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Banaras
The Distaste of the Earth imaginatively weaves an ancient world of Khasi kings and queens, warriors and plunderers, and chronicles the sorrows of a young man caught up in that world. This layered fictional history of a land where a queen falls in love with a pauper, where animals recount their tales of woe against man, and where retribution—destructive to both good and bad—arrives, sooner or later, begins in a pata, the local bar, whose patrons form a microcosm of the world around them. Kynpham Sing Nongkynrih masterfully equips these endearing characters to explore, through the tragic life of the protagonist, the nature of human existence, raising questions about earthly powers, godly d...
Around the Hearth
It Is Believed That The Only Way The Khasi People Could Learn Of God S Word Was By Passing On The Stories Of Their Forefathers. The Alphabet Of The Great Khasi Tribe Of North-East India Was Born As Late As In 1842, When Thomas Jones, A Welsh Presbyterian Missionary, Introduced The Roman Script To Form The Essentials Of The Khasi Written Word. But Long Before The White Man Came, The Khasis Knew Agriculture, Trade, Commerce And Industry. And They Were Also Masters Of Storytelling. Theirs Was A Society Of Great Wisdom And Civilized Conduct At A Time When Brute Force Held Sway. For Theirs Was A Culture That Worshipped God Through Respect For Both Man And Nature. Perhaps That Is Why Khasi Stories...
Funeral Nights
A group of friends journey to aremote part of West Khasi Hills to witness Ka PhorSorat, the Feast of the Dead,an ancient Lyngngam funeral ceremony that lasts six days. Concluding with thecremation of a beloved elder, a woman whose body has been preserved in a treehouse for nine whole months, this may well be the last time Ka PhorSorat isperformed. By mistake, however, the grouparrives early. So they wait, stuck in the jungle, spendingtheir nights around a fire in the middle of a spacious hut built forthem especially, sharing stories in what proves an unexpected journey ofdiscovery. Funeral Nights is avast collection of tales both big and small, less about death than it is aboutlife in all forms. It teems with admirable men and women, raconteurs andpranksters, lovers and fools, politicians and conmen, drunks and taxi drivers;it abounds with culture, history, gods, religions, myths and legends. Inspiredby Boccaccio's Decameron and The Arabian Nights, this isintimate access to a whole world, spectacular in its documentation of a tribe'slife and culture, and lush, warm, and entirely delightful in its telling.
Dancing Earth
The poets of North-East India, though belonging to diverse spaces, cultures, languages and religions, share a common bond. It is a sensibility defined by a deep connection with the land; the overarching presence of nature in their lives; the predominance of myths and tribal folklore; and the search for an identity. All this informs their poetry and gives it a unique flavour. Much of the distinctiveness of their work is also the consequence of contemporary events, often marked by violence. Like its title poem The Dancing Earth , the anthology too, is a celebration of this life, in all its unpredictable variety, richness and contradictions. So while Thangjam Ibopishak writes I Want to be Killed By an Indian Bullet and Chandrakanta Murasingh speaks of a minister with neither inside nor outside , there are also Temsula Ao s poems about her stone-people ancestors; Mamang Dai s portraits of swift rivers and primeval forests; and the Shillong poets with their mist-shrouded pine slopes, red cherries and gridlocked streets.
U Sier Lapalang
Lapalang is a young deer in love with adventure. And one day he sets off, in search of someting different. Not heeding his mother's words, and not listening to the voice inside, telling him 'Beware, beware of the land of the human.'
The Yearning Of Seeds : Poems
The poetry of Kynpham Sing Nongkynrih while redolent of the fragrance of his native place Meghalaya addresses themes that are universal. In this evocative collection of poems, ferocious satire jostles with wistful longing, and nostalgia for a lost way of life offers a counterpoint to the violence that is part of everyday life in this part of the country.
Time's Barter
None
Tales of Darkness and Light
Soso Tham (1873–1940), the acknowledged poet laureate of the Khasis of northeastern India, was one of the first writers to give written poetic form to the rich oral tradition of his people. Poet of landscape, myth and memory, Soso Tham paid rich and poignant tribute to his tribe in his masterpiece The Old Days of the Khasis. Janet Hujon’s vibrant new translation presents the English reader with Tham’s long poem, which keeps a rich cultural tradition of the Khasi people alive through its retelling of old narratives and acts as a cultural signpost for their literary identity. This book is essential reading for anyone with an interest in Indian literature and culture and in the interplay between oral traditions and written literary forms. This edition includes: • English translation • Critical apparatus • Embedded audio recordings of the original text
