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Exposition collective regroupant : Abramovic, Marina, 1946-; Ader, Bas Jan, 1942-1975; Altmejd, David, 1974-; Banner, Fiona, 1966-; Borsato, Diane, 1973-; Bournigault, Rebecca, 1970-; Brégeault, Anne, 1971-; Buxey, K R, 1967-; Calle, Sophie, 1953-; Clark, Lygia, 1920-1988; Closky, Claude, 1963-; Courrèges, François-Xavier, 1974-; De Broin, Michel, 1970-; Emin, Tracey, 1963-; Evans, Cerith Wyn, 1958-; Familiari, Christelle, 1972-; Feldmann, Hans-Peter, 1941-; Gonzalez-Torres, Felix, 1957-1996; Gordon, Douglas, 1966-; Gray, Kevin Francis, 1972-; Höller, Carsten, 1961-; Just, Jesper, 1974-; Kerbel, Janice, 1969-; Kuntzel, Thierry, 1948-2007; Leccia, Ange, 1952-; Manchot, Melanie, 1966-; McGinley, Ryan, 1977-; Moumblow, Monique, 1971-; Newman, Hayley, 1969-; Panayiotou, Christodoulos, 1978-; Paris, Cécile, 1970-; Pierre et Gilles; Prinz Gholam; Rist, Pipilotti, 1962-; Smith & Stewart; Sterbak, Jana, 1955-; Taylor-Wood, Sam, 1967-; Tremblay, Ève K., 1972-; Ulay, 1943-; Vilmouth, Jean-Luc, 1952-2015; Voigt, Jorinde, 1977-; Warhol, Andy, 1928-1987.
The Swiss artist Miriam Cahn (*1949, Basel) deals with political and social themes in oil paintings; charcoal, chalk, and colored and lead pencil drawings; and in photographs, films, and installations. Strong color is characteristic of her work, forming a stark contrast to the recurring motifs of violence, tenderness, war, destruction, and physical infirmity. Her habit of commenting upon her work in writing is a golden thread running throughout Cahn's career. She illuminates her own art, commenting in the process on art and world events, and she sets up the texts opposite her artworks in exhibitions and publications. WRITING IN RAGE is the first compilation of her writing by itself, and incl...
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The exhibition invites viewers to undertake a two-way journey, from Southto North, and examine the similarities and differences between the work ofthose artists who emigrated and the work of those who stayed. It also invitesus to reevaluate our concept of what is African. The works represent several generations of artists who have penetrated international circuits in recent years. Frdric Bruly Bouabr (Ivory Coast) serves as the starting point for a dialogue between the local and the global with works that challenge every possible preconceived idea about tradition and contemporaneity. In turn, these establish a harmonious dialogue with the works of other artists such as William Kentridge (Sou...
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An exhibition consisting of some 50 works, 'Resisting the Present' brings together a generation heavily committed to the social and political development of Mexico.
Faisal Abdu' Allah, Nobuyoshi Araki, Dominique Auerbacher, Lewis Baltz, Chrisitian Boltanski, Nancy Burson, Clegg & Guttmann, John Coplans, Eileen Cowin, Rineke Dijkstra, Sinje Dillenkofer, Véronique Ellena, Patrick Faigenbaum, Roland Fischer, Alain, Fleischer, Katrin Freisager, Jean Louis Garnell, Nan Goldin, Hans Haacke, Roshini Kempadoo, Leslie Krims, Marie-Jo Lafontaine, Inez van Lamsweerde, Walter Niedermayr, Orlan, Fabrizio Plessi, Rault, Raynaud, Serrano, Streuli, Struth, TIllmans, Toscani, Trémorin, Waplington
Cet ouvrage est une réédition numérique d’un livre paru au XXe siècle, désormais indisponible dans son format d’origine.