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The Crisis of Capitalism in the Contemporary Novel
This book explores the role of radical ideas in contemporary fiction by nine critically acclaimed authors--Jonathan Lethem, Dana Spiotta, China Mieville, Thomas Pynchon, Rachel Kushner, Teddy Wayne, Colson Whitehead, Jacqueline Woodson, and Kim Stanley Robinson. All of them share interests in the politics of the left, the problems of protracted economic crisis, and the potentiality of post-capitalist ideas. Novels by these authors, this book argues, are defined by an imperative to confront current anxieties in left-thought, while, at the same time, evincing a nuanced degree of self-consciousness about the legacy of political radicalisms, the costs they accrue, and where they have led.
Hail Mary - The Drew Pearson Story
Persistence. Perseverance. Survival. Drew Pearson shares the story of his life. As one of the NFLUs greatest wide receivers, he is best known for one of the most famous plays in NFL history, the Hail Mary reception. In his life after football, Drew Pearson Companies have become the nation's largest black sporting goods concern.
Red the Witch
Mortals have told fairy tales all throughout their lives to children as a means to get them to fall asleep. To them, these stories are nothing more than entertainment with life lessons to be taught. But to the Enchanted and Magic Beings, these stories are their truths. Judias Romero is known throughout the Enchanted Realm as Red Riding Hood. After divorcing his husband, Prince Maceo Charming, Judias decides to leave his home and live in the Mortal Realm, starting a new life as a private investigator. Three years later his former mentor Athena is murdered and every spell she casted throughout her life is broken, wreaking havoc in both the Enchanted and Magic Realms. Enchantress Morgan le Fay seeks out Judias to inform him how special he truly is to both Realms and how only his magic can save Happily Ever Afters. However, when four students turn up missing at Magik School, and the prime suspect is an urban legend, it’s up to Judias to find the students, vanquish the suspect, and fix Athena’s mess. Then Prince Charming renters Judias’ life, and the Witch soon finds out how complicated true love can really be. Will Judias ever catch a break?
Education in Nineteenth-Century British Literature
Sheila Cordner traces a tradition of literary resistance to dominant pedagogies in nineteenth-century Britain, recovering an overlooked chapter in the history of thought about education. This book considers an influential group of writers - all excluded from Oxford and Cambridge because of their class or gender - who argue extensively for the value of learning outside of schools altogether. From just beyond the walls of elite universities, Jane Austen, Elizabeth Barrett Browning, Thomas Hardy, and George Gissing used their position as outsiders as well as their intimate knowledge of British universities through brothers, fathers, and friends, to satirize rote learning in schools for the work...
Southern Reporter
Includes the decisions of the Supreme Courts of Alabama, Florida, Louisiana, and Mississippi, the Appellate Courts of Alabama and, Sept. 1928/Jan. 1929-Jan./Mar. 1941, the Courts of Appeal of Louisiana.
Deadwood
Considers the HBO series Deadwood in the context of the television Western genre and the intersection of capital and violence in American history. By dramatizing the intersection of self-interested capitalism and foundational violence in a mining camp in 1870s South Dakota, the HBO series Deadwood reinvented the television Western. In this volume, Ina Rae Hark examines the groundbreaking series from a variety of angles: its relationship to past iterations of the genre on the small screen; its production context, both within the HBO paradigm and as part of the oeuvre of its creator and showrunner David Milch; and its thematics. Hark’s comprehensive analysis also takes into account the serie...
Narrative in Culture
The collection showcases new research in the field of cultural and historical narratology. Starting from the premise of the ‘semantisation of narrative forms’ (A. Nünning), it explores the cultural situatedness and historical transformations of narrative, with contributors developing new perspectives on key concepts of cultural and historical narratology, such as unreliable narration and multiperspectivity. The volume introduces original approaches to the study of narrative in culture, highlighting its pivotal role for attention, memory, and resilience studies, and for the imagination of crises, the Anthropocene, and the Post-Apocalypse. Addressing both fictional and non-fictional narratives, individual essays analyze the narrative-making and unmaking of Europe, Brexit, and the Postcolonial. Finally, the collection features new research on narrative in media culture, looking at the narrative logic of graphic novels, picture books, and newsmedia.
Southern Reporter
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