moderegger and Franziska Lamprecht), John Craig Freeman, Antony Gormley, Suzanne Lacy, Caleb Neelon, Tatzu Nishi, Greg Sholette, and Alan Sonfist.
Agency in Transnational Memory Politics
The dynamics of transnational memory play a central role in modern politics, from postsocialist efforts at transitional justice to the global legacies of colonialism. Yet, the relatively young subfield of transnational memory studies remains underdeveloped and fractured across numerous disciplines, even as nascent, boundary-crossing theories on topics such as multi-vocal, traveling, or entangled remembrance suggest new ways of negotiating difficult political questions. This volume brings together theoretical and practical considerations to provide transnational memory scholars with an interdisciplinary investigation into agency—the “who” and the “how” of cross-border commemoration that motivates activists and fascinates observers.
