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The sixteen chapters in this book form a Festschrift in honour of Henry Chakava, the distinguished Kenyan publisher. With a Forward by Tanzanian publisher Walter Bgoya , his long-time collaborator in furthering the causes of independent African publishing, the topics cover the full range of issues in which he has been central over more than forty years. His notable achievements include the first local buy-out of a British multinational publishing house, being one of the founders of African Books Collective and the African Publishers' Network, and participation in international counsels such as the Bellagio Publishing Network. Amongst the contributors are prominent Kenyan authors Ngugi wa Thiong'o, Simon Gikandi and Micere Githae Mugo; Kenyan colleagues from the book trade world; close collaborators in Uganda and Nigeria, and some international colleagues. The greatest range of the contributors are from within Africa. There are subject specific chapters on such issues as training, copyright, publishing in the digital age, and an overview of publishing at Codesria including the vexed issue of marginalisation of African language publishing.
This book explores African spirituality inside and outside of religion, investigating African traditions and perceptions in the study of spirituality across Africa and the African diaspora. It provides an interdisciplinary reflection on key issues in the field and sheds light on everyday experiences. In particular, the volume celebrates the work and mentorship of Professor Jacob K. Olupona, a leading figure in the study of African spiritualities, religions in Africa, and methodological approaches to the study of religion. With chapters by an impressive range of scholars from institutions across Africa, Europe, and North America, this book makes a valuable empirical and theoretical contribution to the development of African religious studies.
Afro-Cuban Religions and the Arts: A Dog Has Four LegsBut Takes Only One Path argues for an understanding of Afro-Cuban religions and Vodou through the arts, be it through music, the visual arts, film, or literature. This book examines the philosophical and spiritual facets of religions like Regla de Ocha, Palo, Abakuá, and Vodou, and how deeply embedded they are in Cuban popular culture. Cuban popular music, from son to salsa, timba to rap, offer reflections on Ocha, Palo, and Abakuá influences. Film and visual arts borrow allegory from Regla de Ocha and Palo beliefs. Myth and the Haitian Revolution is embedded throughout the work of Alejo Carpentier, Aimé Césaire, and Derek Walcott. This volume seeks to dialogue with the works of contemporary artists and Caribbean ancestors such as C.L.R. James, Wilson Harris, and Fernández-Retamar, in order to show the impacts that spiritualism, religious belief, and mythology have had on Afro-Cuban art.
Media is rapidly evolving. From social media to news channels, individuals are being bombarded with headlines, new technologies, and varying opinions. Consequently, it has become pivotal to develop new approaches for information processing, understanding, and redistributing. Media Controversy: Breakthroughs in Research and Practice examines the effect of conflicting opinions and views of news outlets and other mass media outlets on cultures, individuals, and groups. It also examines the role of the internet, mobile phones, and other digital platforms in creating an environment for discussing and sharing the latest controversial news. Highlighting a range of topics such as censorship, media ethics, and media transparency, this publication is an ideal reference source for government officials, leaders, activists, professionals, policymakers, media specialists, academicians, and researchers interested in the various facets of media controversy.
The role of literature and popular songs in the cultural politics of Hausa society
This textbook teaches crucial statistical methods to answer research questions using a unique range of statistical software programs, including MINITAB and R. This textbook is developed for undergraduate students in agriculture, nursing, biology and biomedical research. Graduate students will also find it to be a useful way to refresh their statistics skills and to reference software options. The unique combination of examples is approached using MINITAB and R for their individual strengths. Subjects covered include among others data description, probability distributions, experimental design, regression analysis, randomized design and biological assay. Unlike other biostatistics textbooks, this text also includes outliers, influential observations in regression and an introduction to survival analysis. Material is taken from the author's extensive teaching and research in Africa, USA and the UK. Sample problems, references and electronic supplementary material accompany each chapter.
Nigerians are troubled about the capability of political institutions in Nigeria to curb religious threats, thus maintaining security with minimum damage in preventing the occurrence of religious eruptions. The study examines the debate on institutionalizing the Islamic Law referred to as Sharia at the Federal level. The book ascertains the impact of religion (and ethnicity) on the Nigerian political institutions especially the Executive arm of the Government. The study examines the 1977 and 1988 Sharia debates at the Constituent Assemblies. Specific issues were addressed in the book, such as the Organization of Islamic Conference, Federal Government appointments, religious pilgrimages, the ...
In this holistic approach to the study of textiles and their makers, Colleen Kriger charts the role cotton has played in commercial, community, and labor settings in West Africa. By paying close attention to the details of how people made, exchanged, and wore cotton cloth from before industrialization in Europe to the twentieth century, she is able to demonstrate some of the cultural effects of Africa's long involvement in trading contacts with Muslim societies and with Europe. Cloth in West African History thus offers a fresh perspective on the history of the region and on the local, regional, and global processes that shaped it. A variety of readers will find its account and insights into the African past and culture valuable, and will appreciate the connections made between the local concerns of small-scale weavers in African villages, the emergence of an indigenous textile industry, and its integration into international networks.
Eschewing the postcolonial hubris that suggests Africa could only define itself in relation to its colonizers, a problem plaguing many studies published in the West on African cinema, this entry in the Directory of World Cinema series instead looks at African film as representing Africa for its own sake, values, and artistic choices. With a film industry divided by linguistic heritage, African directors do not have the luxury of producing comedies, thrillers, horror films, or even love stories, except perhaps as DVDs that do not travel far outside their country of production. Instead, African directors tend to cover serious sociopolitical ground, even under the cover of comedy, in the hopes of finding funds outside Africa. Contributors to this volume draw on filmic representations of the continent to consider the economic role of women, rural exodus, economic migration, refugees and diasporas, culture, religion and magic as well as representations of children, music, languages and symbols. A survey of national cinemas in one volume, Directory of World Cinema: Africa is a necessary addition to the bookshelf of any cinephile and world traveller.