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The digitalization of the world seems to require manual compensation. Everywhere, people are crocheting, embroidering, knitting, and weaving. The boundary between arts and crafts appears to be blurring. As early as 1878, Gottfried Semper referred to textiles as the original art form. The Wiener Werkstätte and the Bauhaus broke through the barriers--a decisive impulse for the masters of modernism. Thread, weave, network, and pattern are simultaneously foundation, result, and inspiration and spill over into the areas painting, sculpture, installation, and media art.This opulently designed volume presents both an artistic and an intercultural dialogue, comparing works by Gustav Klimt, Edgar De...
The ultimate overview of Hans Op de Beeck's oeuvre Almost all art disciplines gathered in one volume: from painting to video "Op de Beeck highlights the power of video art" - The Boston Globe Hans Op de Beeck has exhibited at the Venice Biennale, the Tate Modern, The Smithsonian, Museo de Arte Contemporaneo in Buenos Aires, Palais de Tokyo in Paris, Espace Louis Vuitton in Munchen, and many other high profile venues. Ever since he won the Young Belgian Art Prize for Painting in 2001, he has been praised by the international art scene. This book collects his ouevre, rendering his multidisciplinary works in two dimensions for your reading pleasure."
Text by Markus Bruderlin, Richard Andrews, Annelie Lutgens.
Presents a catalog to accompany the exhibition of Cecil Beaton's portraits.
One of the most provocative and exciting architects today, Greg Lynn has defined how designers and architects use computers as a medium, operating in an expanded field that fuses cutting-edge technology, contemporary art, and science fiction aesthetics with architectural form. At the epicenter of a debate about the role of digital design and new fabrication methods in architecture and general design culture, his projects skillfully blend high technology and detailed craftsmanship, driven by modeling software from the film and aerospace industries. They range from the Ravioli lounge chair for Vitra to the Embryological House, a pre-fab housing type that takes advantage of new manufacturing technologies to produce customized houses adaptable to local conditions. Included are contributions from theorists, architects, and artists, and futurists such as Sylvia Lavin, Ben van Berkel, and Caroline Bos of UN Studio, J.G. Ballard, and Tom Friedman, among others. Greg Lynn FORM offers a window into Lynn's methods and techniques, theoretical positions, and career trajectory. Rather than a retrospective of Lynn's career, it is thought-provoking and forward-looking.
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This text looks at the art of German painter and installation artist Franz Ackermann.
Eberhard Havekost: Background16 Mar-14 Apr 2007. Hoxton Square. Eberhard Havekost, one of the most innovative surveyors of figuration in contemporary painting, exhibited a body of new work for his exhibition at White Cube Hoxton Square. Eberhard Havekost makes dense, anti-gestural paintings that explore the tension between a highly mediated image and the visceral immediacy of a seductively painted surface.
This engrossing volume takes us on a fascinating visual journey through the most groundbreaking and avant-garde art of the early 20th century to the present. Stunning, high-quality photographs of major artworks accompany illuminating discussions of the masters of modern and contemporary painting, sculpture, architecture, and conceptual art. Here are giants of invention such as Picasso and Matisse, the German expressionists, Dadaists, constructivists, surrealists, abstract expressionists, minimalists, pop artists, and today’s cutting-edge creators. They’re all carefully placed in cultural context, with ideas, movements, events, artists, and works beautifully examined. Scholars, art aficionados, students, gallery owners, and art historians will all find this mainstream, accessible guide appealing.
Panorama du travail de Wall durant les années 1990. Ses photos inscrivent des sujets de la vie quotidienne dans le champ de l'art. Il est l'un des représentants les plus significatifs d'une nouvelle photographie.