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For the fifth anniversary of Kurt Cobain's death comes a "you are there" look at the career of Nirvana, by the world's authority on the Voice of Grunge. 100 photos, 75 in color.
I Found My Friends recreates the short and tempestuous times of Nirvana through the musicians and producers who played and interacted with the band. The guides for this trip didn't just watch the life of this legendary band—they lived it. Soulsby interviewed over 150 musicians from bands that played and toured with Nirvana, including well-known alternative and grunge bands like Dinosaur Jr., The Dead Kennedys, and Butthole Surfers, as well as scores of smaller, but no less fascinating bands. In this groundbreaking look at a legendary band, readers will see a more personal history of Nirvana than ever before, including Nirvana's consideration of nearly a dozen previously unmentioned candida...
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Bands like R.E.M., U2, Public Enemy, and Nirvana found success as darlings of college radio, but the extraordinary influence of these stations and their DJs on musical culture since the 1970s was anything but inevitable. As media deregulation and political conflict over obscenity and censorship transformed the business and politics of culture, students and community DJs turned to college radio to defy the mainstream—and they ended up disrupting popular music and commercial radio in the process. In this first history of US college radio, Katherine Rye Jewell reveals that these eclectic stations in major cities and college towns across the United States owed their collective cultural power t...
True tales of radio DJ Duane Bruce, a well-known New England radio personality. Learn what it was like to do an all-night free-format rock radio show, and everything that encompasses it, from interacting with rock stars, to trying to make some musical history with a band called Nirvana. Ghosts, space-slugs and a mystery puddle make his work day quite interesting. Tune in for this one.
A trailblazing exploration of the poetic power of popular songs, from Tin Pan Alley to the Beatles to Beyoncé and beyond. Encompassing a century of recorded music, this pathbreaking book reveals the poetic artistry of popular songs. Pop songs are music first. They also comprise the most widely disseminated poetic expression of our time. Adam Bradley traces the song lyric across musical genres from early twentieth-century Delta blues to mid-century rock 'n’ roll to today’s hits. George and Ira Gershwin’s “Fascinating Rhythm.” The Rolling Stones’ “(I Can’t Get No) Satisfaction.” Rihanna’s “Diamonds.” These songs are united in their exacting attention to the craft of language and sound. Bradley shows that pop music is a poetry that must be heard more than read, uncovering the rhythms, rhymes, and metaphors expressed in the singing voice. At once a work of musical interpretation, cultural analysis, literary criticism, and personal storytelling, this book illustrates how words and music come together to produce compelling poetry, often where we least expect it.
"The liturgical reforms that have guided congregations over the last few decades have transformed what different denominations know about themselves and their worship. Worshipers are no longer spectators, but active participants in the ritual acts that once were the possession of the clergy. As the liturgy is modified, church buildings are altered." "How does all such change affect the architectural style of church buildings? Vosko provides a foundation for building or renovating a place of worship and presents a thorough checklist for spaces, art, furnishings, and appointments. He discusses many concerns and offers practical advice. He also presents issues that need further consideration in every project."--BOOK JACKET.
The emergence of indie rock as a genre has helped categorize artists who belong to independent record labels. These musicians, due to their refusal to appeal to the mainstream, have boycotted the corporate rock scene to maintain more creative control. Readers learn about the debate behind whether indie bands later picked up by major labels should still be considered "indie" and why some see them as "sell outs." Detailed sidebars, an essential albums list, and annotated quotes from artists and critics are also included to expose readers to the musicians responsible for the inception and continuance of indie rock.