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American Revenge Narratives
American Revenge Narratives critically examines the nation’s vengeful storytelling tradition. With essays on late twentieth and twenty-first century fiction, film, and television, it maps the coordinates of the revenge genre’s contemporary reinvention across American culture. By surveying American revenge narratives, this book measures how contemporary payback plots appraise the nation’s political, social, and economic inequities. The volume’s essays collectively make the case that retribution is a defining theme of post-war American culture and an artistic vehicle for critique. In another sense, this book presents a scholarly coming to terms with the nation’s love for vengeance. By investigating recent iterations of an ancient genre, contributors explore how the revenge narrative evolves and thrives within American literary and filmic imagination. Taken together, the book’s diverse chapters attempt to understand American culture’s seemingly inexhaustible production of vengeful tales.
Deadwood
Considers the HBO series Deadwood in the context of the television Western genre and the intersection of capital and violence in American history. By dramatizing the intersection of self-interested capitalism and foundational violence in a mining camp in 1870s South Dakota, the HBO series Deadwood reinvented the television Western. In this volume, Ina Rae Hark examines the groundbreaking series from a variety of angles: its relationship to past iterations of the genre on the small screen; its production context, both within the HBO paradigm and as part of the oeuvre of its creator and showrunner David Milch; and its thematics. Hark’s comprehensive analysis also takes into account the serie...
Education in Nineteenth-Century British Literature
Sheila Cordner traces a tradition of literary resistance to dominant pedagogies in nineteenth-century Britain, recovering an overlooked chapter in the history of thought about education. This book considers an influential group of writers - all excluded from Oxford and Cambridge because of their class or gender - who argue extensively for the value of learning outside of schools altogether. From just beyond the walls of elite universities, Jane Austen, Elizabeth Barrett Browning, Thomas Hardy, and George Gissing used their position as outsiders as well as their intimate knowledge of British universities through brothers, fathers, and friends, to satirize rote learning in schools for the work...
Encyclopedia of Contemporary Writers and Their Works
Provides a comprehensive overview of the best writers and works of the current English-speaking literary world.
Narrative in Culture
The collection showcases new research in the field of cultural and historical narratology. Starting from the premise of the ‘semantisation of narrative forms’ (A. Nünning), it explores the cultural situatedness and historical transformations of narrative, with contributors developing new perspectives on key concepts of cultural and historical narratology, such as unreliable narration and multiperspectivity. The volume introduces original approaches to the study of narrative in culture, highlighting its pivotal role for attention, memory, and resilience studies, and for the imagination of crises, the Anthropocene, and the Post-Apocalypse. Addressing both fictional and non-fictional narratives, individual essays analyze the narrative-making and unmaking of Europe, Brexit, and the Postcolonial. Finally, the collection features new research on narrative in media culture, looking at the narrative logic of graphic novels, picture books, and newsmedia.
Hail Mary - The Drew Pearson Story
Persistence. Perseverance. Survival. Drew Pearson shares the story of his life. As one of the NFLUs greatest wide receivers, he is best known for one of the most famous plays in NFL history, the Hail Mary reception. In his life after football, Drew Pearson Companies have become the nation's largest black sporting goods concern.
The Crisis of Capitalism in the Contemporary Novel
This book explores the role of radical ideas in contemporary fiction by nine critically acclaimed authors--Jonathan Lethem, Dana Spiotta, China Mieville, Thomas Pynchon, Rachel Kushner, Teddy Wayne, Colson Whitehead, Jacqueline Woodson, and Kim Stanley Robinson. All of them share interests in the politics of the left, the problems of protracted economic crisis, and the potentiality of post-capitalist ideas. Novels by these authors, this book argues, are defined by an imperative to confront current anxieties in left-thought, while, at the same time, evincing a nuanced degree of self-consciousness about the legacy of political radicalisms, the costs they accrue, and where they have led.
Savage Horizons
Blue Hawk was born into the Cheyenne culture of his parents, but when he is adopted by a white trapper and renamed Caleb Sax it is difficult for him to adjust to the white man’s ways. He encounters prejudice everywhere he goes and struggles to remember his true blood despite his upbringing. Caleb’s adoptive parents raise him alongside their daughter, Sarah, and love him like their own. As Caleb and Sarah grow up together, their secret passion for one another becomes undeniable. When tragedy strikes and Caleb is left for dead, Sarah, carrying Caleb’s baby, is taken away and forced to marry a brutal man she does not love. Though Caleb and Sarah believe the other to be dead, their diverging paths prove that their love and longing for each other can never die. PRAISE: “Power, passion, tragedy, and triumph are Rosanne Bittner’s hallmarks. Again and again, she brings readers to tears.” —Romantic Times “Extraordinary…Bittner’s characters spring to life.” —Publishers Weekly
